1 00:00:04,209 --> 00:00:05,711 The Hanole prism is ours. 2 00:00:05,961 --> 00:00:07,671 The prism's no good without the map. 3 00:00:07,796 --> 00:00:08,881 The map! 4 00:00:12,484 --> 00:00:14,386 Give it up, Higgins. 5 00:00:14,553 --> 00:00:16,472 The legend is well documented! 6 00:00:16,680 --> 00:00:19,308 We must find the lost art by any means possible. 7 00:00:21,351 --> 00:00:23,687 Good God, man. They'll obliterate us! 8 00:00:24,897 --> 00:00:25,981 [EXCLAIMING] 9 00:02:09,793 --> 00:02:11,545 [BATS CHIRPING] 10 00:03:21,615 --> 00:03:23,325 [RUMBLING] 11 00:04:23,093 --> 00:04:25,303 A burial cave? 12 00:04:25,971 --> 00:04:29,099 He actually sent me into a burial... 13 00:05:36,792 --> 00:05:38,710 [RUMBLING] 14 00:05:42,255 --> 00:05:43,840 [GULPING] 15 00:06:11,368 --> 00:06:13,286 [RUMBLING] 16 00:06:52,534 --> 00:06:54,077 HIGGINS: This isn't it. 17 00:06:54,286 --> 00:06:57,664 What? It has to be! I nearly got killed. 18 00:06:57,747 --> 00:07:00,333 For which I have already expressed regret and explained 19 00:07:00,417 --> 00:07:03,169 that I had no idea the task would prove to be so treacherous. 20 00:07:03,420 --> 00:07:05,463 Nevertheless, your misfortune at the cave does not alter 21 00:07:05,547 --> 00:07:06,965 the fact that this scroll 22 00:07:07,132 --> 00:07:09,968 while doubtless the same age as the lost art of the ancients, 23 00:07:10,051 --> 00:07:12,053 is a phony and therefore worthless. 24 00:07:12,637 --> 00:07:16,141 I don't understand, and why did I have to wear this hat? 25 00:07:16,892 --> 00:07:18,810 To keep the sun out of your eyes. 26 00:07:19,477 --> 00:07:21,062 Even without the Hanole prism 27 00:07:21,271 --> 00:07:23,523 I can see that these particular petroglyphs are meaningless. 28 00:07:23,607 --> 00:07:25,692 Visual gibberish, if you will. 29 00:07:25,775 --> 00:07:28,653 The Hanole prism? Oh, right, of course. 30 00:07:28,737 --> 00:07:30,614 Well, there's nothing to do but keep searching. 31 00:07:30,697 --> 00:07:34,326 Here, you'll want to wear this once you get back on the trail. 32 00:07:34,409 --> 00:07:37,412 Oh, I don't think so, Higgins. 33 00:07:37,537 --> 00:07:40,248 I don't think there's any trail to go back on. 34 00:07:40,498 --> 00:07:41,791 I beg your pardon? 35 00:07:41,958 --> 00:07:43,460 Oh, tell me, Higgins. 36 00:07:43,543 --> 00:07:47,464 Were any of those traps lethal or were they all just illusions? 37 00:07:47,547 --> 00:07:51,551 Are you suggesting that I set up some sort of elaborate practical joke? 38 00:07:51,760 --> 00:07:53,970 Oh, give it up, Higgins! 39 00:07:54,054 --> 00:07:56,097 You went too far with the Hanole prism! 40 00:07:56,181 --> 00:07:58,308 You had your fun trying to sell me on that story 41 00:07:58,391 --> 00:08:00,685 about pre-historic little people geniuses. 42 00:08:00,769 --> 00:08:02,687 The legend is well documented! 43 00:08:02,771 --> 00:08:05,523 The ancients did exist! A highly advanced culture. 44 00:08:05,732 --> 00:08:08,777 Diminutive in stature, gargantuan in intellect. 45 00:08:08,860 --> 00:08:11,738 And the lost art scroll may contain solutions to maladies 46 00:08:11,947 --> 00:08:13,740 that have plagued man for centuries. 47 00:08:13,823 --> 00:08:16,451 Like practical jokes. Goodbye, Higgins. 48 00:08:16,576 --> 00:08:19,537 May I remind you that Mr. Masters is paying you quite handsomely 49 00:08:19,605 --> 00:08:21,289 for your assistance in this venture? 50 00:08:21,373 --> 00:08:23,041 Was paying. And I'll agree with you, 51 00:08:23,101 --> 00:08:24,918 you paid me handsomely, Robin. Thanks. 52 00:08:25,001 --> 00:08:27,003 I won't even dignify that with a response. 53 00:08:27,087 --> 00:08:28,797 Now, will you or will you not help? 54 00:08:29,047 --> 00:08:32,467 I said no. N-O. No, no! 55 00:08:32,592 --> 00:08:35,345 No more traps, no more caves, no more lost ark. 56 00:08:35,470 --> 00:08:37,222 Lart... Lost art! 57 00:08:37,430 --> 00:08:40,392 And either the joke is on me, Higgins, or it's on you. 58 00:08:40,600 --> 00:08:43,228 But either way, count me out! 59 00:08:45,855 --> 00:08:47,440 [DOOR SLAMMING] 60 00:08:54,224 --> 00:08:58,368 How perceptive of him, Jonathan. I do believe the joke is on you, 61 00:08:58,618 --> 00:09:00,787 for the moment, anyway. 62 00:09:01,079 --> 00:09:05,166 Oh, incidentally, that jacket and hat were meant for you, 63 00:09:05,250 --> 00:09:07,836 not for your lackey. 64 00:09:07,961 --> 00:09:10,463 The great Peter Riddley-Smythe can still elude 65 00:09:10,547 --> 00:09:13,842 even the most foolproof security system, I see. 66 00:09:18,680 --> 00:09:21,016 That isn't the scroll you seek. 67 00:09:21,099 --> 00:09:22,934 I know that and you know that, 68 00:09:23,018 --> 00:09:25,395 but the people I'm selling it to probably don't. 69 00:09:25,520 --> 00:09:27,147 Oh, by the way, Jonathan, 70 00:09:27,230 --> 00:09:30,233 please don't call your friend, Magnum, when I leave. 71 00:09:30,316 --> 00:09:34,029 I should hate to have to execute those two charming 72 00:09:34,112 --> 00:09:36,698 and drugged Dobermans of yours. 73 00:09:37,949 --> 00:09:39,701 Till the next time. 74 00:09:41,494 --> 00:09:43,955 And the ultimate prize. 75 00:09:47,141 --> 00:09:49,002 [PHONE RINGING] 76 00:09:49,127 --> 00:09:50,837 Robin's nest. 77 00:09:51,129 --> 00:09:55,258 Miss Northrup. Please, I must see you tonight. 78 00:09:55,467 --> 00:09:57,761 I'm prepared to pay whatever you ask. 79 00:09:58,053 --> 00:09:59,429 [DISCO MUSIC PLAYING] 80 00:10:01,056 --> 00:10:02,724 MC: ...all night long. 81 00:10:02,932 --> 00:10:05,560 That lady in the blue gown is taking everybody on. 82 00:10:05,769 --> 00:10:08,104 Four men left only four men' left. 83 00:10:08,313 --> 00:10:10,231 And she's been dancing with them all night long. 84 00:10:11,024 --> 00:10:12,942 That girl is dynamite! 85 00:10:13,039 --> 00:10:14,694 You'll know dynamite, all right, 86 00:10:14,778 --> 00:10:16,988 if Mr. Higgins finds out you're staging another contest. 87 00:10:17,113 --> 00:10:18,823 How's he gonna know? Just relax. 88 00:10:22,368 --> 00:10:23,787 MC: She's slowing down. 89 00:10:23,870 --> 00:10:25,830 Oh, no, no. 90 00:10:28,249 --> 00:10:30,168 This guy looks like he might have taken her. 91 00:10:31,628 --> 00:10:32,921 Hold on. 92 00:10:33,546 --> 00:10:37,509 That hot ball of fire keeps on going. Watch out, guys. 93 00:10:43,014 --> 00:10:45,100 Oh, another one bites the dust. 94 00:10:45,350 --> 00:10:47,852 Looks like we're going to have a winner here pretty soon. 95 00:10:48,061 --> 00:10:50,396 Will it be the lovely lady in blue? 96 00:10:54,109 --> 00:10:56,861 MAGNUM: I know what you're thinking, and this time you're wrong. 97 00:10:57,237 --> 00:11:01,199 This wasn't a dream or some kind of bizarre fantasy of mine. 98 00:11:01,282 --> 00:11:04,869 No. It had all the earmarks of the kind practical jokes 99 00:11:05,036 --> 00:11:09,040 played by the infamous double agent Peter Riddley-Smythe. 100 00:11:09,165 --> 00:11:12,460 According to countless stories Higgins had told me over the years, 101 00:11:12,544 --> 00:11:16,756 Peter Riddley-Smythe was an agent, or actually a double agent, 102 00:11:16,881 --> 00:11:19,217 who was known for concocting elaborate scenes 103 00:11:19,300 --> 00:11:22,470 out of his favorite movies as part of every assignment. 104 00:11:22,531 --> 00:11:25,306 It was kind of like his calling card. 105 00:11:25,351 --> 00:11:28,977 Of course, I had never believed that there actually was such a man. 106 00:11:29,185 --> 00:11:30,728 I mean, the whole thing sounded like 107 00:11:30,854 --> 00:11:33,398 a figment of Higgins' rather active imagination. 108 00:11:35,191 --> 00:11:39,696 But, one way or the other, there was obviously something wrong with Higgins 109 00:11:39,904 --> 00:11:43,116 and I had to make sure that he wasn't in any real danger. 110 00:11:50,123 --> 00:11:51,583 [PEOPLE CHEERING] 111 00:11:52,208 --> 00:11:53,835 MC: That's it, he's had it. 112 00:11:55,295 --> 00:11:56,796 The lovely lady in blue. 113 00:11:57,005 --> 00:11:59,174 Let's have a big hand for her. Yeah! 114 00:11:59,883 --> 00:12:01,467 [PEOPLE CHEERING] 115 00:12:04,012 --> 00:12:06,139 - Thanks for the ride. - Sure. 116 00:12:12,187 --> 00:12:14,355 This one's on the house, sweetheart. You deserve it. 117 00:12:14,480 --> 00:12:17,442 Oh. Now is that all I get for winning the dance contest? 118 00:12:17,567 --> 00:12:19,903 Well, that remains to be seen. 119 00:12:20,028 --> 00:12:22,655 My name's Rick Wright. I run this gin joint. 120 00:12:22,739 --> 00:12:24,866 - What's your name? - Miss Northrup? 121 00:12:25,617 --> 00:12:29,078 Higgins! What are you doing here? I was just closing up now. 122 00:12:29,913 --> 00:12:32,290 You said you would meet me out front. 123 00:12:32,749 --> 00:12:34,375 Well, I got bored. 124 00:12:34,459 --> 00:12:36,794 And I figured you would have sense enough to look for me in here. 125 00:12:37,045 --> 00:12:40,089 I thought we agreed to a quiet, private location. 126 00:12:43,635 --> 00:12:45,345 Do you mind? 127 00:12:47,597 --> 00:12:50,975 Instead, you meet me in here, wearing a dress like that. 128 00:12:51,100 --> 00:12:52,936 Just get to the point, will you, Mr. Higgins? 129 00:12:53,019 --> 00:12:55,104 MALCOLM: An excellent suggestion. 130 00:12:55,313 --> 00:12:59,192 Let's do get to the point. The prism? 131 00:13:02,654 --> 00:13:05,073 The club is closed, gentlemen. 132 00:13:05,240 --> 00:13:06,866 We are not thirsty. 133 00:13:07,075 --> 00:13:09,077 Where is it, Miss Northrup? 134 00:13:09,160 --> 00:13:11,329 If I have it, I'm accepting bids. 135 00:13:11,537 --> 00:13:13,623 MALCOLM: Oh, ours will be the highest, I assure you. 136 00:13:13,706 --> 00:13:17,502 Please, it would be best if we could have your cooperation. 137 00:13:17,627 --> 00:13:19,462 The Hanole prism, 138 00:13:19,587 --> 00:13:23,883 and your help in employing its powers to locate the lost ark. 139 00:13:24,092 --> 00:13:25,009 - Art. - What? 140 00:13:25,218 --> 00:13:26,261 Art. 141 00:13:26,344 --> 00:13:30,014 The lost art of the ancients. You said "the lost ark." 142 00:13:30,098 --> 00:13:32,475 A common mistake and I'm afraid you've made another one. 143 00:13:32,684 --> 00:13:34,560 Miss Northrup does not have the prism. 144 00:13:34,727 --> 00:13:37,146 Wait a minute. You mean that she's a... 145 00:13:41,067 --> 00:13:42,485 Hey, hey, hey... 146 00:13:42,652 --> 00:13:44,153 Oh. 147 00:13:48,157 --> 00:13:51,536 Thank you. Your beautiful dress. 148 00:13:51,869 --> 00:13:53,705 How clumsy of me. 149 00:13:53,871 --> 00:13:56,124 Let me clean you off. 150 00:13:57,417 --> 00:13:58,167 Ah. 151 00:13:58,376 --> 00:14:00,545 Hi, guys. Hold it right there. 152 00:14:01,879 --> 00:14:03,381 - [GUN COCKING] - No, see. 153 00:14:05,800 --> 00:14:07,343 [YELLS] 154 00:14:26,529 --> 00:14:27,905 [GROWLING] 155 00:14:28,072 --> 00:14:29,324 [YELLING] 156 00:14:33,661 --> 00:14:35,705 - Hi, Connie. - Hello. 157 00:14:35,913 --> 00:14:37,415 Good to see you again. Could I have a beer? 158 00:14:37,498 --> 00:14:39,417 Something with a long neck. 159 00:14:44,213 --> 00:14:45,882 [GLASS SHATTERING] 160 00:14:59,854 --> 00:15:01,939 I've been planning to call you, honest. 161 00:15:02,023 --> 00:15:03,024 Thanks. 162 00:15:03,274 --> 00:15:04,776 [GROANS] 163 00:15:09,113 --> 00:15:10,406 [BOTH YELLING] 164 00:15:11,240 --> 00:15:12,533 [CRASHING] 165 00:15:16,454 --> 00:15:17,997 [GUN FIRES] 166 00:15:21,751 --> 00:15:23,252 [SPEAKS SPANISH] 167 00:15:42,814 --> 00:15:44,315 [MOANING] 168 00:15:59,580 --> 00:16:00,998 [CRASHING] 169 00:16:10,316 --> 00:16:12,051 I really appreciate this, officers. 170 00:16:12,260 --> 00:16:14,387 I'm sorry for any inconvenience. 171 00:16:14,720 --> 00:16:17,432 So, Rick, you don't want to press charges then, right? 172 00:16:17,557 --> 00:16:20,059 Oh, no, no. In fact, you can assure whoever called in 173 00:16:20,143 --> 00:16:23,521 the disturbing-the-peace report that everything is a-okay. 174 00:16:23,646 --> 00:16:28,693 I could promise you that the club will definitely be closed for the evening. 175 00:16:29,193 --> 00:16:31,988 Thanks, officers. Good night. 176 00:16:34,365 --> 00:16:37,034 All right, Higgins. What's going on? 177 00:16:37,243 --> 00:16:39,495 I don't have time for lengthy explanations. 178 00:16:39,579 --> 00:16:42,290 We must find the lost art by any means possible, 179 00:16:42,373 --> 00:16:43,875 and that's all I can tell you. 180 00:16:44,041 --> 00:16:45,793 - Kenny. - What are you doing? 181 00:16:45,918 --> 00:16:47,336 I'm calling the police back. 182 00:16:47,545 --> 00:16:49,630 No! You mustn't involve the police. 183 00:16:49,839 --> 00:16:51,841 - Kenny! - All right! 184 00:16:53,790 --> 00:16:56,429 I was sworn to secrecy, but I'll tell you everything. 185 00:16:56,637 --> 00:16:59,223 The lost art is not just a whim of Mr. Masters. 186 00:16:59,307 --> 00:17:02,768 International agencies wish to remain officially uninvolved, 187 00:17:02,894 --> 00:17:06,230 and Robin Masters provides them with a perfect innocent collector. 188 00:17:06,314 --> 00:17:07,773 How accommodating of you. 189 00:17:08,774 --> 00:17:11,152 I have reason to believe that those three men who were here tonight 190 00:17:11,277 --> 00:17:12,653 are foreign operatives. 191 00:17:12,862 --> 00:17:15,490 Working for the eccentric Peter Riddley-Smythe? 192 00:17:15,573 --> 00:17:17,408 Double agent and cinema buff? 193 00:17:17,617 --> 00:17:19,577 This is no joking matter, Magnum. 194 00:17:19,785 --> 00:17:22,413 We must find Miss Northrup before they do. 195 00:17:22,872 --> 00:17:24,916 - Kenny! - All right, 196 00:17:25,208 --> 00:17:26,375 I lied. 197 00:17:26,959 --> 00:17:29,962 She does have the prism. It's the key to translating the lost art. 198 00:17:30,046 --> 00:17:32,590 And if we don't get to her before they do... 199 00:17:32,798 --> 00:17:34,550 You mean she could be... 200 00:17:36,886 --> 00:17:40,348 Okay, Higgins. I'll play along with this little scenario. 201 00:17:40,431 --> 00:17:42,975 Long enough to find out that Connie's okay. 202 00:17:43,059 --> 00:17:44,894 - You know where she is? - Maybe. 203 00:17:44,968 --> 00:17:47,471 I just have to make one little stop first. 204 00:17:47,563 --> 00:17:49,607 I'm coming with you. If Miss Northrup should return, 205 00:17:49,690 --> 00:17:51,859 - keep her here until we get back. - Yeah, sure. 206 00:17:51,943 --> 00:17:53,361 HIGGINS: How do you know Miss Northrup? 207 00:17:53,486 --> 00:17:54,987 MAGNUM: It's a long story. 208 00:17:56,280 --> 00:17:57,782 HIGGINS: You were engaged? 209 00:17:57,907 --> 00:17:59,534 MAGNUM: No. Not exactly. 210 00:18:02,870 --> 00:18:05,414 More like engaged to be engaged. 211 00:18:05,498 --> 00:18:07,083 But that was a long time ago. 212 00:18:07,166 --> 00:18:10,753 And I'd appreciate it if you kept that information between us. 213 00:18:12,713 --> 00:18:14,507 Well, the place hasn't changed much. 214 00:18:14,632 --> 00:18:16,217 Extraordinary. 215 00:18:16,384 --> 00:18:18,636 There's a fortune in rare antiquity here. 216 00:18:18,719 --> 00:18:21,764 But no Connie. I'm going to check the rest of the house out. 217 00:18:22,890 --> 00:18:24,183 - T.C.: Hi. - Ah! 218 00:18:25,059 --> 00:18:26,727 HIGGINS: T.C.! 219 00:18:26,894 --> 00:18:28,604 Why didn't you say it was you? 220 00:18:28,729 --> 00:18:31,023 - You found the prism? - You didn't give me a chance. 221 00:18:31,107 --> 00:18:32,191 Look at this. 222 00:18:32,316 --> 00:18:34,026 Why are you wearing that weird hat and jacket? 223 00:18:34,110 --> 00:18:36,529 Insurance. I mean, if there really is a Peter Riddley-Smythe... 224 00:18:36,612 --> 00:18:38,656 Extraordinary. How did you know to come to this address? 225 00:18:38,739 --> 00:18:40,241 T.C.: It was pretty simple, really. 226 00:18:40,324 --> 00:18:42,076 I saved this old article that Connie Northrup 227 00:18:42,159 --> 00:18:44,954 had written for one of the archeological magazines that I subscribe to. 228 00:18:45,079 --> 00:18:47,248 You subscribe to archeology magazines? 229 00:18:47,373 --> 00:18:48,708 Yeah, well, a couple. 230 00:18:48,752 --> 00:18:51,838 Anyway, the article had her school address in it, 231 00:18:52,086 --> 00:18:54,672 so I called posing as a buyer. And I got her home address. 232 00:18:54,880 --> 00:18:56,382 I guess I got pretty lucky. 233 00:18:56,465 --> 00:18:57,383 Indeed. 234 00:18:57,466 --> 00:18:58,968 T.C.: How did you get here? 235 00:18:59,051 --> 00:19:01,220 Well, apparently Magnum and Miss Northrup... 236 00:19:01,429 --> 00:19:04,307 Are old friends. That's all. 237 00:19:04,640 --> 00:19:06,726 Well, I tried calling you at the club, but no one answered. 238 00:19:07,101 --> 00:19:11,814 Higgins promised you a bundle of money to find the lost art. 239 00:19:12,023 --> 00:19:14,150 I am not in it for the money, T.M. 240 00:19:14,233 --> 00:19:16,360 I am trying to help to find the lost art 241 00:19:16,611 --> 00:19:19,030 for purely humanitarian and historical reasons. 242 00:19:19,196 --> 00:19:20,197 Wait a minute. What did you say? 243 00:19:20,406 --> 00:19:21,616 I said, I'm not in it for the money... 244 00:19:21,755 --> 00:19:23,618 No. You said no one answered at the club. Where's Rick? 245 00:19:23,701 --> 00:19:25,156 He was supposed to wait for Miss Northrup. 246 00:19:25,369 --> 00:19:27,121 He'd have a long wait. 247 00:19:27,330 --> 00:19:28,205 Connie. 248 00:19:28,414 --> 00:19:30,041 - Miss Northrup. - Miss Connie Northrup. 249 00:19:30,207 --> 00:19:32,835 Hand over the prism, Mr. Higgins. 250 00:19:46,307 --> 00:19:48,434 MALCOLM: An excellent suggestion. 251 00:19:50,019 --> 00:19:51,687 Do hand it over. 252 00:19:52,730 --> 00:19:54,982 In fact, I'll take it now. 253 00:19:57,068 --> 00:20:01,447 I would so have enjoyed taking it from you, as usual, Jonathan. 254 00:20:01,530 --> 00:20:03,908 It isn't over yet, Riddley-Smythe. 255 00:20:04,033 --> 00:20:05,493 Thank you. 256 00:20:07,662 --> 00:20:11,540 You must be the lovely Nyoka Gordon. 257 00:20:11,832 --> 00:20:14,669 What are you saying? My name is Connie Northrup. 258 00:20:14,919 --> 00:20:16,253 What is it this time, Peter? 259 00:20:16,337 --> 00:20:18,923 Maltese falcon? Treasure of Sierra Madre? 260 00:20:19,131 --> 00:20:22,301 I'm sorry, Jonathan. I'm truly sorry that you didn't get a chance 261 00:20:22,426 --> 00:20:24,637 to locate the lost ark. 262 00:20:24,804 --> 00:20:25,721 Art. 263 00:20:25,805 --> 00:20:27,848 Well, then. Shall we go, Miss Northrup? 264 00:20:28,432 --> 00:20:33,813 I am sure you would not wish to witness the execution of such wonderful friends. 265 00:20:34,063 --> 00:20:38,651 All right, everybody freeze! That goes for you, too, fat man. 266 00:20:52,748 --> 00:20:53,958 HIGGINS: Oh, my God. 267 00:20:54,208 --> 00:20:57,211 I can't believe you let the Hanole prism slip from our grasp. 268 00:20:57,336 --> 00:20:59,296 Hey, Higgins. You're being a little ungrateful, aren't you? 269 00:20:59,380 --> 00:21:01,424 I mean, if it weren't for me showing up when I did, 270 00:21:01,549 --> 00:21:05,052 you'd be waiting in line right now waiting for your harp and your little wings. 271 00:21:05,136 --> 00:21:06,846 How did you know where to find us? 272 00:21:06,929 --> 00:21:09,181 Because I figured that Malcolm lost two of his top shooters 273 00:21:09,306 --> 00:21:10,891 and he'd need some local talent. 274 00:21:11,016 --> 00:21:12,977 So I called Ice Pick, got some names, 275 00:21:13,060 --> 00:21:15,146 did a little tailing on my own, and got lucky. 276 00:21:15,229 --> 00:21:17,356 The police haven't been able to get anything out of the gunmen. 277 00:21:17,440 --> 00:21:19,275 And Connie's vanished into thin air. 278 00:21:19,358 --> 00:21:22,611 No doubt the tart has run off with Malcolm to activate the prism. 279 00:21:22,737 --> 00:21:26,115 She's not a tart, Higgins, and you could've saved us all a lot of grief 280 00:21:26,240 --> 00:21:28,325 by telling us what you were up to from the beginning. 281 00:21:28,409 --> 00:21:30,411 I've told you before about Peter Riddley-Smythe. 282 00:21:30,619 --> 00:21:32,788 - You never seemed to believe me. - Who's Riddley-Smythe? 283 00:21:32,997 --> 00:21:35,332 Peter Riddley-Smythe, a spy, a counter spy 284 00:21:35,416 --> 00:21:38,169 and a master thief who specializes in stealing the exotic. 285 00:21:38,252 --> 00:21:40,713 - Who's Malcolm? - Malcolm is an Eastern Bloc agent 286 00:21:40,796 --> 00:21:42,840 who is trying to steal the prism for the other side. 287 00:21:43,048 --> 00:21:45,342 I am not worried about Riddley-Smythe or Malcolm, 288 00:21:45,415 --> 00:21:46,500 I'm worried about Connie! 289 00:21:46,677 --> 00:21:48,095 Wait a minute. Who's Connie? 290 00:21:48,179 --> 00:21:50,389 I think I recognize this, Higgins. North by Northwest. 291 00:21:50,556 --> 00:21:51,682 Wait a minute. Who's Connie? 292 00:21:51,932 --> 00:21:53,434 No, Bad Day at Black Rock. 293 00:21:53,642 --> 00:21:55,644 This isn't the time to be playing movie trivia. 294 00:21:55,728 --> 00:21:57,938 We've got to figure out where Miss Northrup is. 295 00:21:58,006 --> 00:21:59,774 That's exactly what I'm trying to do. 296 00:21:59,857 --> 00:22:02,026 King Solomon's Mines, the Stewart Granger version, 297 00:22:02,109 --> 00:22:03,819 - not the Richard Chamberlain. - [PHONE BUZZING] 298 00:22:04,028 --> 00:22:05,696 RICK: Wait a minute. Who's Connie Northrup? 299 00:22:05,821 --> 00:22:07,364 - Yes? - CONNIE: It's Connie Northrup. 300 00:22:08,532 --> 00:22:10,201 I'm at your gate. 301 00:22:18,125 --> 00:22:20,419 I'm sure Thomas will tell us what she said. 302 00:22:20,628 --> 00:22:23,506 Yeah, give the man a little privacy. 303 00:22:24,423 --> 00:22:28,761 I can't believe she got her hands on the prism and the map. 304 00:22:29,053 --> 00:22:31,639 I had to convince them that I had to be alone 305 00:22:31,722 --> 00:22:34,558 with the prism and the map or the incantations wouldn't work. 306 00:22:34,683 --> 00:22:35,810 They bought that? 307 00:22:35,935 --> 00:22:37,978 Well, Malcolm isn't exactly a rocket scientist. 308 00:22:38,062 --> 00:22:39,480 But Riddley-Smythe. 309 00:22:39,563 --> 00:22:43,359 I had to make certain romantic promises. 310 00:22:43,651 --> 00:22:44,985 Connie. 311 00:22:45,069 --> 00:22:47,196 Well, what did you expect me to do? 312 00:22:47,780 --> 00:22:49,949 I couldn't count on anyone else to rescue me. 313 00:22:50,157 --> 00:22:52,326 I would've rescued you. You could've counted on me. 314 00:22:52,409 --> 00:22:54,870 Remember what happened the last time I counted on you? 315 00:22:55,120 --> 00:22:56,747 I came home to a note! 316 00:22:56,831 --> 00:23:00,835 "Dear Connie, I'm very sorry, but I have to leave." 317 00:23:00,918 --> 00:23:03,045 That's not what I said. 318 00:23:03,170 --> 00:23:04,713 What I said was, 319 00:23:05,005 --> 00:23:09,051 "Dear Connie, I'm very sorry, but I have to leave." 320 00:23:10,052 --> 00:23:14,348 But, yeah, you're right, I should've talked to you in person, I know. 321 00:23:14,431 --> 00:23:16,892 Or at least called, and I've been meaning to. 322 00:23:17,059 --> 00:23:18,227 For seven years? 323 00:23:18,435 --> 00:23:20,729 Yes! I even drove by your house a couple of times, 324 00:23:20,813 --> 00:23:22,773 but I didn't see your car. 325 00:23:26,026 --> 00:23:27,486 I... 326 00:23:27,945 --> 00:23:31,657 I just guess I didn't know what to say, 327 00:23:31,866 --> 00:23:33,576 except that I made a mistake. 328 00:23:37,997 --> 00:23:41,375 And I'm sorry. 329 00:23:44,128 --> 00:23:45,588 Do you mean that? 330 00:23:46,922 --> 00:23:50,092 Yes. Yes, I do. 331 00:23:59,101 --> 00:24:03,772 Are you doing this again so you can hit me on the head with that? 332 00:24:29,924 --> 00:24:31,675 Oh, Connie. 333 00:24:32,051 --> 00:24:33,510 I know. 334 00:24:34,678 --> 00:24:39,058 I know, as usual our timing is awful. 335 00:24:40,684 --> 00:24:42,895 I mean, how can we get reacquainted 336 00:24:43,145 --> 00:24:45,481 when people are trying to kill me? 337 00:24:46,482 --> 00:24:49,151 Thomas, this is all my fault. 338 00:24:49,234 --> 00:24:53,781 I should never have written those articles on the lost art of the ancients. 339 00:24:54,073 --> 00:24:55,699 It was just another pretty legend 340 00:24:55,783 --> 00:24:58,202 until I started publishing those articles about it. 341 00:24:58,285 --> 00:25:01,580 Now everybody wants it, and nobody should have it. 342 00:25:02,414 --> 00:25:03,874 Why? 343 00:25:07,336 --> 00:25:12,508 With the prism, I can translate the writings on the scroll. 344 00:25:12,758 --> 00:25:15,177 But what if the writings turn out to be evil? 345 00:25:15,386 --> 00:25:17,638 Look, Connie, if you really believe that, 346 00:25:17,763 --> 00:25:20,432 it's better that Higgins finds it, than those other guys. 347 00:25:22,851 --> 00:25:24,520 Trust me. 348 00:25:25,521 --> 00:25:27,064 I want to. 349 00:25:35,030 --> 00:25:38,492 The map! The map! 350 00:25:40,703 --> 00:25:41,996 The map! 351 00:25:42,871 --> 00:25:43,914 [HIGGINS GROANS] 352 00:25:44,873 --> 00:25:46,375 Stay here. 353 00:25:48,752 --> 00:25:49,545 Higgins. 354 00:25:54,633 --> 00:25:55,551 Thomas! 355 00:25:59,513 --> 00:26:01,640 No need to worry about him, my dear. 356 00:26:07,521 --> 00:26:08,605 Higgins. 357 00:26:11,025 --> 00:26:12,317 You all right? 358 00:26:13,902 --> 00:26:15,195 Rick's calling an ambulance. 359 00:26:15,404 --> 00:26:16,905 [BOAT ENGINE RUMBLING] 360 00:26:22,369 --> 00:26:23,787 Where's the map? 361 00:26:28,751 --> 00:26:30,002 Connie! 362 00:26:38,552 --> 00:26:39,845 Connie... 363 00:26:42,990 --> 00:26:44,600 No sign of survivors? 364 00:26:44,725 --> 00:26:46,477 No sign of anything. 365 00:26:46,560 --> 00:26:47,936 I checked the whole area. 366 00:26:48,020 --> 00:26:50,230 That means that Connie, Miss Northrup, is dead. 367 00:26:50,314 --> 00:26:54,234 I knew it! This is great. 368 00:26:55,652 --> 00:26:58,155 Shock, shock. He's trying to hide his feelings. 369 00:26:58,238 --> 00:27:00,824 Now how am I supposed to find the lost art? 370 00:27:00,949 --> 00:27:03,285 What are you, crazy? You're worried about a stupid scroll 371 00:27:03,368 --> 00:27:05,079 when people are croaking around us? 372 00:27:05,162 --> 00:27:08,082 But they're not. They're not! 373 00:27:08,749 --> 00:27:10,918 You trying to tell me you didn't see a boat explode? 374 00:27:11,085 --> 00:27:12,920 Oh, I saw the boat, all right. 375 00:27:13,003 --> 00:27:14,963 And I thought Connie was on it. 376 00:27:15,047 --> 00:27:17,800 That's exactly what Riddley-Smythe wanted me to think. 377 00:27:18,008 --> 00:27:23,097 But she wasn't. See, she jumped out of the chariot before it went over the cliff. 378 00:27:23,180 --> 00:27:24,932 - What chariot? - What cliff? 379 00:27:25,015 --> 00:27:26,850 Oh, don't you remember? 380 00:27:26,975 --> 00:27:30,187 Nyoka and the Lost Secrets of Hippocrates. 381 00:27:30,437 --> 00:27:32,272 She went over a cliff in a chariot 382 00:27:32,481 --> 00:27:35,317 and at the last moment she bailed out. 383 00:27:35,400 --> 00:27:37,861 Of course, everybody in Miss Primmark's fourth-grade class 384 00:27:37,986 --> 00:27:41,365 thought she was dead until the next Saturday when... 385 00:27:41,949 --> 00:27:43,951 It's too hard to explain, 386 00:27:44,368 --> 00:27:48,205 but that's exactly the kind of movie that Riddley-Smythe would try and copy. 387 00:27:48,287 --> 00:27:51,333 He wants us to think that Connie is dead, 388 00:27:51,416 --> 00:27:53,001 so we'll stop looking for her. 389 00:27:53,502 --> 00:27:55,295 Which we're not going to do. 390 00:27:55,420 --> 00:27:56,964 Exactly! 391 00:28:01,844 --> 00:28:04,596 T.C.: This is the craziest long shot you've ever played. 392 00:28:04,680 --> 00:28:07,724 This terrain doesn't even remotely resemble the terrain 393 00:28:07,808 --> 00:28:10,519 in Nyoka and the Lost Secrets of Hippocrates. 394 00:28:10,602 --> 00:28:14,231 Use your imagination, Higgins. There are some similarities. 395 00:28:15,816 --> 00:28:17,234 T.C. 396 00:28:19,820 --> 00:28:21,405 HIGGINS: The camp. 397 00:28:24,032 --> 00:28:25,576 You were right. 398 00:28:27,828 --> 00:28:30,873 Here, you may need this. 399 00:28:32,958 --> 00:28:34,835 I've got the whip. 400 00:29:50,994 --> 00:29:52,329 [GUN COCKING] 401 00:30:13,517 --> 00:30:16,144 RIDDLEY-SMYTHE: I've waited a long time for this. 402 00:30:16,353 --> 00:30:17,896 [MUFFLED SCREAMING] 403 00:30:17,980 --> 00:30:19,773 You little minx! 404 00:30:28,073 --> 00:30:30,158 [MUFFLED SPEECH] 405 00:30:31,410 --> 00:30:32,703 Riddley-Smythe? 406 00:30:33,829 --> 00:30:35,247 Magnum? 407 00:30:40,127 --> 00:30:42,921 [MUFFLED SPEECH] 408 00:30:43,005 --> 00:30:45,424 You okay? This is going to hurt a little bit. 409 00:30:45,549 --> 00:30:47,968 I thought I was a goner! How did you figure out where we were? 410 00:30:48,093 --> 00:30:51,263 Easy. Riddley-Smythe left one calling card too many. 411 00:30:51,346 --> 00:30:52,431 What? 412 00:30:52,514 --> 00:30:54,975 Well, see, he sets up these elaborate movie... 413 00:30:55,058 --> 00:30:56,435 Never mind that. Let's get out of here. 414 00:30:56,502 --> 00:30:58,520 - What about the prism? - Will you forget the prism? 415 00:30:58,729 --> 00:31:02,190 Thomas, can't you see now how dangerous the lost art is? 416 00:31:02,858 --> 00:31:05,193 If we don't find it ourselves and destroy it, 417 00:31:05,279 --> 00:31:06,670 then someone else will find it 418 00:31:06,862 --> 00:31:09,531 and use it for who knows what evil plan? 419 00:31:09,614 --> 00:31:11,783 If not Riddley-Smythe, then someone like him. 420 00:31:12,492 --> 00:31:15,329 Could you live with yourself knowing that you saved your own neck 421 00:31:15,537 --> 00:31:17,331 but put all of mankind at risk? 422 00:31:17,456 --> 00:31:18,999 Yes, I think I could. 423 00:31:19,207 --> 00:31:20,792 [ALARM BLARING] 424 00:31:21,001 --> 00:31:22,377 - T.C.! - T.C.: We have to get out of here. 425 00:31:22,586 --> 00:31:23,920 Higgins has got the whole camp in an uproar. 426 00:31:24,129 --> 00:31:26,590 Magnum, I've got it. 427 00:31:26,673 --> 00:31:28,508 The Hanole prism is ours. 428 00:31:28,675 --> 00:31:29,843 What about the map? 429 00:31:29,926 --> 00:31:31,470 The prism's no good without the map. 430 00:31:33,180 --> 00:31:34,806 Where's Rick? 431 00:31:35,015 --> 00:31:36,933 There was a slight altercation. 432 00:31:37,017 --> 00:31:39,895 He was covering me while I liberated the prism. 433 00:31:40,145 --> 00:31:41,605 Where's Rick? 434 00:31:47,778 --> 00:31:49,863 I wouldn't want to be you when they cut these ropes. 435 00:31:54,618 --> 00:31:56,328 [GROANING] 436 00:31:56,661 --> 00:31:58,080 The truck. Get in. 437 00:32:02,501 --> 00:32:05,003 - Can I hold that for you? - Get in! 438 00:32:05,253 --> 00:32:06,088 Hey! 439 00:32:12,719 --> 00:32:13,553 [GUN FIRES] 440 00:32:17,891 --> 00:32:19,393 It worked before. 441 00:32:22,938 --> 00:32:24,272 Get the machine gun. 442 00:32:24,940 --> 00:32:26,358 [ENGINE STARTING] 443 00:32:28,652 --> 00:32:29,945 Hey! 444 00:32:30,112 --> 00:32:32,239 This is what the world has to look forward to. 445 00:32:32,447 --> 00:32:35,117 They'll never stop coming after the lost art. 446 00:32:35,367 --> 00:32:37,661 I guess you haven't changed after all. 447 00:32:37,828 --> 00:32:40,622 You're not the crusader, Thomas Magnum, I knew seven years ago. 448 00:32:40,872 --> 00:32:42,791 [GUNS FIRING] 449 00:32:46,461 --> 00:32:48,130 MAN: They're escaping! 450 00:32:48,880 --> 00:32:50,590 RICK: Get him, T.C.! 451 00:32:55,095 --> 00:32:56,638 Get the bullets. 452 00:32:58,140 --> 00:32:59,641 They're getting a machine gun. 453 00:32:59,766 --> 00:33:01,435 They never had any of this in Nyoka. 454 00:33:02,477 --> 00:33:03,645 The choice is up to you. 455 00:33:04,521 --> 00:33:05,564 Ow! Sorry. 456 00:33:06,898 --> 00:33:07,732 [GROANS] 457 00:33:10,944 --> 00:33:12,446 I must've thought of the wrong movie. 458 00:33:13,572 --> 00:33:16,199 HIGGINS: Good God, man. They'll obliterate us! 459 00:33:30,797 --> 00:33:32,924 MAGNUM: Nice going, guys. I'll meet you at the helicopter. 460 00:33:33,008 --> 00:33:34,050 Hang on, man. 461 00:33:37,679 --> 00:33:39,389 [ALL SCREAMING] 462 00:33:41,475 --> 00:33:44,352 HIGGINS: Can you get us back to the chopper through this mess? 463 00:33:44,436 --> 00:33:47,772 Yes, just as soon as we find the lost art. 464 00:33:50,650 --> 00:33:54,362 I knew it! Oh, I knew you would come through! 465 00:33:54,446 --> 00:33:56,781 I knew you wouldn't let the whole world down! 466 00:34:01,786 --> 00:34:04,706 This is the cave I sent you to in the first place. 467 00:34:04,789 --> 00:34:05,832 I know. 468 00:34:05,916 --> 00:34:07,876 But this is where you got the wrong scroll before. 469 00:34:08,001 --> 00:34:09,794 What makes you think the right one is here? 470 00:34:09,878 --> 00:34:12,464 The movie. You've thought of the right movie. 471 00:34:12,547 --> 00:34:14,174 What? No. 472 00:34:14,257 --> 00:34:16,384 This doesn't have anything to do with any movie, Higgins. 473 00:34:16,593 --> 00:34:18,303 I just got to thinking maybe the wrong scroll 474 00:34:18,428 --> 00:34:20,263 was just a decoy, protecting the right scroll. 475 00:34:20,514 --> 00:34:22,599 Besides, Higgins, if your research led you 476 00:34:22,724 --> 00:34:25,894 to believe this was the right cave, you're usually not completely wrong. 477 00:34:26,019 --> 00:34:27,437 Thank you. 478 00:34:27,521 --> 00:34:30,232 But how did you figure out where the new entrance was? 479 00:34:30,440 --> 00:34:32,400 Simple mathematical calculation based on 480 00:34:32,484 --> 00:34:34,986 the angle of the falling debris when I was inside the cave. 481 00:34:48,500 --> 00:34:50,377 Raiders of Ghost City? 482 00:34:50,460 --> 00:34:53,421 No, that's too western. 483 00:34:53,630 --> 00:34:56,091 Besides, there are no trains in Hawaii. 484 00:35:00,929 --> 00:35:02,472 HIGGINS: Oh, my God. 485 00:35:02,681 --> 00:35:03,974 [RUMBLING] 486 00:35:04,099 --> 00:35:05,642 Oh, my God. 487 00:35:06,601 --> 00:35:08,353 CONNIE: Oh, my God. 488 00:35:37,757 --> 00:35:41,261 That's it. We've found it! 489 00:35:41,803 --> 00:35:43,138 The ark... 490 00:35:43,221 --> 00:35:44,389 Art. 491 00:35:44,514 --> 00:35:47,017 Don't you mean art, Higgins? The lost art? 492 00:35:47,100 --> 00:35:50,437 Of course, I do. The lost art is in the ark. 493 00:35:50,520 --> 00:35:53,940 According to the legend. Come on! 494 00:36:00,905 --> 00:36:02,240 Connie! 495 00:36:02,365 --> 00:36:04,993 CONNIE: I'm counting on you, Thomas! 496 00:36:15,295 --> 00:36:17,005 [THUDDING] 497 00:36:19,591 --> 00:36:23,678 This is it, Thomas, the lost art of the ancients. 498 00:36:25,639 --> 00:36:28,767 The prism will turn the petroglyphs into English. 499 00:36:28,892 --> 00:36:30,477 Do you hear something? 500 00:36:33,897 --> 00:36:35,857 Here it comes, Mr. Higgins. 501 00:36:42,030 --> 00:36:43,823 Thank you, Miss Northrup. 502 00:36:47,118 --> 00:36:51,998 Thank you both so much for acting out your part so faithfully. 503 00:36:52,207 --> 00:36:54,709 I wouldn't have gone down into that pit, 504 00:36:54,834 --> 00:36:56,753 considering what's down there. 505 00:36:56,836 --> 00:36:58,463 [HISSING] 506 00:36:59,464 --> 00:37:02,050 But I knew that Jonathan could be counted on 507 00:37:02,133 --> 00:37:04,552 to find somebody gullible enough. 508 00:37:05,303 --> 00:37:07,889 Well, I suppose this is adieu. 509 00:37:08,306 --> 00:37:12,560 By the time you've sorted out this movie, you'll both be dead. 510 00:37:13,269 --> 00:37:16,314 [LAUGHING TRIUMPHANTLY] 511 00:37:20,860 --> 00:37:22,529 CONNIE: Thomas. 512 00:37:22,946 --> 00:37:25,323 Before we die, truth. 513 00:37:25,407 --> 00:37:28,451 Are you sorry now that we didn't get married? 514 00:37:28,535 --> 00:37:30,412 - [HISSING] - Take off your skirt. 515 00:37:30,495 --> 00:37:33,039 This is hardly the time or the place. 516 00:37:33,164 --> 00:37:36,626 I need some cloth for a torch. 517 00:37:37,210 --> 00:37:40,296 I have to find out what that hissing sound is. 518 00:37:40,380 --> 00:37:44,592 It can't be snakes. There's no snakes in Hawaii. 519 00:37:44,759 --> 00:37:47,429 Even Riddley-Smythe couldn't arrange that. 520 00:37:48,680 --> 00:37:51,933 But I still want to find out what that sound is. 521 00:37:53,727 --> 00:37:55,645 [HISSING] 522 00:37:55,895 --> 00:37:57,230 Snakes. 523 00:38:04,821 --> 00:38:07,073 [CONNIE SCREAMING] 524 00:38:20,920 --> 00:38:25,049 Connie, please, you're not helping. 525 00:38:25,133 --> 00:38:27,552 Well, neither are you! Just do something! 526 00:38:31,097 --> 00:38:32,557 Take off your clothes. 527 00:38:32,616 --> 00:38:34,493 Thomas, I have feelings for you, too... 528 00:38:34,601 --> 00:38:35,685 Connie. 529 00:38:35,769 --> 00:38:37,270 ...but this is just not the time or the place... 530 00:38:37,353 --> 00:38:38,480 Connie. 531 00:38:38,563 --> 00:38:40,774 Whatever you can do without. We need more torches. 532 00:38:40,857 --> 00:38:42,484 Why don't you take off some of your clothes? 533 00:38:42,609 --> 00:38:44,861 - Because I saw the movie. - Which movie? 534 00:38:44,944 --> 00:38:46,696 That's not important right now. 535 00:38:47,906 --> 00:38:50,033 RICK: The Perils of Pauline? 536 00:38:50,533 --> 00:38:52,535 That's it. I'm turning back. 537 00:38:52,660 --> 00:38:54,579 No, no. We can't give up. 538 00:38:54,662 --> 00:38:58,541 After Thomas just drove off and left us with those maniacs with machine guns? 539 00:38:58,625 --> 00:39:01,127 You give me one good reason why I should go back to try to find him. 540 00:39:01,252 --> 00:39:03,588 The lost art. We're not rescuing Thomas. 541 00:39:03,713 --> 00:39:05,507 We're rescuing the lost art 542 00:39:05,590 --> 00:39:07,217 for posterity. 543 00:39:07,926 --> 00:39:09,803 T.C., look! The truck! 544 00:39:10,762 --> 00:39:13,640 RICK: Don't worry, Thomas! We'll save you. 545 00:39:13,848 --> 00:39:15,350 Help's on the way! 546 00:39:17,185 --> 00:39:18,853 MAGNUM: There's gotta be a way out of here. 547 00:39:18,937 --> 00:39:20,688 There was in the movie, there's gotta be one here. 548 00:39:20,897 --> 00:39:24,108 Well, you better hurry up and find it. I'm running out of clothes. 549 00:39:37,121 --> 00:39:38,540 That's it! 550 00:39:39,624 --> 00:39:41,793 I don't know why I didn't see it before! 551 00:39:41,960 --> 00:39:43,127 No! 552 00:39:43,211 --> 00:39:45,296 Connie, we're out of here. 553 00:39:45,588 --> 00:39:49,801 All we got to do is push this giant facade, 554 00:39:49,884 --> 00:39:53,179 a block will fall away, and we'll climb our way out of here. 555 00:39:53,388 --> 00:39:55,014 Well, then, push it, for heaven's sake. 556 00:39:55,223 --> 00:39:56,975 I am pushing. 557 00:40:01,020 --> 00:40:03,022 [GROANING] 558 00:40:09,404 --> 00:40:11,239 I don't know how to tell you this, Connie. 559 00:40:11,322 --> 00:40:13,074 But I think we're going to die. 560 00:40:14,784 --> 00:40:17,245 I just wanted you to know that 561 00:40:17,370 --> 00:40:19,789 I've thought a lot about you over the last seven years 562 00:40:19,914 --> 00:40:22,166 and just because I never called doesn't mean... 563 00:40:22,250 --> 00:40:24,127 [STONE SCRAPING] 564 00:40:53,740 --> 00:40:55,408 Let's get out of here. 565 00:40:56,284 --> 00:40:58,286 MALCOLM: Verify the lost ark. 566 00:40:58,411 --> 00:40:59,662 Art. 567 00:40:59,787 --> 00:41:02,206 And I'll see you in Hades, first. 568 00:41:02,415 --> 00:41:04,918 RIDDLEY-SMYTHE: You already have the scroll. 569 00:41:05,168 --> 00:41:07,545 Why don't we just terminate him and leave? 570 00:41:09,380 --> 00:41:12,675 I have to be sure that the scroll is authentic. 571 00:41:12,967 --> 00:41:14,510 Do you know what my comrades... 572 00:41:16,304 --> 00:41:21,225 Colleagues would do to me if I brought them the wrong art? 573 00:41:26,689 --> 00:41:28,566 Verify it. 574 00:41:32,654 --> 00:41:35,239 - Verify it. - Never! 575 00:41:35,865 --> 00:41:37,575 MAGNUM: Oh, go ahead, Higgins. 576 00:41:41,329 --> 00:41:42,914 Verify it. 577 00:41:43,164 --> 00:41:44,290 Magnum. 578 00:41:44,499 --> 00:41:46,668 It won't do you any good, anyway. 579 00:41:47,001 --> 00:41:48,211 Kill him! 580 00:41:50,213 --> 00:41:53,299 If they shoot me, I shoot you. 581 00:42:02,725 --> 00:42:04,352 [HELICOPTER APPROACHING] 582 00:42:04,560 --> 00:42:06,187 [SHOUTING] 583 00:42:08,356 --> 00:42:09,691 Hold it! 584 00:42:31,587 --> 00:42:34,966 Hey, you! Come back with that scroll! 585 00:42:43,307 --> 00:42:44,308 I'll take that. 586 00:42:47,854 --> 00:42:49,230 Never. 587 00:42:49,647 --> 00:42:50,898 It's mine! 588 00:42:57,071 --> 00:42:58,239 Thomas! 589 00:43:01,784 --> 00:43:04,871 I thought I told you to wait until I came back for you. 590 00:43:04,954 --> 00:43:07,206 The last time you told me I'll be right back 591 00:43:07,415 --> 00:43:09,167 I had to wait seven years. 592 00:43:09,250 --> 00:43:12,378 I didn't say I'd be right back, I said I'll call you. 593 00:43:12,462 --> 00:43:15,423 And I meant to. I just lost track of time. 594 00:43:15,506 --> 00:43:18,342 Right and you drove by the house a couple of times. 595 00:43:18,509 --> 00:43:20,553 Well, Thomas, it's just not good enough. 596 00:43:27,018 --> 00:43:28,478 Oh, Connie. 597 00:43:28,561 --> 00:43:30,730 Riddley-Smythe is... 598 00:43:33,024 --> 00:43:35,401 - Well, do something! - I... 599 00:43:37,028 --> 00:43:38,696 [GUN CLICKING] 600 00:43:42,534 --> 00:43:46,621 He who fights and runs away, lives to fight another day. 601 00:43:46,788 --> 00:43:49,582 I have a canoe. Adieu! 602 00:43:52,251 --> 00:43:53,795 [SCREAMING] 603 00:43:55,713 --> 00:43:56,714 [EXPLOSION] 604 00:44:12,772 --> 00:44:16,400 Done in by his own elaborate scheme. 605 00:44:16,567 --> 00:44:18,361 Somebody should have told him. 606 00:44:18,444 --> 00:44:21,948 In the movies the good guys always win. 607 00:44:38,005 --> 00:44:40,216 Thomas, I'm going to be late for my plane 608 00:44:40,341 --> 00:44:44,804 and will not miss my worldwide lecture tour on the lost art. 609 00:44:44,887 --> 00:44:46,514 What are you going to tell people about the scroll? 610 00:44:46,597 --> 00:44:48,599 It's a myth. And so is the legendary Peter Riddley-Smythe. 611 00:44:48,724 --> 00:44:51,018 Wait a minute. Wait. This is it. This is the good part. 612 00:44:51,269 --> 00:44:53,563 This is where Riddley-Smythe got the idea. 613 00:44:53,729 --> 00:44:56,566 Thomas, I am very sorry, but I have to leave. 614 00:44:57,692 --> 00:44:59,402 Connie! Wait a minute. 615 00:44:59,485 --> 00:45:03,781 Wait a minute. Connie, I'm sorry. Come on, I just got a little carried away. 616 00:45:03,990 --> 00:45:07,118 No, I'm sorry I just kind of got carried away. 617 00:45:07,201 --> 00:45:09,287 And after seven years is that all you can say to me, 618 00:45:09,348 --> 00:45:11,497 "Thomas, I'm very sorry, but I have to leave"? 619 00:45:11,581 --> 00:45:13,040 It's not what I said. 620 00:45:13,082 --> 00:45:17,253 I said, "Thomas I'm very sorry, but I have to leave." 621 00:45:18,045 --> 00:45:19,672 Do you mean that? 622 00:45:20,590 --> 00:45:22,175 Yes, I do. 623 00:45:22,633 --> 00:45:23,885 Aww. 624 00:45:24,510 --> 00:45:25,845 Connie. 625 00:45:28,431 --> 00:45:29,640 [EXCLAIMS] 626 00:45:30,016 --> 00:45:33,561 Magnum, I just realized how we can get back into cave. 627 00:45:33,644 --> 00:45:34,812 Cave? 628 00:45:34,896 --> 00:45:36,355 - To get the lost art. - Art? 629 00:45:36,420 --> 00:45:38,130 - Goodbye, Thomas. - Connie. 630 00:45:38,179 --> 00:45:41,015 Here, put these on and come with me. I have a plan. 631 00:45:46,949 --> 00:45:48,284 HIGGINS: Magnum? 632 00:45:49,327 --> 00:45:50,953 [KNOCKING AT DOOR] 633 00:45:51,162 --> 00:45:52,538 Magnum? 634 00:45:55,291 --> 00:45:56,459 Magnum! 635 00:45:57,126 --> 00:45:58,920 Open this door immediately! 636 00:45:59,003 --> 00:46:00,213 [KNOCKING CONTINUES] 637 00:46:00,296 --> 00:46:01,631 Magnum! 638 00:46:02,924 --> 00:46:04,425 Magnum!