1
00:00:04,209 --> 00:00:05,711
The Hanole prism is ours.
2
00:00:05,961 --> 00:00:07,671
The prism's no good
without the map.
3
00:00:07,796 --> 00:00:08,881
The map!
4
00:00:12,484 --> 00:00:14,386
Give it up, Higgins.
5
00:00:14,553 --> 00:00:16,472
The legend is well documented!
6
00:00:16,680 --> 00:00:19,308
We must find the lost art
by any means possible.
7
00:00:21,351 --> 00:00:23,687
Good God, man.
They'll obliterate us!
8
00:00:24,897 --> 00:00:25,981
[EXCLAIMING]
9
00:02:09,793 --> 00:02:11,545
[BATS CHIRPING]
10
00:03:21,615 --> 00:03:23,325
[RUMBLING]
11
00:04:23,093 --> 00:04:25,303
A burial cave?
12
00:04:25,971 --> 00:04:29,099
He actually sent me
into a burial...
13
00:05:36,792 --> 00:05:38,710
[RUMBLING]
14
00:05:42,255 --> 00:05:43,840
[GULPING]
15
00:06:11,368 --> 00:06:13,286
[RUMBLING]
16
00:06:52,534 --> 00:06:54,077
HIGGINS:
This isn't it.
17
00:06:54,286 --> 00:06:57,664
What? It has to be!
I nearly got killed.
18
00:06:57,747 --> 00:07:00,333
For which I have already
expressed regret and explained
19
00:07:00,417 --> 00:07:03,169
that I had no idea the task
would prove to be so treacherous.
20
00:07:03,420 --> 00:07:05,463
Nevertheless, your misfortune
at the cave does not alter
21
00:07:05,547 --> 00:07:06,965
the fact that this scroll
22
00:07:07,132 --> 00:07:09,968
while doubtless the same age
as the lost art of the ancients,
23
00:07:10,051 --> 00:07:12,053
is a phony and
therefore worthless.
24
00:07:12,637 --> 00:07:16,141
I don't understand, and why
did I have to wear this hat?
25
00:07:16,892 --> 00:07:18,810
To keep the sun
out of your eyes.
26
00:07:19,477 --> 00:07:21,062
Even without the Hanole prism
27
00:07:21,271 --> 00:07:23,523
I can see that these particular
petroglyphs are meaningless.
28
00:07:23,607 --> 00:07:25,692
Visual gibberish, if you will.
29
00:07:25,775 --> 00:07:28,653
The Hanole prism?
Oh, right, of course.
30
00:07:28,737 --> 00:07:30,614
Well, there's nothing to
do but keep searching.
31
00:07:30,697 --> 00:07:34,326
Here, you'll want to wear this
once you get back on the trail.
32
00:07:34,409 --> 00:07:37,412
Oh, I don't think so, Higgins.
33
00:07:37,537 --> 00:07:40,248
I don't think there's
any trail to go back on.
34
00:07:40,498 --> 00:07:41,791
I beg your pardon?
35
00:07:41,958 --> 00:07:43,460
Oh, tell me, Higgins.
36
00:07:43,543 --> 00:07:47,464
Were any of those traps lethal
or were they all just illusions?
37
00:07:47,547 --> 00:07:51,551
Are you suggesting that I set up
some sort of elaborate practical joke?
38
00:07:51,760 --> 00:07:53,970
Oh, give it up, Higgins!
39
00:07:54,054 --> 00:07:56,097
You went too far
with the Hanole prism!
40
00:07:56,181 --> 00:07:58,308
You had your fun trying
to sell me on that story
41
00:07:58,391 --> 00:08:00,685
about pre-historic
little people geniuses.
42
00:08:00,769 --> 00:08:02,687
The legend is well documented!
43
00:08:02,771 --> 00:08:05,523
The ancients did exist!
A highly advanced culture.
44
00:08:05,732 --> 00:08:08,777
Diminutive in stature,
gargantuan in intellect.
45
00:08:08,860 --> 00:08:11,738
And the lost art scroll may
contain solutions to maladies
46
00:08:11,947 --> 00:08:13,740
that have plagued man
for centuries.
47
00:08:13,823 --> 00:08:16,451
Like practical jokes.
Goodbye, Higgins.
48
00:08:16,576 --> 00:08:19,537
May I remind you that Mr. Masters
is paying you quite handsomely
49
00:08:19,605 --> 00:08:21,289
for your assistance
in this venture?
50
00:08:21,373 --> 00:08:23,041
Was paying.
And I'll agree with you,
51
00:08:23,101 --> 00:08:24,918
you paid me handsomely,
Robin. Thanks.
52
00:08:25,001 --> 00:08:27,003
I won't even dignify that
with a response.
53
00:08:27,087 --> 00:08:28,797
Now, will you
or will you not help?
54
00:08:29,047 --> 00:08:32,467
I said no.
N-O. No, no!
55
00:08:32,592 --> 00:08:35,345
No more traps, no more caves,
no more lost ark.
56
00:08:35,470 --> 00:08:37,222
Lart... Lost art!
57
00:08:37,430 --> 00:08:40,392
And either the joke is on me, Higgins,
or it's on you.
58
00:08:40,600 --> 00:08:43,228
But either way, count me out!
59
00:08:45,855 --> 00:08:47,440
[DOOR SLAMMING]
60
00:08:54,224 --> 00:08:58,368
How perceptive of him, Jonathan.
I do believe the joke is on you,
61
00:08:58,618 --> 00:09:00,787
for the moment, anyway.
62
00:09:01,079 --> 00:09:05,166
Oh, incidentally, that jacket
and hat were meant for you,
63
00:09:05,250 --> 00:09:07,836
not for your lackey.
64
00:09:07,961 --> 00:09:10,463
The great Peter Riddley-Smythe
can still elude
65
00:09:10,547 --> 00:09:13,842
even the most foolproof
security system, I see.
66
00:09:18,680 --> 00:09:21,016
That isn't the scroll you seek.
67
00:09:21,099 --> 00:09:22,934
I know that and you know that,
68
00:09:23,018 --> 00:09:25,395
but the people I'm
selling it to probably don't.
69
00:09:25,520 --> 00:09:27,147
Oh, by the way, Jonathan,
70
00:09:27,230 --> 00:09:30,233
please don't call your friend,
Magnum, when I leave.
71
00:09:30,316 --> 00:09:34,029
I should hate to have to
execute those two charming
72
00:09:34,112 --> 00:09:36,698
and drugged Dobermans of yours.
73
00:09:37,949 --> 00:09:39,701
Till the next time.
74
00:09:41,494 --> 00:09:43,955
And the ultimate prize.
75
00:09:47,141 --> 00:09:49,002
[PHONE RINGING]
76
00:09:49,127 --> 00:09:50,837
Robin's nest.
77
00:09:51,129 --> 00:09:55,258
Miss Northrup.
Please, I must see you tonight.
78
00:09:55,467 --> 00:09:57,761
I'm prepared to pay
whatever you ask.
79
00:09:58,053 --> 00:09:59,429
[DISCO MUSIC PLAYING]
80
00:10:01,056 --> 00:10:02,724
MC:
...all night long.
81
00:10:02,932 --> 00:10:05,560
That lady in the blue gown
is taking everybody on.
82
00:10:05,769 --> 00:10:08,104
Four men left
only four men' left.
83
00:10:08,313 --> 00:10:10,231
And she's been dancing
with them all night long.
84
00:10:11,024 --> 00:10:12,942
That girl is dynamite!
85
00:10:13,039 --> 00:10:14,694
You'll know dynamite, all right,
86
00:10:14,778 --> 00:10:16,988
if Mr. Higgins finds out
you're staging another contest.
87
00:10:17,113 --> 00:10:18,823
How's he gonna know?
Just relax.
88
00:10:22,368 --> 00:10:23,787
MC:
She's slowing down.
89
00:10:23,870 --> 00:10:25,830
Oh, no, no.
90
00:10:28,249 --> 00:10:30,168
This guy looks like
he might have taken her.
91
00:10:31,628 --> 00:10:32,921
Hold on.
92
00:10:33,546 --> 00:10:37,509
That hot ball of fire keeps
on going. Watch out, guys.
93
00:10:43,014 --> 00:10:45,100
Oh, another one bites the dust.
94
00:10:45,350 --> 00:10:47,852
Looks like we're going to
have a winner here pretty soon.
95
00:10:48,061 --> 00:10:50,396
Will it be the
lovely lady in blue?
96
00:10:54,109 --> 00:10:56,861
MAGNUM: I know what you're thinking,
and this time you're wrong.
97
00:10:57,237 --> 00:11:01,199
This wasn't a dream or some
kind of bizarre fantasy of mine.
98
00:11:01,282 --> 00:11:04,869
No. It had all the earmarks
of the kind practical jokes
99
00:11:05,036 --> 00:11:09,040
played by the infamous double agent
Peter Riddley-Smythe.
100
00:11:09,165 --> 00:11:12,460
According to countless stories
Higgins had told me over the years,
101
00:11:12,544 --> 00:11:16,756
Peter Riddley-Smythe was an agent,
or actually a double agent,
102
00:11:16,881 --> 00:11:19,217
who was known for
concocting elaborate scenes
103
00:11:19,300 --> 00:11:22,470
out of his favorite movies
as part of every assignment.
104
00:11:22,531 --> 00:11:25,306
It was kind of like
his calling card.
105
00:11:25,351 --> 00:11:28,977
Of course, I had never believed
that there actually was such a man.
106
00:11:29,185 --> 00:11:30,728
I mean,
the whole thing sounded like
107
00:11:30,854 --> 00:11:33,398
a figment of Higgins'
rather active imagination.
108
00:11:35,191 --> 00:11:39,696
But, one way or the other, there was
obviously something wrong with Higgins
109
00:11:39,904 --> 00:11:43,116
and I had to make sure that
he wasn't in any real danger.
110
00:11:50,123 --> 00:11:51,583
[PEOPLE CHEERING]
111
00:11:52,208 --> 00:11:53,835
MC:
That's it, he's had it.
112
00:11:55,295 --> 00:11:56,796
The lovely lady in blue.
113
00:11:57,005 --> 00:11:59,174
Let's have a big
hand for her. Yeah!
114
00:11:59,883 --> 00:12:01,467
[PEOPLE CHEERING]
115
00:12:04,012 --> 00:12:06,139
- Thanks for the ride.
- Sure.
116
00:12:12,187 --> 00:12:14,355
This one's on the house, sweetheart.
You deserve it.
117
00:12:14,480 --> 00:12:17,442
Oh. Now is that all I get for
winning the dance contest?
118
00:12:17,567 --> 00:12:19,903
Well, that remains to be seen.
119
00:12:20,028 --> 00:12:22,655
My name's Rick Wright.
I run this gin joint.
120
00:12:22,739 --> 00:12:24,866
- What's your name?
- Miss Northrup?
121
00:12:25,617 --> 00:12:29,078
Higgins! What are you doing here?
I was just closing up now.
122
00:12:29,913 --> 00:12:32,290
You said you would
meet me out front.
123
00:12:32,749 --> 00:12:34,375
Well, I got bored.
124
00:12:34,459 --> 00:12:36,794
And I figured you would have
sense enough to look for me in here.
125
00:12:37,045 --> 00:12:40,089
I thought we agreed to
a quiet, private location.
126
00:12:43,635 --> 00:12:45,345
Do you mind?
127
00:12:47,597 --> 00:12:50,975
Instead, you meet me in here,
wearing a dress like that.
128
00:12:51,100 --> 00:12:52,936
Just get to the point,
will you, Mr. Higgins?
129
00:12:53,019 --> 00:12:55,104
MALCOLM:
An excellent suggestion.
130
00:12:55,313 --> 00:12:59,192
Let's do get to the point.
The prism?
131
00:13:02,654 --> 00:13:05,073
The club is closed, gentlemen.
132
00:13:05,240 --> 00:13:06,866
We are not thirsty.
133
00:13:07,075 --> 00:13:09,077
Where is it, Miss Northrup?
134
00:13:09,160 --> 00:13:11,329
If I have it,
I'm accepting bids.
135
00:13:11,537 --> 00:13:13,623
MALCOLM: Oh, ours will
be the highest, I assure you.
136
00:13:13,706 --> 00:13:17,502
Please, it would be best if we
could have your cooperation.
137
00:13:17,627 --> 00:13:19,462
The Hanole prism,
138
00:13:19,587 --> 00:13:23,883
and your help in employing
its powers to locate the lost ark.
139
00:13:24,092 --> 00:13:25,009
- Art.
- What?
140
00:13:25,218 --> 00:13:26,261
Art.
141
00:13:26,344 --> 00:13:30,014
The lost art of the ancients.
You said "the lost ark."
142
00:13:30,098 --> 00:13:32,475
A common mistake and I'm
afraid you've made another one.
143
00:13:32,684 --> 00:13:34,560
Miss Northrup does
not have the prism.
144
00:13:34,727 --> 00:13:37,146
Wait a minute.
You mean that she's a...
145
00:13:41,067 --> 00:13:42,485
Hey, hey, hey...
146
00:13:42,652 --> 00:13:44,153
Oh.
147
00:13:48,157 --> 00:13:51,536
Thank you.
Your beautiful dress.
148
00:13:51,869 --> 00:13:53,705
How clumsy of me.
149
00:13:53,871 --> 00:13:56,124
Let me clean you off.
150
00:13:57,417 --> 00:13:58,167
Ah.
151
00:13:58,376 --> 00:14:00,545
Hi, guys.
Hold it right there.
152
00:14:01,879 --> 00:14:03,381
- [GUN COCKING]
- No, see.
153
00:14:05,800 --> 00:14:07,343
[YELLS]
154
00:14:26,529 --> 00:14:27,905
[GROWLING]
155
00:14:28,072 --> 00:14:29,324
[YELLING]
156
00:14:33,661 --> 00:14:35,705
- Hi, Connie.
- Hello.
157
00:14:35,913 --> 00:14:37,415
Good to see you again.
Could I have a beer?
158
00:14:37,498 --> 00:14:39,417
Something with a long neck.
159
00:14:44,213 --> 00:14:45,882
[GLASS SHATTERING]
160
00:14:59,854 --> 00:15:01,939
I've been planning
to call you, honest.
161
00:15:02,023 --> 00:15:03,024
Thanks.
162
00:15:03,274 --> 00:15:04,776
[GROANS]
163
00:15:09,113 --> 00:15:10,406
[BOTH YELLING]
164
00:15:11,240 --> 00:15:12,533
[CRASHING]
165
00:15:16,454 --> 00:15:17,997
[GUN FIRES]
166
00:15:21,751 --> 00:15:23,252
[SPEAKS SPANISH]
167
00:15:42,814 --> 00:15:44,315
[MOANING]
168
00:15:59,580 --> 00:16:00,998
[CRASHING]
169
00:16:10,316 --> 00:16:12,051
I really appreciate this,
officers.
170
00:16:12,260 --> 00:16:14,387
I'm sorry for any inconvenience.
171
00:16:14,720 --> 00:16:17,432
So, Rick, you don't want to
press charges then, right?
172
00:16:17,557 --> 00:16:20,059
Oh, no, no. In fact, you
can assure whoever called in
173
00:16:20,143 --> 00:16:23,521
the disturbing-the-peace
report that everything is a-okay.
174
00:16:23,646 --> 00:16:28,693
I could promise you that the club
will definitely be closed for the evening.
175
00:16:29,193 --> 00:16:31,988
Thanks, officers.
Good night.
176
00:16:34,365 --> 00:16:37,034
All right, Higgins.
What's going on?
177
00:16:37,243 --> 00:16:39,495
I don't have time
for lengthy explanations.
178
00:16:39,579 --> 00:16:42,290
We must find the lost art
by any means possible,
179
00:16:42,373 --> 00:16:43,875
and that's all I can tell you.
180
00:16:44,041 --> 00:16:45,793
- Kenny.
- What are you doing?
181
00:16:45,918 --> 00:16:47,336
I'm calling the police back.
182
00:16:47,545 --> 00:16:49,630
No! You mustn't
involve the police.
183
00:16:49,839 --> 00:16:51,841
- Kenny!
- All right!
184
00:16:53,790 --> 00:16:56,429
I was sworn to secrecy,
but I'll tell you everything.
185
00:16:56,637 --> 00:16:59,223
The lost art is not
just a whim of Mr. Masters.
186
00:16:59,307 --> 00:17:02,768
International agencies wish to
remain officially uninvolved,
187
00:17:02,894 --> 00:17:06,230
and Robin Masters provides them
with a perfect innocent collector.
188
00:17:06,314 --> 00:17:07,773
How accommodating of you.
189
00:17:08,774 --> 00:17:11,152
I have reason to believe that those
three men who were here tonight
190
00:17:11,277 --> 00:17:12,653
are foreign operatives.
191
00:17:12,862 --> 00:17:15,490
Working for the eccentric
Peter Riddley-Smythe?
192
00:17:15,573 --> 00:17:17,408
Double agent and cinema buff?
193
00:17:17,617 --> 00:17:19,577
This is no joking matter,
Magnum.
194
00:17:19,785 --> 00:17:22,413
We must find Miss Northrup
before they do.
195
00:17:22,872 --> 00:17:24,916
- Kenny!
- All right,
196
00:17:25,208 --> 00:17:26,375
I lied.
197
00:17:26,959 --> 00:17:29,962
She does have the prism.
It's the key to translating the lost art.
198
00:17:30,046 --> 00:17:32,590
And if we don't get to her
before they do...
199
00:17:32,798 --> 00:17:34,550
You mean she could be...
200
00:17:36,886 --> 00:17:40,348
Okay, Higgins. I'll play
along with this little scenario.
201
00:17:40,431 --> 00:17:42,975
Long enough to find out
that Connie's okay.
202
00:17:43,059 --> 00:17:44,894
- You know where she is?
- Maybe.
203
00:17:44,968 --> 00:17:47,471
I just have to make
one little stop first.
204
00:17:47,563 --> 00:17:49,607
I'm coming with you.
If Miss Northrup should return,
205
00:17:49,690 --> 00:17:51,859
- keep her here until we get back.
- Yeah, sure.
206
00:17:51,943 --> 00:17:53,361
HIGGINS: How do you know
Miss Northrup?
207
00:17:53,486 --> 00:17:54,987
MAGNUM:
It's a long story.
208
00:17:56,280 --> 00:17:57,782
HIGGINS:
You were engaged?
209
00:17:57,907 --> 00:17:59,534
MAGNUM:
No. Not exactly.
210
00:18:02,870 --> 00:18:05,414
More like engaged to be engaged.
211
00:18:05,498 --> 00:18:07,083
But that was a long time ago.
212
00:18:07,166 --> 00:18:10,753
And I'd appreciate it if you
kept that information between us.
213
00:18:12,713 --> 00:18:14,507
Well, the place
hasn't changed much.
214
00:18:14,632 --> 00:18:16,217
Extraordinary.
215
00:18:16,384 --> 00:18:18,636
There's a fortune
in rare antiquity here.
216
00:18:18,719 --> 00:18:21,764
But no Connie. I'm going to
check the rest of the house out.
217
00:18:22,890 --> 00:18:24,183
- T.C.: Hi.
- Ah!
218
00:18:25,059 --> 00:18:26,727
HIGGINS:
T.C.!
219
00:18:26,894 --> 00:18:28,604
Why didn't you say it was you?
220
00:18:28,729 --> 00:18:31,023
- You found the prism?
- You didn't give me a chance.
221
00:18:31,107 --> 00:18:32,191
Look at this.
222
00:18:32,316 --> 00:18:34,026
Why are you wearing that
weird hat and jacket?
223
00:18:34,110 --> 00:18:36,529
Insurance. I mean, if there really is
a Peter Riddley-Smythe...
224
00:18:36,612 --> 00:18:38,656
Extraordinary. How did you
know to come to this address?
225
00:18:38,739 --> 00:18:40,241
T.C.:
It was pretty simple, really.
226
00:18:40,324 --> 00:18:42,076
I saved this old article
that Connie Northrup
227
00:18:42,159 --> 00:18:44,954
had written for one of the archeological
magazines that I subscribe to.
228
00:18:45,079 --> 00:18:47,248
You subscribe
to archeology magazines?
229
00:18:47,373 --> 00:18:48,708
Yeah, well, a couple.
230
00:18:48,752 --> 00:18:51,838
Anyway, the article had
her school address in it,
231
00:18:52,086 --> 00:18:54,672
so I called posing as a buyer.
And I got her home address.
232
00:18:54,880 --> 00:18:56,382
I guess I got pretty lucky.
233
00:18:56,465 --> 00:18:57,383
Indeed.
234
00:18:57,466 --> 00:18:58,968
T.C.:
How did you get here?
235
00:18:59,051 --> 00:19:01,220
Well, apparently Magnum
and Miss Northrup...
236
00:19:01,429 --> 00:19:04,307
Are old friends.
That's all.
237
00:19:04,640 --> 00:19:06,726
Well, I tried calling you at
the club, but no one answered.
238
00:19:07,101 --> 00:19:11,814
Higgins promised you a bundle
of money to find the lost art.
239
00:19:12,023 --> 00:19:14,150
I am not in it
for the money, T.M.
240
00:19:14,233 --> 00:19:16,360
I am trying to help
to find the lost art
241
00:19:16,611 --> 00:19:19,030
for purely humanitarian
and historical reasons.
242
00:19:19,196 --> 00:19:20,197
Wait a minute.
What did you say?
243
00:19:20,406 --> 00:19:21,616
I said, I'm not in it
for the money...
244
00:19:21,755 --> 00:19:23,618
No. You said no one answered
at the club. Where's Rick?
245
00:19:23,701 --> 00:19:25,156
He was supposed to
wait for Miss Northrup.
246
00:19:25,369 --> 00:19:27,121
He'd have a long wait.
247
00:19:27,330 --> 00:19:28,205
Connie.
248
00:19:28,414 --> 00:19:30,041
- Miss Northrup.
- Miss Connie Northrup.
249
00:19:30,207 --> 00:19:32,835
Hand over the prism,
Mr. Higgins.
250
00:19:46,307 --> 00:19:48,434
MALCOLM:
An excellent suggestion.
251
00:19:50,019 --> 00:19:51,687
Do hand it over.
252
00:19:52,730 --> 00:19:54,982
In fact, I'll take it now.
253
00:19:57,068 --> 00:20:01,447
I would so have enjoyed taking
it from you, as usual, Jonathan.
254
00:20:01,530 --> 00:20:03,908
It isn't over yet,
Riddley-Smythe.
255
00:20:04,033 --> 00:20:05,493
Thank you.
256
00:20:07,662 --> 00:20:11,540
You must be
the lovely Nyoka Gordon.
257
00:20:11,832 --> 00:20:14,669
What are you saying?
My name is Connie Northrup.
258
00:20:14,919 --> 00:20:16,253
What is it this time, Peter?
259
00:20:16,337 --> 00:20:18,923
Maltese falcon?
Treasure of Sierra Madre?
260
00:20:19,131 --> 00:20:22,301
I'm sorry, Jonathan. I'm truly
sorry that you didn't get a chance
261
00:20:22,426 --> 00:20:24,637
to locate the lost ark.
262
00:20:24,804 --> 00:20:25,721
Art.
263
00:20:25,805 --> 00:20:27,848
Well, then.
Shall we go, Miss Northrup?
264
00:20:28,432 --> 00:20:33,813
I am sure you would not wish to witness
the execution of such wonderful friends.
265
00:20:34,063 --> 00:20:38,651
All right, everybody freeze!
That goes for you, too, fat man.
266
00:20:52,748 --> 00:20:53,958
HIGGINS:
Oh, my God.
267
00:20:54,208 --> 00:20:57,211
I can't believe you let the
Hanole prism slip from our grasp.
268
00:20:57,336 --> 00:20:59,296
Hey, Higgins. You're being
a little ungrateful, aren't you?
269
00:20:59,380 --> 00:21:01,424
I mean, if it weren't for me
showing up when I did,
270
00:21:01,549 --> 00:21:05,052
you'd be waiting in line right now waiting
for your harp and your little wings.
271
00:21:05,136 --> 00:21:06,846
How did you know
where to find us?
272
00:21:06,929 --> 00:21:09,181
Because I figured that Malcolm
lost two of his top shooters
273
00:21:09,306 --> 00:21:10,891
and he'd need some local talent.
274
00:21:11,016 --> 00:21:12,977
So I called Ice Pick,
got some names,
275
00:21:13,060 --> 00:21:15,146
did a little tailing
on my own, and got lucky.
276
00:21:15,229 --> 00:21:17,356
The police haven't been able to
get anything out of the gunmen.
277
00:21:17,440 --> 00:21:19,275
And Connie's
vanished into thin air.
278
00:21:19,358 --> 00:21:22,611
No doubt the tart has run off
with Malcolm to activate the prism.
279
00:21:22,737 --> 00:21:26,115
She's not a tart, Higgins, and you
could've saved us all a lot of grief
280
00:21:26,240 --> 00:21:28,325
by telling us what you were
up to from the beginning.
281
00:21:28,409 --> 00:21:30,411
I've told you before
about Peter Riddley-Smythe.
282
00:21:30,619 --> 00:21:32,788
- You never seemed to believe me.
- Who's Riddley-Smythe?
283
00:21:32,997 --> 00:21:35,332
Peter Riddley-Smythe,
a spy, a counter spy
284
00:21:35,416 --> 00:21:38,169
and a master thief who
specializes in stealing the exotic.
285
00:21:38,252 --> 00:21:40,713
- Who's Malcolm?
- Malcolm is an Eastern Bloc agent
286
00:21:40,796 --> 00:21:42,840
who is trying to steal
the prism for the other side.
287
00:21:43,048 --> 00:21:45,342
I am not worried about
Riddley-Smythe or Malcolm,
288
00:21:45,415 --> 00:21:46,500
I'm worried about Connie!
289
00:21:46,677 --> 00:21:48,095
Wait a minute.
Who's Connie?
290
00:21:48,179 --> 00:21:50,389
I think I recognize this, Higgins.
North by Northwest.
291
00:21:50,556 --> 00:21:51,682
Wait a minute.
Who's Connie?
292
00:21:51,932 --> 00:21:53,434
No, Bad Day at Black Rock.
293
00:21:53,642 --> 00:21:55,644
This isn't the time
to be playing movie trivia.
294
00:21:55,728 --> 00:21:57,938
We've got to figure out
where Miss Northrup is.
295
00:21:58,006 --> 00:21:59,774
That's exactly what I'm trying to do.
296
00:21:59,857 --> 00:22:02,026
King Solomon's Mines,
the Stewart Granger version,
297
00:22:02,109 --> 00:22:03,819
- not the Richard Chamberlain.
- [PHONE BUZZING]
298
00:22:04,028 --> 00:22:05,696
RICK: Wait a minute.
Who's Connie Northrup?
299
00:22:05,821 --> 00:22:07,364
- Yes?
- CONNIE: It's Connie Northrup.
300
00:22:08,532 --> 00:22:10,201
I'm at your gate.
301
00:22:18,125 --> 00:22:20,419
I'm sure Thomas will
tell us what she said.
302
00:22:20,628 --> 00:22:23,506
Yeah, give the man
a little privacy.
303
00:22:24,423 --> 00:22:28,761
I can't believe she got her hands
on the prism and the map.
304
00:22:29,053 --> 00:22:31,639
I had to convince them
that I had to be alone
305
00:22:31,722 --> 00:22:34,558
with the prism and the map or
the incantations wouldn't work.
306
00:22:34,683 --> 00:22:35,810
They bought that?
307
00:22:35,935 --> 00:22:37,978
Well, Malcolm isn't
exactly a rocket scientist.
308
00:22:38,062 --> 00:22:39,480
But Riddley-Smythe.
309
00:22:39,563 --> 00:22:43,359
I had to make
certain romantic promises.
310
00:22:43,651 --> 00:22:44,985
Connie.
311
00:22:45,069 --> 00:22:47,196
Well, what did you
expect me to do?
312
00:22:47,780 --> 00:22:49,949
I couldn't count on
anyone else to rescue me.
313
00:22:50,157 --> 00:22:52,326
I would've rescued you.
You could've counted on me.
314
00:22:52,409 --> 00:22:54,870
Remember what happened the
last time I counted on you?
315
00:22:55,120 --> 00:22:56,747
I came home to a note!
316
00:22:56,831 --> 00:23:00,835
"Dear Connie, I'm very sorry,
but I have to leave."
317
00:23:00,918 --> 00:23:03,045
That's not what I said.
318
00:23:03,170 --> 00:23:04,713
What I said was,
319
00:23:05,005 --> 00:23:09,051
"Dear Connie, I'm very sorry,
but I have to leave."
320
00:23:10,052 --> 00:23:14,348
But, yeah, you're right, I should've
talked to you in person, I know.
321
00:23:14,431 --> 00:23:16,892
Or at least called,
and I've been meaning to.
322
00:23:17,059 --> 00:23:18,227
For seven years?
323
00:23:18,435 --> 00:23:20,729
Yes! I even drove by your
house a couple of times,
324
00:23:20,813 --> 00:23:22,773
but I didn't see your car.
325
00:23:26,026 --> 00:23:27,486
I...
326
00:23:27,945 --> 00:23:31,657
I just guess
I didn't know what to say,
327
00:23:31,866 --> 00:23:33,576
except that I made a mistake.
328
00:23:37,997 --> 00:23:41,375
And I'm sorry.
329
00:23:44,128 --> 00:23:45,588
Do you mean that?
330
00:23:46,922 --> 00:23:50,092
Yes. Yes, I do.
331
00:23:59,101 --> 00:24:03,772
Are you doing this again so you
can hit me on the head with that?
332
00:24:29,924 --> 00:24:31,675
Oh, Connie.
333
00:24:32,051 --> 00:24:33,510
I know.
334
00:24:34,678 --> 00:24:39,058
I know, as usual
our timing is awful.
335
00:24:40,684 --> 00:24:42,895
I mean,
how can we get reacquainted
336
00:24:43,145 --> 00:24:45,481
when people are
trying to kill me?
337
00:24:46,482 --> 00:24:49,151
Thomas, this is all my fault.
338
00:24:49,234 --> 00:24:53,781
I should never have written those
articles on the lost art of the ancients.
339
00:24:54,073 --> 00:24:55,699
It was just
another pretty legend
340
00:24:55,783 --> 00:24:58,202
until I started publishing
those articles about it.
341
00:24:58,285 --> 00:25:01,580
Now everybody wants it,
and nobody should have it.
342
00:25:02,414 --> 00:25:03,874
Why?
343
00:25:07,336 --> 00:25:12,508
With the prism, I can translate
the writings on the scroll.
344
00:25:12,758 --> 00:25:15,177
But what if the writings
turn out to be evil?
345
00:25:15,386 --> 00:25:17,638
Look, Connie, if you
really believe that,
346
00:25:17,763 --> 00:25:20,432
it's better that Higgins finds it,
than those other guys.
347
00:25:22,851 --> 00:25:24,520
Trust me.
348
00:25:25,521 --> 00:25:27,064
I want to.
349
00:25:35,030 --> 00:25:38,492
The map! The map!
350
00:25:40,703 --> 00:25:41,996
The map!
351
00:25:42,871 --> 00:25:43,914
[HIGGINS GROANS]
352
00:25:44,873 --> 00:25:46,375
Stay here.
353
00:25:48,752 --> 00:25:49,545
Higgins.
354
00:25:54,633 --> 00:25:55,551
Thomas!
355
00:25:59,513 --> 00:26:01,640
No need to worry
about him, my dear.
356
00:26:07,521 --> 00:26:08,605
Higgins.
357
00:26:11,025 --> 00:26:12,317
You all right?
358
00:26:13,902 --> 00:26:15,195
Rick's calling an ambulance.
359
00:26:15,404 --> 00:26:16,905
[BOAT ENGINE RUMBLING]
360
00:26:22,369 --> 00:26:23,787
Where's the map?
361
00:26:28,751 --> 00:26:30,002
Connie!
362
00:26:38,552 --> 00:26:39,845
Connie...
363
00:26:42,990 --> 00:26:44,600
No sign of survivors?
364
00:26:44,725 --> 00:26:46,477
No sign of anything.
365
00:26:46,560 --> 00:26:47,936
I checked the whole area.
366
00:26:48,020 --> 00:26:50,230
That means that Connie,
Miss Northrup, is dead.
367
00:26:50,314 --> 00:26:54,234
I knew it!
This is great.
368
00:26:55,652 --> 00:26:58,155
Shock, shock.
He's trying to hide his feelings.
369
00:26:58,238 --> 00:27:00,824
Now how am I supposed
to find the lost art?
370
00:27:00,949 --> 00:27:03,285
What are you, crazy?
You're worried about a stupid scroll
371
00:27:03,368 --> 00:27:05,079
when people are
croaking around us?
372
00:27:05,162 --> 00:27:08,082
But they're not.
They're not!
373
00:27:08,749 --> 00:27:10,918
You trying to tell me you
didn't see a boat explode?
374
00:27:11,085 --> 00:27:12,920
Oh, I saw the boat, all right.
375
00:27:13,003 --> 00:27:14,963
And I thought Connie was on it.
376
00:27:15,047 --> 00:27:17,800
That's exactly what
Riddley-Smythe wanted me to think.
377
00:27:18,008 --> 00:27:23,097
But she wasn't. See, she jumped out of
the chariot before it went over the cliff.
378
00:27:23,180 --> 00:27:24,932
- What chariot?
- What cliff?
379
00:27:25,015 --> 00:27:26,850
Oh, don't you remember?
380
00:27:26,975 --> 00:27:30,187
Nyoka and the Lost
Secrets of Hippocrates.
381
00:27:30,437 --> 00:27:32,272
She went over a cliff
in a chariot
382
00:27:32,481 --> 00:27:35,317
and at the last moment
she bailed out.
383
00:27:35,400 --> 00:27:37,861
Of course, everybody in
Miss Primmark's fourth-grade class
384
00:27:37,986 --> 00:27:41,365
thought she was dead until
the next Saturday when...
385
00:27:41,949 --> 00:27:43,951
It's too hard to explain,
386
00:27:44,368 --> 00:27:48,205
but that's exactly the kind of movie
that Riddley-Smythe would try and copy.
387
00:27:48,287 --> 00:27:51,333
He wants us to think
that Connie is dead,
388
00:27:51,416 --> 00:27:53,001
so we'll stop looking for her.
389
00:27:53,502 --> 00:27:55,295
Which we're not going to do.
390
00:27:55,420 --> 00:27:56,964
Exactly!
391
00:28:01,844 --> 00:28:04,596
T.C.: This is the craziest
long shot you've ever played.
392
00:28:04,680 --> 00:28:07,724
This terrain doesn't even
remotely resemble the terrain
393
00:28:07,808 --> 00:28:10,519
in Nyoka and the Lost Secrets
of Hippocrates.
394
00:28:10,602 --> 00:28:14,231
Use your imagination, Higgins.
There are some similarities.
395
00:28:15,816 --> 00:28:17,234
T.C.
396
00:28:19,820 --> 00:28:21,405
HIGGINS:
The camp.
397
00:28:24,032 --> 00:28:25,576
You were right.
398
00:28:27,828 --> 00:28:30,873
Here, you may need this.
399
00:28:32,958 --> 00:28:34,835
I've got the whip.
400
00:29:50,994 --> 00:29:52,329
[GUN COCKING]
401
00:30:13,517 --> 00:30:16,144
RIDDLEY-SMYTHE:
I've waited a long time for this.
402
00:30:16,353 --> 00:30:17,896
[MUFFLED SCREAMING]
403
00:30:17,980 --> 00:30:19,773
You little minx!
404
00:30:28,073 --> 00:30:30,158
[MUFFLED SPEECH]
405
00:30:31,410 --> 00:30:32,703
Riddley-Smythe?
406
00:30:33,829 --> 00:30:35,247
Magnum?
407
00:30:40,127 --> 00:30:42,921
[MUFFLED SPEECH]
408
00:30:43,005 --> 00:30:45,424
You okay? This is
going to hurt a little bit.
409
00:30:45,549 --> 00:30:47,968
I thought I was a goner!
How did you figure out where we were?
410
00:30:48,093 --> 00:30:51,263
Easy. Riddley-Smythe left
one calling card too many.
411
00:30:51,346 --> 00:30:52,431
What?
412
00:30:52,514 --> 00:30:54,975
Well, see, he sets up
these elaborate movie...
413
00:30:55,058 --> 00:30:56,435
Never mind that.
Let's get out of here.
414
00:30:56,502 --> 00:30:58,520
- What about the prism?
- Will you forget the prism?
415
00:30:58,729 --> 00:31:02,190
Thomas, can't you see now
how dangerous the lost art is?
416
00:31:02,858 --> 00:31:05,193
If we don't find it ourselves
and destroy it,
417
00:31:05,279 --> 00:31:06,670
then someone else will find it
418
00:31:06,862 --> 00:31:09,531
and use it for
who knows what evil plan?
419
00:31:09,614 --> 00:31:11,783
If not Riddley-Smythe,
then someone like him.
420
00:31:12,492 --> 00:31:15,329
Could you live with yourself
knowing that you saved your own neck
421
00:31:15,537 --> 00:31:17,331
but put all of mankind at risk?
422
00:31:17,456 --> 00:31:18,999
Yes, I think I could.
423
00:31:19,207 --> 00:31:20,792
[ALARM BLARING]
424
00:31:21,001 --> 00:31:22,377
- T.C.!
- T.C.: We have to get out of here.
425
00:31:22,586 --> 00:31:23,920
Higgins has got the
whole camp in an uproar.
426
00:31:24,129 --> 00:31:26,590
Magnum, I've got it.
427
00:31:26,673 --> 00:31:28,508
The Hanole prism is ours.
428
00:31:28,675 --> 00:31:29,843
What about the map?
429
00:31:29,926 --> 00:31:31,470
The prism's no good
without the map.
430
00:31:33,180 --> 00:31:34,806
Where's Rick?
431
00:31:35,015 --> 00:31:36,933
There was a slight altercation.
432
00:31:37,017 --> 00:31:39,895
He was covering me
while I liberated the prism.
433
00:31:40,145 --> 00:31:41,605
Where's Rick?
434
00:31:47,778 --> 00:31:49,863
I wouldn't want to be you
when they cut these ropes.
435
00:31:54,618 --> 00:31:56,328
[GROANING]
436
00:31:56,661 --> 00:31:58,080
The truck.
Get in.
437
00:32:02,501 --> 00:32:05,003
- Can I hold that for you?
- Get in!
438
00:32:05,253 --> 00:32:06,088
Hey!
439
00:32:12,719 --> 00:32:13,553
[GUN FIRES]
440
00:32:17,891 --> 00:32:19,393
It worked before.
441
00:32:22,938 --> 00:32:24,272
Get the machine gun.
442
00:32:24,940 --> 00:32:26,358
[ENGINE STARTING]
443
00:32:28,652 --> 00:32:29,945
Hey!
444
00:32:30,112 --> 00:32:32,239
This is what the world
has to look forward to.
445
00:32:32,447 --> 00:32:35,117
They'll never stop
coming after the lost art.
446
00:32:35,367 --> 00:32:37,661
I guess you haven't
changed after all.
447
00:32:37,828 --> 00:32:40,622
You're not the crusader, Thomas Magnum,
I knew seven years ago.
448
00:32:40,872 --> 00:32:42,791
[GUNS FIRING]
449
00:32:46,461 --> 00:32:48,130
MAN:
They're escaping!
450
00:32:48,880 --> 00:32:50,590
RICK:
Get him, T.C.!
451
00:32:55,095 --> 00:32:56,638
Get the bullets.
452
00:32:58,140 --> 00:32:59,641
They're getting a machine gun.
453
00:32:59,766 --> 00:33:01,435
They never had
any of this in Nyoka.
454
00:33:02,477 --> 00:33:03,645
The choice is up to you.
455
00:33:04,521 --> 00:33:05,564
Ow!
Sorry.
456
00:33:06,898 --> 00:33:07,732
[GROANS]
457
00:33:10,944 --> 00:33:12,446
I must've thought
of the wrong movie.
458
00:33:13,572 --> 00:33:16,199
HIGGINS: Good God, man.
They'll obliterate us!
459
00:33:30,797 --> 00:33:32,924
MAGNUM: Nice going, guys.
I'll meet you at the helicopter.
460
00:33:33,008 --> 00:33:34,050
Hang on, man.
461
00:33:37,679 --> 00:33:39,389
[ALL SCREAMING]
462
00:33:41,475 --> 00:33:44,352
HIGGINS: Can you get us back
to the chopper through this mess?
463
00:33:44,436 --> 00:33:47,772
Yes, just as soon as
we find the lost art.
464
00:33:50,650 --> 00:33:54,362
I knew it! Oh, I knew
you would come through!
465
00:33:54,446 --> 00:33:56,781
I knew you wouldn't
let the whole world down!
466
00:34:01,786 --> 00:34:04,706
This is the cave I sent you to
in the first place.
467
00:34:04,789 --> 00:34:05,832
I know.
468
00:34:05,916 --> 00:34:07,876
But this is where you got
the wrong scroll before.
469
00:34:08,001 --> 00:34:09,794
What makes you think
the right one is here?
470
00:34:09,878 --> 00:34:12,464
The movie.
You've thought of the right movie.
471
00:34:12,547 --> 00:34:14,174
What? No.
472
00:34:14,257 --> 00:34:16,384
This doesn't have anything
to do with any movie, Higgins.
473
00:34:16,593 --> 00:34:18,303
I just got to thinking
maybe the wrong scroll
474
00:34:18,428 --> 00:34:20,263
was just a decoy,
protecting the right scroll.
475
00:34:20,514 --> 00:34:22,599
Besides, Higgins,
if your research led you
476
00:34:22,724 --> 00:34:25,894
to believe this was the right cave,
you're usually not completely wrong.
477
00:34:26,019 --> 00:34:27,437
Thank you.
478
00:34:27,521 --> 00:34:30,232
But how did you figure out
where the new entrance was?
479
00:34:30,440 --> 00:34:32,400
Simple mathematical
calculation based on
480
00:34:32,484 --> 00:34:34,986
the angle of the falling debris
when I was inside the cave.
481
00:34:48,500 --> 00:34:50,377
Raiders of Ghost City?
482
00:34:50,460 --> 00:34:53,421
No, that's too western.
483
00:34:53,630 --> 00:34:56,091
Besides, there are
no trains in Hawaii.
484
00:35:00,929 --> 00:35:02,472
HIGGINS:
Oh, my God.
485
00:35:02,681 --> 00:35:03,974
[RUMBLING]
486
00:35:04,099 --> 00:35:05,642
Oh, my God.
487
00:35:06,601 --> 00:35:08,353
CONNIE:
Oh, my God.
488
00:35:37,757 --> 00:35:41,261
That's it.
We've found it!
489
00:35:41,803 --> 00:35:43,138
The ark...
490
00:35:43,221 --> 00:35:44,389
Art.
491
00:35:44,514 --> 00:35:47,017
Don't you mean art, Higgins?
The lost art?
492
00:35:47,100 --> 00:35:50,437
Of course, I do.
The lost art is in the ark.
493
00:35:50,520 --> 00:35:53,940
According to the legend.
Come on!
494
00:36:00,905 --> 00:36:02,240
Connie!
495
00:36:02,365 --> 00:36:04,993
CONNIE:
I'm counting on you, Thomas!
496
00:36:15,295 --> 00:36:17,005
[THUDDING]
497
00:36:19,591 --> 00:36:23,678
This is it, Thomas,
the lost art of the ancients.
498
00:36:25,639 --> 00:36:28,767
The prism will turn the
petroglyphs into English.
499
00:36:28,892 --> 00:36:30,477
Do you hear something?
500
00:36:33,897 --> 00:36:35,857
Here it comes,
Mr. Higgins.
501
00:36:42,030 --> 00:36:43,823
Thank you, Miss Northrup.
502
00:36:47,118 --> 00:36:51,998
Thank you both so much for
acting out your part so faithfully.
503
00:36:52,207 --> 00:36:54,709
I wouldn't have gone
down into that pit,
504
00:36:54,834 --> 00:36:56,753
considering what's down there.
505
00:36:56,836 --> 00:36:58,463
[HISSING]
506
00:36:59,464 --> 00:37:02,050
But I knew that Jonathan
could be counted on
507
00:37:02,133 --> 00:37:04,552
to find somebody gullible enough.
508
00:37:05,303 --> 00:37:07,889
Well, I suppose this is adieu.
509
00:37:08,306 --> 00:37:12,560
By the time you've sorted out
this movie, you'll both be dead.
510
00:37:13,269 --> 00:37:16,314
[LAUGHING TRIUMPHANTLY]
511
00:37:20,860 --> 00:37:22,529
CONNIE:
Thomas.
512
00:37:22,946 --> 00:37:25,323
Before we die, truth.
513
00:37:25,407 --> 00:37:28,451
Are you sorry now that
we didn't get married?
514
00:37:28,535 --> 00:37:30,412
- [HISSING]
- Take off your skirt.
515
00:37:30,495 --> 00:37:33,039
This is hardly
the time or the place.
516
00:37:33,164 --> 00:37:36,626
I need some cloth for a torch.
517
00:37:37,210 --> 00:37:40,296
I have to find out what
that hissing sound is.
518
00:37:40,380 --> 00:37:44,592
It can't be snakes.
There's no snakes in Hawaii.
519
00:37:44,759 --> 00:37:47,429
Even Riddley-Smythe
couldn't arrange that.
520
00:37:48,680 --> 00:37:51,933
But I still want to find
out what that sound is.
521
00:37:53,727 --> 00:37:55,645
[HISSING]
522
00:37:55,895 --> 00:37:57,230
Snakes.
523
00:38:04,821 --> 00:38:07,073
[CONNIE SCREAMING]
524
00:38:20,920 --> 00:38:25,049
Connie, please,
you're not helping.
525
00:38:25,133 --> 00:38:27,552
Well, neither are you!
Just do something!
526
00:38:31,097 --> 00:38:32,557
Take off your clothes.
527
00:38:32,616 --> 00:38:34,493
Thomas, I have
feelings for you, too...
528
00:38:34,601 --> 00:38:35,685
Connie.
529
00:38:35,769 --> 00:38:37,270
...but this is just not the
time or the place...
530
00:38:37,353 --> 00:38:38,480
Connie.
531
00:38:38,563 --> 00:38:40,774
Whatever you can do without.
We need more torches.
532
00:38:40,857 --> 00:38:42,484
Why don't you take off
some of your clothes?
533
00:38:42,609 --> 00:38:44,861
- Because I saw the movie.
- Which movie?
534
00:38:44,944 --> 00:38:46,696
That's not important right now.
535
00:38:47,906 --> 00:38:50,033
RICK:
The Perils of Pauline?
536
00:38:50,533 --> 00:38:52,535
That's it.
I'm turning back.
537
00:38:52,660 --> 00:38:54,579
No, no.
We can't give up.
538
00:38:54,662 --> 00:38:58,541
After Thomas just drove off and left us
with those maniacs with machine guns?
539
00:38:58,625 --> 00:39:01,127
You give me one good reason why
I should go back to try to find him.
540
00:39:01,252 --> 00:39:03,588
The lost art.
We're not rescuing Thomas.
541
00:39:03,713 --> 00:39:05,507
We're rescuing the lost art
542
00:39:05,590 --> 00:39:07,217
for posterity.
543
00:39:07,926 --> 00:39:09,803
T.C., look! The truck!
544
00:39:10,762 --> 00:39:13,640
RICK: Don't worry, Thomas!
We'll save you.
545
00:39:13,848 --> 00:39:15,350
Help's on the way!
546
00:39:17,185 --> 00:39:18,853
MAGNUM: There's gotta be
a way out of here.
547
00:39:18,937 --> 00:39:20,688
There was in the movie,
there's gotta be one here.
548
00:39:20,897 --> 00:39:24,108
Well, you better hurry up and find it.
I'm running out of clothes.
549
00:39:37,121 --> 00:39:38,540
That's it!
550
00:39:39,624 --> 00:39:41,793
I don't know why
I didn't see it before!
551
00:39:41,960 --> 00:39:43,127
No!
552
00:39:43,211 --> 00:39:45,296
Connie, we're out of here.
553
00:39:45,588 --> 00:39:49,801
All we got to do is
push this giant facade,
554
00:39:49,884 --> 00:39:53,179
a block will fall away, and
we'll climb our way out of here.
555
00:39:53,388 --> 00:39:55,014
Well, then, push it,
for heaven's sake.
556
00:39:55,223 --> 00:39:56,975
I am pushing.
557
00:40:01,020 --> 00:40:03,022
[GROANING]
558
00:40:09,404 --> 00:40:11,239
I don't know how to
tell you this, Connie.
559
00:40:11,322 --> 00:40:13,074
But I think we're going to die.
560
00:40:14,784 --> 00:40:17,245
I just wanted you to know that
561
00:40:17,370 --> 00:40:19,789
I've thought a lot about you
over the last seven years
562
00:40:19,914 --> 00:40:22,166
and just because
I never called doesn't mean...
563
00:40:22,250 --> 00:40:24,127
[STONE SCRAPING]
564
00:40:53,740 --> 00:40:55,408
Let's get out of here.
565
00:40:56,284 --> 00:40:58,286
MALCOLM:
Verify the lost ark.
566
00:40:58,411 --> 00:40:59,662
Art.
567
00:40:59,787 --> 00:41:02,206
And I'll see you
in Hades, first.
568
00:41:02,415 --> 00:41:04,918
RIDDLEY-SMYTHE:
You already have the scroll.
569
00:41:05,168 --> 00:41:07,545
Why don't we just
terminate him and leave?
570
00:41:09,380 --> 00:41:12,675
I have to be sure that
the scroll is authentic.
571
00:41:12,967 --> 00:41:14,510
Do you know what my comrades...
572
00:41:16,304 --> 00:41:21,225
Colleagues would do to me if
I brought them the wrong art?
573
00:41:26,689 --> 00:41:28,566
Verify it.
574
00:41:32,654 --> 00:41:35,239
- Verify it.
- Never!
575
00:41:35,865 --> 00:41:37,575
MAGNUM:
Oh, go ahead, Higgins.
576
00:41:41,329 --> 00:41:42,914
Verify it.
577
00:41:43,164 --> 00:41:44,290
Magnum.
578
00:41:44,499 --> 00:41:46,668
It won't do you
any good, anyway.
579
00:41:47,001 --> 00:41:48,211
Kill him!
580
00:41:50,213 --> 00:41:53,299
If they shoot me, I shoot you.
581
00:42:02,725 --> 00:42:04,352
[HELICOPTER APPROACHING]
582
00:42:04,560 --> 00:42:06,187
[SHOUTING]
583
00:42:08,356 --> 00:42:09,691
Hold it!
584
00:42:31,587 --> 00:42:34,966
Hey, you! Come back
with that scroll!
585
00:42:43,307 --> 00:42:44,308
I'll take that.
586
00:42:47,854 --> 00:42:49,230
Never.
587
00:42:49,647 --> 00:42:50,898
It's mine!
588
00:42:57,071 --> 00:42:58,239
Thomas!
589
00:43:01,784 --> 00:43:04,871
I thought I told you to wait
until I came back for you.
590
00:43:04,954 --> 00:43:07,206
The last time you told me
I'll be right back
591
00:43:07,415 --> 00:43:09,167
I had to wait seven years.
592
00:43:09,250 --> 00:43:12,378
I didn't say I'd be right back,
I said I'll call you.
593
00:43:12,462 --> 00:43:15,423
And I meant to.
I just lost track of time.
594
00:43:15,506 --> 00:43:18,342
Right and you drove by
the house a couple of times.
595
00:43:18,509 --> 00:43:20,553
Well, Thomas,
it's just not good enough.
596
00:43:27,018 --> 00:43:28,478
Oh, Connie.
597
00:43:28,561 --> 00:43:30,730
Riddley-Smythe is...
598
00:43:33,024 --> 00:43:35,401
- Well, do something!
- I...
599
00:43:37,028 --> 00:43:38,696
[GUN CLICKING]
600
00:43:42,534 --> 00:43:46,621
He who fights and runs away,
lives to fight another day.
601
00:43:46,788 --> 00:43:49,582
I have a canoe. Adieu!
602
00:43:52,251 --> 00:43:53,795
[SCREAMING]
603
00:43:55,713 --> 00:43:56,714
[EXPLOSION]
604
00:44:12,772 --> 00:44:16,400
Done in by his own
elaborate scheme.
605
00:44:16,567 --> 00:44:18,361
Somebody should have told him.
606
00:44:18,444 --> 00:44:21,948
In the movies the
good guys always win.
607
00:44:38,005 --> 00:44:40,216
Thomas, I'm going to
be late for my plane
608
00:44:40,341 --> 00:44:44,804
and will not miss my worldwide
lecture tour on the lost art.
609
00:44:44,887 --> 00:44:46,514
What are you going to tell
people about the scroll?
610
00:44:46,597 --> 00:44:48,599
It's a myth. And so is the legendary
Peter Riddley-Smythe.
611
00:44:48,724 --> 00:44:51,018
Wait a minute. Wait. This is it.
This is the good part.
612
00:44:51,269 --> 00:44:53,563
This is where
Riddley-Smythe got the idea.
613
00:44:53,729 --> 00:44:56,566
Thomas, I am very sorry,
but I have to leave.
614
00:44:57,692 --> 00:44:59,402
Connie! Wait a minute.
615
00:44:59,485 --> 00:45:03,781
Wait a minute. Connie, I'm sorry.
Come on, I just got a little carried away.
616
00:45:03,990 --> 00:45:07,118
No, I'm sorry I just
kind of got carried away.
617
00:45:07,201 --> 00:45:09,287
And after seven years is
that all you can say to me,
618
00:45:09,348 --> 00:45:11,497
"Thomas, I'm very sorry,
but I have to leave"?
619
00:45:11,581 --> 00:45:13,040
It's not what I said.
620
00:45:13,082 --> 00:45:17,253
I said, "Thomas I'm very sorry,
but I have to leave."
621
00:45:18,045 --> 00:45:19,672
Do you mean that?
622
00:45:20,590 --> 00:45:22,175
Yes, I do.
623
00:45:22,633 --> 00:45:23,885
Aww.
624
00:45:24,510 --> 00:45:25,845
Connie.
625
00:45:28,431 --> 00:45:29,640
[EXCLAIMS]
626
00:45:30,016 --> 00:45:33,561
Magnum, I just realized
how we can get back into cave.
627
00:45:33,644 --> 00:45:34,812
Cave?
628
00:45:34,896 --> 00:45:36,355
- To get the lost art.
- Art?
629
00:45:36,420 --> 00:45:38,130
- Goodbye, Thomas.
- Connie.
630
00:45:38,179 --> 00:45:41,015
Here, put these on and
come with me. I have a plan.
631
00:45:46,949 --> 00:45:48,284
HIGGINS:
Magnum?
632
00:45:49,327 --> 00:45:50,953
[KNOCKING AT DOOR]
633
00:45:51,162 --> 00:45:52,538
Magnum?
634
00:45:55,291 --> 00:45:56,459
Magnum!
635
00:45:57,126 --> 00:45:58,920
Open this door immediately!
636
00:45:59,003 --> 00:46:00,213
[KNOCKING CONTINUES]
637
00:46:00,296 --> 00:46:01,631
Magnum!
638
00:46:02,924 --> 00:46:04,425
Magnum!