1
00:00:05,187 --> 00:00:07,981
MARZIPAN MASCARPONE MERINGUE

2
00:00:08,064 --> 00:00:09,524
MADNESS!
MARZIPAN MASCARPONE MERINGUE

3
00:00:09,607 --> 00:00:10,817
MADNESS!
YOU'VE REALLY OUTDONE
MARZIPAN MASCARPONE MERINGUE

4
00:00:10,900 --> 00:00:12,236
MADNESS!
YOU'VE REALLY OUTDONE
YOURSELVES, MR. AND MRS. CAKE.

5
00:00:12,319 --> 00:00:13,528
YOU'VE REALLY OUTDONE
YOURSELVES, MR. AND MRS. CAKE.
THIS IS SURE TO BE THE WINNING

6
00:00:13,611 --> 00:00:14,821
YOURSELVES, MR. AND MRS. CAKE.
THIS IS SURE TO BE THE WINNING
ENTRY AT THIS YEAR'S NATIONAL

7
00:00:14,904 --> 00:00:16,156
THIS IS SURE TO BE THE WINNING
ENTRY AT THIS YEAR'S NATIONAL
DESSERT COMPETITION.

8
00:00:16,239 --> 00:00:17,741
ENTRY AT THIS YEAR'S NATIONAL
DESSERT COMPETITION.
OH, THANK YOU, PINKIE.

9
00:00:17,824 --> 00:00:19,034
DESSERT COMPETITION.
OH, THANK YOU, PINKIE.
AND THANKS FOR TRANSPORTING

10
00:00:19,117 --> 00:00:20,326
OH, THANK YOU, PINKIE.
AND THANKS FOR TRANSPORTING
IT ALL THE WAY TO CANTERLOT FOR

11
00:00:20,409 --> 00:00:21,411
AND THANKS FOR TRANSPORTING
US.
IT ALL THE WAY TO CANTERLOT FOR

12
00:00:21,494 --> 00:00:22,621
US.
ABSOLUTELY! IT'S MY HONOR
IT ALL THE WAY TO CANTERLOT FOR

13
00:00:22,704 --> 00:00:23,580
US.
ABSOLUTELY! IT'S MY HONOR
TO…

14
00:00:23,663 --> 00:00:24,623
ABSOLUTELY! IT'S MY HONOR
TO…
UH, BEG YOUR PARDON, BUT

15
00:00:24,706 --> 00:00:25,624
TO…
UH, BEG YOUR PARDON, BUT
COULD WE MAYBE MOVE THINGS

16
00:00:25,707 --> 00:00:26,583
UH, BEG YOUR PARDON, BUT
COULD WE MAYBE MOVE THINGS
ALONG?

17
00:00:26,666 --> 00:00:27,709
COULD WE MAYBE MOVE THINGS
ALONG?
THIS HERE CAKE IS A MIGHT HEAVY,

18
00:00:27,792 --> 00:00:28,710
ALONG?
THIS HERE CAKE IS A MIGHT HEAVY,
RIGHT, BIG MCINTOSH?

19
00:00:28,793 --> 00:00:29,920
THIS HERE CAKE IS A MIGHT HEAVY,
RIGHT, BIG MCINTOSH?

20
00:00:30,003 --> 00:00:31,130
RIGHT, BIG MCINTOSH?
YUP.

21
00:00:31,213 --> 00:00:35,092
YUP.
ALL RIGHTY THEN, BIG MAC.

22
00:00:35,175 --> 00:00:39,096
YUP.
ALL RIGHTY THEN, BIG MAC.
TO THE TRAIN DEPOT!

23
00:00:39,179 --> 00:00:40,931
ALL RIGHTY THEN, BIG MAC.
TO THE TRAIN DEPOT!
THAT'S IT, BIG MAC, NICE AND

24
00:00:41,014 --> 00:00:41,932
TO THE TRAIN DEPOT!
THAT'S IT, BIG MAC, NICE AND
SLOW.

25
00:00:42,015 --> 00:00:43,142
THAT'S IT, BIG MAC, NICE AND
SLOW.
THIS IS PRECIOUS CARGO YOU'RE

26
00:00:43,225 --> 00:00:44,226
SLOW.
THIS IS PRECIOUS CARGO YOU'RE
CARRYING.

27
00:00:44,309 --> 00:00:45,518
THIS IS PRECIOUS CARGO YOU'RE
CARRYING.
YES, IT TOOK MONTHS OF

28
00:00:45,601 --> 00:00:46,812
CARRYING.
YES, IT TOOK MONTHS OF
PLANNING AND TESTING.

29
00:00:46,895 --> 00:00:48,897
YES, IT TOOK MONTHS OF
PLANNING AND TESTING.
I WOULD HATE FOR IT TO…

30
00:00:48,980 --> 00:00:50,649
PLANNING AND TESTING.
I WOULD HATE FOR IT TO…

31
00:00:50,732 --> 00:00:53,110
I WOULD HATE FOR IT TO…
both: FALL!

32
00:00:53,193 --> 00:00:54,194
both: FALL!
DON'T WORRY, MR. AND MRS.

33
00:00:54,277 --> 00:00:55,154
both: FALL!
DON'T WORRY, MR. AND MRS.
CAKE.

34
00:00:55,237 --> 00:00:56,738
DON'T WORRY, MR. AND MRS.
CAKE.
RAINBOW DASH! FLUTTERSHY!

35
00:00:56,821 --> 00:01:02,619
CAKE.
RAINBOW DASH! FLUTTERSHY!
A LITTLE PEGA-SSISTANCE!

36
00:01:02,702 --> 00:01:03,787
RAINBOW DASH! FLUTTERSHY!
A LITTLE PEGA-SSISTANCE!
I'LL GET IT THERE SAFELY,

37
00:01:03,870 --> 00:01:05,122
A LITTLE PEGA-SSISTANCE!
I'LL GET IT THERE SAFELY,
YOU'LL SEE.

38
00:01:05,205 --> 00:01:06,372
I'LL GET IT THERE SAFELY,
YOU'LL SEE.

39
00:01:06,455 --> 00:01:07,707
YOU'LL SEE.
OF COURSE, PINKIE.

40
00:01:07,790 --> 00:01:10,418
OF COURSE, PINKIE.
WE NEVER DOUBTED YOU.

41
00:01:15,882 --> 00:01:17,092
TWILIGHT, CAN I SEE YOU A

42
00:01:17,175 --> 00:01:18,969
TWILIGHT, CAN I SEE YOU A
SECOND?

43
00:01:19,052 --> 00:01:20,971
TWILIGHT, CAN I SEE YOU A
SECOND?
A NICE, PROTECTIVE SPELL AS

44
00:01:21,054 --> 00:01:22,222
SECOND?
A NICE, PROTECTIVE SPELL AS
EXTRA INSURANCE.

45
00:01:22,305 --> 00:01:27,936
A NICE, PROTECTIVE SPELL AS
EXTRA INSURANCE.
BETTER SAFE THAN SORRY.

46
00:01:28,019 --> 00:01:32,857
EXTRA INSURANCE.
BETTER SAFE THAN SORRY.
AJ? RARITY? ONE LAST THING?

47
00:01:35,402 --> 00:01:36,903
ALL RIGHT, EVERYPONY.

48
00:01:36,986 --> 00:01:40,073
ALL RIGHT, EVERYPONY.
WE'RE IN THE HOMESTRETCH HERE.

49
00:01:40,156 --> 00:01:41,365
WE'RE IN THE HOMESTRETCH HERE.
SEE, MR. AND MRS. CAKE?

50
00:01:41,448 --> 00:01:43,493
SEE, MR. AND MRS. CAKE?
I GOT IT HERE WITHOUT A HITCH.

51
00:01:43,576 --> 00:01:44,953
SEE, MR. AND MRS. CAKE?
I GOT IT HERE WITHOUT A HITCH.
NOW ALL WE HAVE TO DO IS GET

52
00:01:45,036 --> 00:01:47,747
I GOT IT HERE WITHOUT A HITCH.
NOW ALL WE HAVE TO DO IS GET
IT…

53
00:01:47,830 --> 00:01:49,249
NOW ALL WE HAVE TO DO IS GET
IT…
IN.

54
00:01:52,168 --> 00:01:53,962
* MY LITTLE PONY *

55
00:01:54,045 --> 00:01:58,008
* MY LITTLE PONY ♪
♪ MY LITTLE PONY *

56
00:01:58,091 --> 00:02:00,135
* MY LITTLE PONY ♪
♪ MY LITTLE PONY ♪
♪ MY LITTLE PONY *

57
00:02:00,218 --> 00:02:01,469
* MY LITTLE PONY ♪
♪ MY LITTLE PONY ♪
♪ I USED TO WONDER *

58
00:02:01,552 --> 00:02:02,428
* MY LITTLE PONY ♪
♪ I USED TO WONDER ♪
♪ WHAT FRIENDSHIP COULD BE *

59
00:02:02,511 --> 00:02:04,264
* I USED TO WONDER ♪
♪ WHAT FRIENDSHIP COULD BE ♪
♪ MY LITTLE PONY *

60
00:02:04,347 --> 00:02:05,390
* WHAT FRIENDSHIP COULD BE ♪
♪ MY LITTLE PONY ♪
♪ UNTIL YOU ALL SHARED *

61
00:02:05,473 --> 00:02:06,850
* MY LITTLE PONY ♪
♪ UNTIL YOU ALL SHARED ♪
♪ ITS MAGIC WITH ME *

62
00:02:06,933 --> 00:02:08,060
* UNTIL YOU ALL SHARED ♪
♪ ITS MAGIC WITH ME ♪
♪ BIG ADVENTURE *

63
00:02:08,143 --> 00:02:09,019
* ITS MAGIC WITH ME ♪
♪ BIG ADVENTURE ♪
♪ TONS OF FUN *

64
00:02:09,102 --> 00:02:09,936
* BIG ADVENTURE ♪
♪ TONS OF FUN ♪
♪ A BEAUTIFUL HEART *

65
00:02:10,019 --> 00:02:11,230
* TONS OF FUN ♪
♪ A BEAUTIFUL HEART ♪
♪ FAITHFUL AND STRONG *

66
00:02:11,313 --> 00:02:12,147
* A BEAUTIFUL HEART ♪
♪ FAITHFUL AND STRONG ♪
♪ SHARING KINDNESS *

67
00:02:12,230 --> 00:02:13,148
* FAITHFUL AND STRONG ♪
♪ SHARING KINDNESS ♪
♪ IT'S AN EASY FEAT *

68
00:02:13,231 --> 00:02:14,399
* SHARING KINDNESS ♪
♪ IT'S AN EASY FEAT ♪
♪ AND MAGIC MAKES IT *

69
00:02:14,482 --> 00:02:15,234
* IT'S AN EASY FEAT ♪
♪ AND MAGIC MAKES IT ♪
♪ ALL COMPLETE *

70
00:02:15,317 --> 00:02:17,194
* AND MAGIC MAKES IT ♪
♪ ALL COMPLETE ♪
♪ TO HAVE MY LITTLE PONY *

71
00:02:17,277 --> 00:02:18,153
* ALL COMPLETE ♪
♪ TO HAVE MY LITTLE PONY ♪
♪ DO YOU KNOW *

72
00:02:18,236 --> 00:02:19,154
* TO HAVE MY LITTLE PONY ♪
♪ DO YOU KNOW ♪
♪ YOU'RE ALL MY VERY *

73
00:02:19,237 --> 00:02:22,115
* DO YOU KNOW ♪
♪ YOU'RE ALL MY VERY ♪
♪ BEST FRIENDS *

74
00:02:34,669 --> 00:02:35,921
THANK YOU ALL FOR HELPING ME GET

75
00:02:36,004 --> 00:02:37,256
THANK YOU ALL FOR HELPING ME GET
THE CAKE SAFELY ON THE DESSERT

76
00:02:37,339 --> 00:02:38,298
THANK YOU ALL FOR HELPING ME GET
THE CAKE SAFELY ON THE DESSERT
CAR.

77
00:02:38,381 --> 00:02:39,258
THANK YOU FOR INVITING US ALL

78
00:02:39,341 --> 00:02:40,259
THANK YOU FOR INVITING US ALL
TO GO WITH YOU TO CANTERLOT

79
00:02:40,342 --> 00:02:41,260
THANK YOU FOR INVITING US ALL
TO GO WITH YOU TO CANTERLOT
FOR THE NATIONAL DESSERT

80
00:02:41,343 --> 00:02:42,386
TO GO WITH YOU TO CANTERLOT
FOR THE NATIONAL DESSERT
COMPETITION.

81
00:02:42,469 --> 00:02:43,678
FOR THE NATIONAL DESSERT
COMPETITION.
I'M SURE THE FESTIVITIES

82
00:02:43,761 --> 00:02:45,055
COMPETITION.
I'M SURE THE FESTIVITIES
WILL BE JUST LOVELY.

83
00:02:45,138 --> 00:02:46,598
I'M SURE THE FESTIVITIES
WILL BE JUST LOVELY.
PHOOEY ON THE FESTIVITIES.

84
00:02:46,681 --> 00:02:47,724
WILL BE JUST LOVELY.
PHOOEY ON THE FESTIVITIES.
I CAN'T WAIT TO TRY ALL

85
00:02:47,807 --> 00:02:50,810
PHOOEY ON THE FESTIVITIES.
I CAN'T WAIT TO TRY ALL
THOSE TASTY TREATS!

86
00:02:50,893 --> 00:02:52,145
I CAN'T WAIT TO TRY ALL
THOSE TASTY TREATS!
WELL, THE TASTIEST TREAT OF

87
00:02:52,228 --> 00:02:53,730
THOSE TASTY TREATS!
WELL, THE TASTIEST TREAT OF
ALL IS SURE TO BE THE CAKES'

88
00:02:53,813 --> 00:02:55,523
WELL, THE TASTIEST TREAT OF
ALL IS SURE TO BE THE CAKES'
MARZIPAN MASCARPONE MERINGUE

89
00:02:55,606 --> 00:02:56,524
ALL IS SURE TO BE THE CAKES'
MARZIPAN MASCARPONE MERINGUE
MADNESS.

90
00:02:56,607 --> 00:02:58,777
MARZIPAN MASCARPONE MERINGUE
MADNESS.
ALL THAT RICH, CREAMY GOODNESS

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00:02:58,860 --> 00:03:00,444
MADNESS.
ALL THAT RICH, CREAMY GOODNESS
OF THE MARZIPAN COMBINED WITH

92
00:03:00,527 --> 00:03:01,780
ALL THAT RICH, CREAMY GOODNESS
OF THE MARZIPAN COMBINED WITH
THE TART, TANGINESS OF THE

93
00:03:01,863 --> 00:03:04,116
OF THE MARZIPAN COMBINED WITH
THE TART, TANGINESS OF THE
MASCARPONE BLENDED PERFECTLY

94
00:03:04,199 --> 00:03:06,492
THE TART, TANGINESS OF THE
MASCARPONE BLENDED PERFECTLY
WITH THE SMOOTH, SILKY SWEETNESS

95
00:03:06,575 --> 00:03:07,827
MASCARPONE BLENDED PERFECTLY
WITH THE SMOOTH, SILKY SWEETNESS
OF THE MERINGUE.

96
00:03:07,910 --> 00:03:09,246
WITH THE SMOOTH, SILKY SWEETNESS
OF THE MERINGUE.
THAT'S WHY I CALL THE MARZIPAN

97
00:03:09,329 --> 00:03:11,123
OF THE MERINGUE.
THAT'S WHY I CALL THE MARZIPAN
MASCARPONE MERINGUE MADNESS

98
00:03:11,206 --> 00:03:13,083
THAT'S WHY I CALL THE MARZIPAN
MASCARPONE MERINGUE MADNESS
THE "MMMM."

99
00:03:13,166 --> 00:03:15,252
MASCARPONE MERINGUE MADNESS
THE "MMMM."
all: MMMM.

100
00:03:15,335 --> 00:03:16,378
THE "MMMM."
all: MMMM.
EXACTLY.

101
00:03:16,461 --> 00:03:17,712
all: MMMM.
EXACTLY.
IT'S THE MOST DELICIOUS,

102
00:03:17,795 --> 00:03:19,089
EXACTLY.
IT'S THE MOST DELICIOUS,
DELECTABLE, DELIGHTFUL, DELOVELY

103
00:03:19,172 --> 00:03:20,715
IT'S THE MOST DELICIOUS,
DELECTABLE, DELIGHTFUL, DELOVELY
CAKE IN EQUESTRIA, AND IT'S SURE

104
00:03:20,798 --> 00:03:22,550
DELECTABLE, DELIGHTFUL, DELOVELY
CAKE IN EQUESTRIA, AND IT'S SURE
TO WIN FIRST PRIZE.

105
00:03:22,633 --> 00:03:23,802
CAKE IN EQUESTRIA, AND IT'S SURE
TO WIN FIRST PRIZE.
THIS IS NOT

106
00:03:23,885 --> 00:03:24,803
TO WIN FIRST PRIZE.
THIS IS NOT
SO!

107
00:03:24,886 --> 00:03:26,554
THIS IS NOT
SO!
FOR I, GUSTAVE LE GRAND, DO

108
00:03:26,637 --> 00:03:27,889
SO!
FOR I, GUSTAVE LE GRAND, DO
CHALLENGE YOUR CRUDE CAKE TO A

109
00:03:27,972 --> 00:03:31,059
FOR I, GUSTAVE LE GRAND, DO
CHALLENGE YOUR CRUDE CAKE TO A
DUEL OF DELECTABLE DELICACIES

110
00:03:31,142 --> 00:03:33,686
CHALLENGE YOUR CRUDE CAKE TO A
DUEL OF DELECTABLE DELICACIES
AGAINST MY EXCEPTIONALLY

111
00:03:33,769 --> 00:03:37,732
DUEL OF DELECTABLE DELICACIES
AGAINST MY EXCEPTIONALLY
EXQUISITE ECLAIRS!

112
00:03:37,815 --> 00:03:39,067
AGAINST MY EXCEPTIONALLY
EXQUISITE ECLAIRS!
THEY WILL UNDOUBTABLY STRIKE

113
00:03:39,150 --> 00:03:40,444
EXQUISITE ECLAIRS!
THEY WILL UNDOUBTABLY STRIKE
DOWN ALL THE COMPETITION,

114
00:03:40,527 --> 00:03:41,778
THEY WILL UNDOUBTABLY STRIKE
DOWN ALL THE COMPETITION,
WINNING FIRST PRIZE AND CROWNING

115
00:03:41,861 --> 00:03:44,614
DOWN ALL THE COMPETITION,
WINNING FIRST PRIZE AND CROWNING
ME LE CHAMPION!

116
00:03:44,697 --> 00:03:46,574
WINNING FIRST PRIZE AND CROWNING
ME LE CHAMPION!
NOT A CHANCE, LE GRAND.

117
00:03:46,657 --> 00:03:47,659
ME LE CHAMPION!
NOT A CHANCE, LE GRAND.
DONUT JOE!

118
00:03:47,742 --> 00:03:49,828
NOT A CHANCE, LE GRAND.
DONUT JOE!
WHAT ARE YOU DOING IN PONYVILLE?

119
00:03:49,911 --> 00:03:51,163
DONUT JOE!
WHAT ARE YOU DOING IN PONYVILLE?
PICKING UP THE FINAL,

120
00:03:51,246 --> 00:03:53,123
WHAT ARE YOU DOING IN PONYVILLE?
PICKING UP THE FINAL,
ALL-IMPORTANT INGREDIENT FOR MY

121
00:03:53,206 --> 00:03:54,749
PICKING UP THE FINAL,
CONTEST ENTRY.
ALL-IMPORTANT INGREDIENT FOR MY

122
00:03:54,832 --> 00:03:57,210
CONTEST ENTRY.
DONUTOPIA!
ALL-IMPORTANT INGREDIENT FOR MY

123
00:03:57,293 --> 00:03:59,421
CONTEST ENTRY.
DONUTOPIA!
AND WITH THESE SUPER SPRINKLES,

124
00:03:59,504 --> 00:04:00,755
DONUTOPIA!
MY DONUTS ARE GONNA DUNK ALL THE
AND WITH THESE SUPER SPRINKLES,

125
00:04:00,838 --> 00:04:02,757
MY DONUTS ARE GONNA DUNK ALL THE
OTHER LOUSY DESSERTS, STEAL
AND WITH THESE SUPER SPRINKLES,

126
00:04:02,840 --> 00:04:05,051
MY DONUTS ARE GONNA DUNK ALL THE
OTHER LOUSY DESSERTS, STEAL
FIRST PRIZE, AND MAKE MY DONUT

127
00:04:05,134 --> 00:04:09,181
OTHER LOUSY DESSERTS, STEAL
FIRST PRIZE, AND MAKE MY DONUT
SHOP FAMOUS…FOREVER!

128
00:04:09,264 --> 00:04:11,933
FIRST PRIZE, AND MAKE MY DONUT
SHOP FAMOUS…FOREVER!
OH, JOE, YOUR DIPPY DONUTS

129
00:04:12,016 --> 00:04:15,228
SHOP FAMOUS…FOREVER!
OH, JOE, YOUR DIPPY DONUTS
COULD NEVER OUTRUN ME.

130
00:04:15,311 --> 00:04:17,022
OH, JOE, YOUR DIPPY DONUTS
COULD NEVER OUTRUN ME.
HELLO.

131
00:04:17,105 --> 00:04:18,190
COULD NEVER OUTRUN ME.
HELLO.
WHAT'S YOUR NAME?

132
00:04:18,273 --> 00:04:21,109
HELLO.
WHAT'S YOUR NAME?
I AM MULIA MILD.

133
00:04:21,192 --> 00:04:23,528
WHAT'S YOUR NAME?
I AM MULIA MILD.
BEHOLD MY CHOCOLATE MOOSE

134
00:04:23,611 --> 00:04:24,737
I AM MULIA MILD.
BEHOLD MY CHOCOLATE MOOSE
MOUSSE.

135
00:04:24,820 --> 00:04:27,157
BEHOLD MY CHOCOLATE MOOSE
MOUSSE.
IT WILL TRAMPLE ALL YOUR TREATS,

136
00:04:27,240 --> 00:04:29,159
MOUSSE.
IT WILL TRAMPLE ALL YOUR TREATS,
BE GIVEN FIRST PRIZE, AND MAKE

137
00:04:29,242 --> 00:04:31,411
IT WILL TRAMPLE ALL YOUR TREATS,
BE GIVEN FIRST PRIZE, AND MAKE
ME THE GREATEST CHEF IN

138
00:04:31,494 --> 00:04:34,164
BE GIVEN FIRST PRIZE, AND MAKE
ME THE GREATEST CHEF IN
EQUESTRIA.

139
00:04:34,247 --> 00:04:35,499
ME THE GREATEST CHEF IN
EQUESTRIA.
MADAME MILD, YOU AND YOUR

140
00:04:35,582 --> 00:04:38,251
EQUESTRIA.
MADAME MILD, YOU AND YOUR
MOOSE MOUSSE ARE MISTAKEN.

141
00:04:38,334 --> 00:04:39,752
MADAME MILD, YOU AND YOUR
MOOSE MOUSSE ARE MISTAKEN.
YOUR FROUFROU ECLAIRS

142
00:04:39,835 --> 00:04:41,671
MOOSE MOUSSE ARE MISTAKEN.
YOUR FROUFROU ECLAIRS
WILL NEVER DEFEAT MY DONUTS.

143
00:04:41,754 --> 00:04:42,714
YOUR FROUFROU ECLAIRS
WILL NEVER DEFEAT MY DONUTS.
THE CAKES' MARZIPAN

144
00:04:42,797 --> 00:04:44,132
WILL NEVER DEFEAT MY DONUTS.
THE CAKES' MARZIPAN
MASCARPONE MERINGUE MADNESS

145
00:04:44,215 --> 00:04:45,509
THE CAKES' MARZIPAN
MASCARPONE MERINGUE MADNESS
IS GOING TO WIN!

146
00:04:45,592 --> 00:04:47,760
MASCARPONE MERINGUE MADNESS
IS GOING TO WIN!
YOUR SIMPLE CAKE COULD NEVER

147
00:04:47,843 --> 00:04:49,179
IS GOING TO WIN!
TAKE MY MOUSSE.
YOUR SIMPLE CAKE COULD NEVER

148
00:04:49,262 --> 00:04:52,474
TAKE MY MOUSSE.
YOUR SIMPLE CAKE COULD NEVER

149
00:04:56,144 --> 00:04:57,396
WELL, IT SURE LOOKS LIKE

150
00:04:57,479 --> 00:04:58,730
WELL, IT SURE LOOKS LIKE
WE'RE IN FOR A DELICIOUS

151
00:04:58,813 --> 00:04:59,772
WELL, IT SURE LOOKS LIKE
WE'RE IN FOR A DELICIOUS
COMPETITION TOMORROW.

152
00:04:59,855 --> 00:05:00,982
WE'RE IN FOR A DELICIOUS
COMPETITION TOMORROW.
MAYBE WE SHOULD ALL SETTLE IN

153
00:05:01,065 --> 00:05:04,569
COMPETITION TOMORROW.
MAYBE WE SHOULD ALL SETTLE IN
FOR A GOOD NIGHT'S SLEEP.

154
00:05:04,652 --> 00:05:05,529
MAYBE WE SHOULD ALL SETTLE IN
FOR A GOOD NIGHT'S SLEEP.
OH.

155
00:05:05,612 --> 00:05:06,571
FOR A GOOD NIGHT'S SLEEP.
OH.

156
00:05:06,654 --> 00:05:10,575
OH.

157
00:05:13,702 --> 00:05:15,663
I GOT TO ADMIT I'M PRETTY BEAT.

158
00:05:15,746 --> 00:05:16,956
YEAH, I'M GONNA HIT THE HAY
I GOT TO ADMIT I'M PRETTY BEAT.

159
00:05:17,039 --> 00:05:18,958
YEAH, I'M GONNA HIT THE HAY
MYSELF.
I GOT TO ADMIT I'M PRETTY BEAT.

160
00:05:19,041 --> 00:05:20,001
YEAH, I'M GONNA HIT THE HAY
MYSELF.
WAIT!

161
00:05:20,084 --> 00:05:21,086
MYSELF.
WAIT!
DIDN'T YOU HEAR THOSE CHEFS?

162
00:05:21,169 --> 00:05:23,296
WAIT!
DIDN'T YOU HEAR THOSE CHEFS?
WE HAVE TO PROTECT MMMM.

163
00:05:23,379 --> 00:05:24,923
DIDN'T YOU HEAR THOSE CHEFS?
WE HAVE TO PROTECT MMMM.
MMMM?

164
00:05:25,006 --> 00:05:26,508
WE HAVE TO PROTECT MMMM.
MMMM?
MM-HMM!

165
00:05:26,591 --> 00:05:28,093
MMMM?
MM-HMM!
I KNOW FOR SUPER SURE THAT MMMM

166
00:05:28,176 --> 00:05:29,219
MM-HMM!
IS THE BEST DESSERT IN ALL OF
I KNOW FOR SUPER SURE THAT MMMM

167
00:05:29,302 --> 00:05:30,178
IS THE BEST DESSERT IN ALL OF
EQUESTRIA.
I KNOW FOR SUPER SURE THAT MMMM

168
00:05:30,261 --> 00:05:31,137
IS THE BEST DESSERT IN ALL OF
EQUESTRIA.
AND I KNOW THAT THEY KNOW IT

169
00:05:31,220 --> 00:05:32,097
EQUESTRIA.
AND I KNOW THAT THEY KNOW IT
TOO.

170
00:05:32,180 --> 00:05:33,181
AND I KNOW THAT THEY KNOW IT
TOO.
SO…?

171
00:05:33,264 --> 00:05:34,516
TOO.
SO…?
SO ONE OF THEM IS GONNA

172
00:05:34,599 --> 00:05:35,850
SO…?
SO ONE OF THEM IS GONNA
SABOTAGE THE CAKES' CAKE

173
00:05:35,933 --> 00:05:36,768
SO ONE OF THEM IS GONNA
SABOTAGE THE CAKES' CAKE
TONIGHT!

174
00:05:36,851 --> 00:05:38,811
SABOTAGE THE CAKES' CAKE
TONIGHT!
YOU HAVE TO HELP ME STAND GUARD.

175
00:05:38,894 --> 00:05:40,730
TONIGHT!
YOU HAVE TO HELP ME STAND GUARD.
PINKIE, YOU'RE OVERREACTING.

176
00:05:40,813 --> 00:05:42,065
YOU HAVE TO HELP ME STAND GUARD.
YEAH, THOSE CHEFS AREN'T
PINKIE, YOU'RE OVERREACTING.

177
00:05:42,148 --> 00:05:43,358
YEAH, THOSE CHEFS AREN'T
GONNA DO YOUR CAKE ANY HARM.
PINKIE, YOU'RE OVERREACTING.

178
00:05:43,441 --> 00:05:44,359
YEAH, THOSE CHEFS AREN'T
GONNA DO YOUR CAKE ANY HARM.
BUT THEY ARE!

179
00:05:44,442 --> 00:05:45,860
GONNA DO YOUR CAKE ANY HARM.
BUT THEY ARE!
I JUST KNOW IT.

180
00:05:45,943 --> 00:05:47,195
BUT THEY ARE!
I JUST KNOW IT.
FINE! IF YOU WANNA STAND

181
00:05:47,278 --> 00:05:48,405
I JUST KNOW IT.
FINE! IF YOU WANNA STAND
GUARD, GO FOR IT.

182
00:05:48,488 --> 00:05:53,868
FINE! IF YOU WANNA STAND
GUARD, GO FOR IT.
WE'RE GOING TO BED.

183
00:05:57,580 --> 00:05:58,957
I'LL SHOW THEM.

184
00:05:59,040 --> 00:06:00,292
I'LL SHOW THEM.
I'LL STAY UP ALL NIGHT AND

185
00:06:00,375 --> 00:06:01,334
I'LL SHOW THEM.
I'LL STAY UP ALL NIGHT AND
PROTECT YOU.

186
00:06:01,417 --> 00:06:02,919
I'LL STAY UP ALL NIGHT AND
PROTECT YOU.
NOTHING AND NOPONY WILL STOP ME

187
00:06:03,002 --> 00:06:07,089
PROTECT YOU.
FROM KEEPING YOU SAFE.
NOTHING AND NOPONY WILL STOP ME

188
00:06:19,602 --> 00:06:21,438
HUH?

189
00:06:21,521 --> 00:06:25,941
HUH?
STOP, YOU SABOTEUR!

190
00:06:28,777 --> 00:06:32,532
I HAVE YOU NOW!

191
00:06:32,615 --> 00:06:36,202
I HAVE YOU NOW!
WHA?

192
00:06:45,503 --> 00:06:50,216
AHA!

193
00:06:53,344 --> 00:06:55,472
MMMM?

194
00:06:55,555 --> 00:06:58,224
MMMM?
OH, THANK CELESTIA YOU'RE OKAY.

195
00:06:58,307 --> 00:06:59,559
MMMM?
BUT ONE OF THOSE BAKERS IS
OH, THANK CELESTIA YOU'RE OKAY.

196
00:06:59,642 --> 00:07:01,478
BUT ONE OF THOSE BAKERS IS
OH, THANK CELESTIA YOU'RE OKAY.
MIXING UP SOMETHING BAD, SO I'M

197
00:07:01,561 --> 00:07:03,062
BUT ONE OF THOSE BAKERS IS
MIXING UP SOMETHING BAD, SO I'M
NOT LEAVING YOU AGAIN NO MATTER

198
00:07:03,145 --> 00:07:06,191
WHAT!
MIXING UP SOMETHING BAD, SO I'M
NOT LEAVING YOU AGAIN NO MATTER

199
00:07:06,274 --> 00:07:08,734
WHAT!
HUH? WHO TURNED OUT THE MOON?
NOT LEAVING YOU AGAIN NO MATTER

200
00:07:08,817 --> 00:07:10,987
WHAT!
HUH? WHO TURNED OUT THE MOON?
DON'T GO NEAR THAT CAKE, THIEF!

201
00:07:11,070 --> 00:07:12,071
HUH? WHO TURNED OUT THE MOON?
STOP, THIEF!
DON'T GO NEAR THAT CAKE, THIEF!

202
00:07:12,154 --> 00:07:13,031
STOP, THIEF!
DON'T GO NEAR THAT CAKE, THIEF!

203
00:07:13,114 --> 00:07:17,994
STOP, THIEF!
OH! ARE YOU OKAY, THIEF?

204
00:07:18,077 --> 00:07:22,248
OH! ARE YOU OKAY, THIEF?

205
00:07:22,331 --> 00:07:24,125
OH! ARE YOU OKAY, THIEF?
HUMPH!

206
00:07:24,208 --> 00:07:26,628
HUMPH!
OVERREACTING MY HOOF!

207
00:07:26,711 --> 00:07:27,962
HUMPH!
OVERREACTING MY HOOF!
I KNEW I WAS GONNA HAVE TO KEEP

208
00:07:28,045 --> 00:07:29,297
OVERREACTING MY HOOF!
A CLOSE EYE ON YOU, AND THAT'S
I KNEW I WAS GONNA HAVE TO KEEP

209
00:07:29,380 --> 00:07:32,841
A CLOSE EYE ON YOU, AND THAT'S
JUST WHAT I'M GONNA DO.
I KNEW I WAS GONNA HAVE TO KEEP

210
00:07:42,268 --> 00:07:44,770
HUH? WHA?

211
00:07:44,853 --> 00:07:46,105
HUH? WHA?
THE CAKE!

212
00:07:46,188 --> 00:07:51,944
HUH? WHA?
THE CAKE!
OH, MMMM, YOU LOOK MMMMARVELOUS.

213
00:07:54,656 --> 00:07:56,032
WHOA!

214
00:07:56,115 --> 00:07:57,325
WHOA!
I KNOW.

215
00:07:57,408 --> 00:07:58,660
WHOA!
I KNOW.
I THINK SOME CONGRATULATIONS ARE

216
00:07:58,743 --> 00:08:00,579
I KNOW.
I THINK SOME CONGRATULATIONS ARE
IN ORDER FOR A JOB WELL DONE.

217
00:08:00,662 --> 00:08:01,913
I THINK SOME CONGRATULATIONS ARE
IN ORDER FOR A JOB WELL DONE.
UM, YOU BETTER HOLD OFF ON

218
00:08:01,996 --> 00:08:03,248
IN ORDER FOR A JOB WELL DONE.
UM, YOU BETTER HOLD OFF ON
GIVING YOURSELF AN AWARD JUST

219
00:08:03,331 --> 00:08:04,624
UM, YOU BETTER HOLD OFF ON
GIVING YOURSELF AN AWARD JUST
YET, PINKIE.

220
00:08:04,707 --> 00:08:05,625
GIVING YOURSELF AN AWARD JUST
YET, PINKIE.
LOOK.

221
00:08:05,708 --> 00:08:07,126
YET, PINKIE.
LOOK.
LOOK AT WHAT?

222
00:08:07,209 --> 00:08:08,961
LOOK.
LOOK AT WHAT?
HUH?

223
00:08:09,044 --> 00:08:10,296
LOOK AT WHAT?
HUH?

224
00:08:16,010 --> 00:08:17,095
WHAT IS IT?

225
00:08:17,178 --> 00:08:18,137
WHAT IS IT?
WHAT HAPPENED?

226
00:08:18,220 --> 00:08:19,305
WHAT IS IT?
WHAT HAPPENED?
IT'S THE MARZIPAN MASCARPONE

227
00:08:19,388 --> 00:08:20,473
WHAT HAPPENED?
MERINGUE MADNESS.
IT'S THE MARZIPAN MASCARPONE

228
00:08:20,556 --> 00:08:22,850
MERINGUE MADNESS.
IT'S BEEN…MUTILATED!
IT'S THE MARZIPAN MASCARPONE

229
00:08:22,933 --> 00:08:24,018
MERINGUE MADNESS.
IT'S BEEN…MUTILATED!
all:

230
00:08:24,101 --> 00:08:25,186
IT'S BEEN…MUTILATED!
all:
NOW WE JUST NEED TO FIND OUT

231
00:08:25,269 --> 00:08:27,021
all:
WHO DONE IT!
NOW WE JUST NEED TO FIND OUT

232
00:08:27,104 --> 00:08:29,190
WHO DONE IT!
YOU MEAN WHO <i>DID</i> IT.
NOW WE JUST NEED TO FIND OUT

233
00:08:29,273 --> 00:08:30,233
WHO DONE IT!
YOU MEAN WHO <i>DID</i> IT.
EXACTLY!

234
00:08:30,316 --> 00:08:31,693
YOU MEAN WHO <i>DID</i> IT.
EXACTLY!
WHO DID DONE DOOD IT!

235
00:08:31,776 --> 00:08:32,818
EXACTLY!
WHO DID DONE DOOD IT!
WELL, HAVING READ MANY

236
00:08:32,901 --> 00:08:34,320
WHO DID DONE DOOD IT!
WELL, HAVING READ MANY
MYSTERY NOVELS, I KNOW THAT THE

237
00:08:34,403 --> 00:08:35,821
WELL, HAVING READ MANY
ONLY WAY TO DISCOVER THE CULPRIT
MYSTERY NOVELS, I KNOW THAT THE

238
00:08:35,904 --> 00:08:37,282
ONLY WAY TO DISCOVER THE CULPRIT
IS TO INVESTIGATE.
MYSTERY NOVELS, I KNOW THAT THE

239
00:08:37,365 --> 00:08:42,704
ONLY WAY TO DISCOVER THE CULPRIT
IS TO INVESTIGATE.
EXACTLY!

240
00:08:42,787 --> 00:08:44,163
IS TO INVESTIGATE.
EXACTLY!
AND AS CHIEF DETECTIVE, THAT'S

241
00:08:44,246 --> 00:08:46,499
EXACTLY!
AND AS CHIEF DETECTIVE, THAT'S
EXACTLY WHAT I'M GONNA DO.

242
00:08:46,582 --> 00:08:48,793
AND AS CHIEF DETECTIVE, THAT'S
EXACTLY WHAT I'M GONNA DO.
UH, <i>YOU'RE</i> INVESTIGATING?

243
00:08:48,876 --> 00:08:49,877
EXACTLY WHAT I'M GONNA DO.
UH, <i>YOU'RE</i> INVESTIGATING?
YES!

244
00:08:49,960 --> 00:08:51,045
UH, <i>YOU'RE</i> INVESTIGATING?
YES!
AND TWILIGHT SHALL BE MY LOWLY

245
00:08:51,128 --> 00:08:52,631
YES!
AND TWILIGHT SHALL BE MY LOWLY
ASSISTANT WHO ASKS SILLY

246
00:08:52,714 --> 00:08:55,925
AND TWILIGHT SHALL BE MY LOWLY
ASSISTANT WHO ASKS SILLY
QUESTIONS WITH OBVIOUS ANSWERS.

247
00:08:56,008 --> 00:08:57,343
ASSISTANT WHO ASKS SILLY
FINE, PINKIE.
QUESTIONS WITH OBVIOUS ANSWERS.

248
00:08:57,426 --> 00:08:58,678
FINE, PINKIE.
SHOULD WE START LOOKING FOR
QUESTIONS WITH OBVIOUS ANSWERS.

249
00:08:58,761 --> 00:09:00,179
FINE, PINKIE.
SHOULD WE START LOOKING FOR
CLUES?

250
00:09:00,262 --> 00:09:01,556
SHOULD WE START LOOKING FOR
CLUES?
PERFECT SILLY QUESTION, MY

251
00:09:01,639 --> 00:09:02,890
CLUES?
PERFECT SILLY QUESTION, MY
DEAR TWILIGHT, BECAUSE THE

252
00:09:02,973 --> 00:09:04,768
PERFECT SILLY QUESTION, MY
DEAR TWILIGHT, BECAUSE THE
OBVIOUS ANSWER IS…

253
00:09:04,851 --> 00:09:06,394
DEAR TWILIGHT, BECAUSE THE
OBVIOUS ANSWER IS…
YES?

254
00:09:06,477 --> 00:09:09,397
OBVIOUS ANSWER IS…
YES?
NO! 'CAUSE I KNOW WHO DID IT!

255
00:09:09,480 --> 00:09:10,815
YES?
NO! 'CAUSE I KNOW WHO DID IT!
all:

256
00:09:10,898 --> 00:09:12,150
NO! 'CAUSE I KNOW WHO DID IT!
all:
PINKIE, HOW COULD YOU

257
00:09:12,233 --> 00:09:13,234
all:
PINKIE, HOW COULD YOU
POSSIBLY KNOW?

258
00:09:13,317 --> 00:09:14,444
PINKIE, HOW COULD YOU
POSSIBLY KNOW?
HOW COULD I POSSIBLY <i>NOT</i>

259
00:09:14,527 --> 00:09:15,487
POSSIBLY KNOW?
HOW COULD I POSSIBLY <i>NOT</i>
KNOW?

260
00:09:15,570 --> 00:09:16,904
HOW COULD I POSSIBLY <i>NOT</i>
KNOW?
CLEARLY, THIS DASTARDLY DEED WAS

261
00:09:16,987 --> 00:09:18,406
KNOW?
CLEARLY, THIS DASTARDLY DEED WAS
DONE BY THE BAKER, WHO KNEW

262
00:09:18,489 --> 00:09:19,741
CLEARLY, THIS DASTARDLY DEED WAS
DONE BY THE BAKER, WHO KNEW
THEIR DESSERT COULD NOT MEASURE

263
00:09:19,824 --> 00:09:20,742
DONE BY THE BAKER, WHO KNEW
UP TO THE MASTERY OF THE
THEIR DESSERT COULD NOT MEASURE

264
00:09:20,825 --> 00:09:22,827
UP TO THE MASTERY OF THE
MARZIPAN MASCARPONE MERINGUE
THEIR DESSERT COULD NOT MEASURE

265
00:09:22,910 --> 00:09:23,911
UP TO THE MASTERY OF THE
MARZIPAN MASCARPONE MERINGUE
MADNESS!

266
00:09:23,994 --> 00:09:25,622
MARZIPAN MASCARPONE MERINGUE
MADNESS!
I GUESS YOU FEARED YOUR ECLAIRS

267
00:09:25,705 --> 00:09:27,582
MADNESS!
LACKED FLAIR…
I GUESS YOU FEARED YOUR ECLAIRS

268
00:09:27,665 --> 00:09:30,042
LACKED FLAIR…
GUSTAVE!
I GUESS YOU FEARED YOUR ECLAIRS

269
00:09:30,125 --> 00:09:31,043
LACKED FLAIR…
GUSTAVE!

270
00:09:31,126 --> 00:09:39,093
GUSTAVE!

271
00:10:03,951 --> 00:10:05,203
THUS DESTROYING THE CAKE AND THE

272
00:10:05,286 --> 00:10:06,788
THUS DESTROYING THE CAKE AND THE
CAKES' CHANCES OF WINNING THE

273
00:10:06,871 --> 00:10:08,581
THUS DESTROYING THE CAKE AND THE
CAKES' CHANCES OF WINNING THE
NATIONAL DESSERT COMPETITION!

274
00:10:08,664 --> 00:10:10,375
CAKES' CHANCES OF WINNING THE
NATIONAL DESSERT COMPETITION!
BUT IT MAKES NO SENSE.

275
00:10:10,458 --> 00:10:11,459
NATIONAL DESSERT COMPETITION!
BUT IT MAKES NO SENSE.
WHAT DO YOU MEAN, LOWLY

276
00:10:11,542 --> 00:10:12,460
BUT IT MAKES NO SENSE.
WHAT DO YOU MEAN, LOWLY
ASSISTANT?

277
00:10:12,543 --> 00:10:13,503
WHAT DO YOU MEAN, LOWLY
ASSISTANT?
WELL, FIRST, IF YOU WERE TIED

278
00:10:13,586 --> 00:10:14,962
ASSISTANT?
WELL, FIRST, IF YOU WERE TIED
TO THE TRAIN TRACKS, HOW ARE YOU

279
00:10:15,045 --> 00:10:17,590
WELL, FIRST, IF YOU WERE TIED
TO THE TRAIN TRACKS, HOW ARE YOU
NOW HERE?

280
00:10:17,673 --> 00:10:18,466
TO THE TRAIN TRACKS, HOW ARE YOU
NOW HERE?
HUH.

281
00:10:18,549 --> 00:10:19,759
NOW HERE?
HUH.
GUESS THAT ISN'T A TOTALLY SILLY

282
00:10:19,842 --> 00:10:20,802
HUH.
GUESS THAT ISN'T A TOTALLY SILLY
QUESTION.

283
00:10:20,885 --> 00:10:22,053
GUESS THAT ISN'T A TOTALLY SILLY
QUESTION.
AND SECOND, THE CAKE HASN'T

284
00:10:22,136 --> 00:10:24,096
QUESTION.
AND SECOND, THE CAKE HASN'T
BEEN SLICED, IT'S BEEN BITTEN.

285
00:10:24,179 --> 00:10:26,015
AND SECOND, THE CAKE HASN'T
BEEN SLICED, IT'S BEEN BITTEN.
JUST LOOK AT THE TEETH MARKS.

286
00:10:26,098 --> 00:10:28,142
BEEN SLICED, IT'S BEEN BITTEN.
JUST LOOK AT THE TEETH MARKS.
HMM, YOU'RE RIGHT, MY FINE

287
00:10:28,225 --> 00:10:29,602
JUST LOOK AT THE TEETH MARKS.
HMM, YOU'RE RIGHT, MY FINE
FELLOW.

288
00:10:29,685 --> 00:10:30,936
HMM, YOU'RE RIGHT, MY FINE
FELLOW.
GUSTAVE LE GRAND IS CLEARLY IN

289
00:10:31,019 --> 00:10:33,314
FELLOW.
GUSTAVE LE GRAND IS CLEARLY IN
THE CLEAR, WHICH MEANS THAT MMMM

290
00:10:33,397 --> 00:10:35,567
GUSTAVE LE GRAND IS CLEARLY IN
THE CLEAR, WHICH MEANS THAT MMMM
WAS DESTROYED BY ANOTHER BAKER…

291
00:10:35,650 --> 00:10:37,652
THE CLEAR, WHICH MEANS THAT MMMM
WAS DESTROYED BY ANOTHER BAKER…
A BAKER WHOSE DONUTS ARE

292
00:10:37,735 --> 00:10:39,195
WAS DESTROYED BY ANOTHER BAKER…
A BAKER WHOSE DONUTS ARE
DO-NOTS!

293
00:10:39,278 --> 00:10:42,657
A BAKER WHOSE DONUTS ARE
DO-NOTS!
THAT'S RIGHT, IT WAS JOE…

294
00:10:42,740 --> 00:10:43,658
DO-NOTS!
THAT'S RIGHT, IT WAS JOE…

295
00:10:43,741 --> 00:10:45,910
THAT'S RIGHT, IT WAS JOE…

296
00:10:45,993 --> 00:10:47,579
OR AS HE'S KNOWN IN THE SPY

297
00:10:47,662 --> 00:10:52,583
OR AS HE'S KNOWN IN THE SPY
WORLD, MANE, CON MANE.

298
00:11:38,128 --> 00:11:39,881
CRUSHING THE CAKES' CHANCES TO

299
00:11:39,964 --> 00:11:41,257
CRUSHING THE CAKES' CHANCES TO
WIN!

300
00:11:41,340 --> 00:11:43,050
CRUSHING THE CAKES' CHANCES TO
WIN!
PINKIE, THERE IS NO LASER

301
00:11:43,133 --> 00:11:45,428
WIN!
PINKIE, THERE IS NO LASER
BEAM SECURITY SYSTEM, AND JOE IS

302
00:11:45,511 --> 00:11:47,472
PINKIE, THERE IS NO LASER
BEAM SECURITY SYSTEM, AND JOE IS
NOT SLEEK, STEALTHY CON MANE.

303
00:11:47,555 --> 00:11:49,515
BEAM SECURITY SYSTEM, AND JOE IS
NOT SLEEK, STEALTHY CON MANE.
HE'S BIG, GRUFF, AND MESSY!

304
00:11:49,598 --> 00:11:50,934
NOT SLEEK, STEALTHY CON MANE.
HE'S BIG, GRUFF, AND MESSY!
HEY!

305
00:11:51,017 --> 00:11:52,059
HE'S BIG, GRUFF, AND MESSY!
HEY!
ALTHOUGH YOU WOULD LOOK

306
00:11:52,142 --> 00:11:54,145
HEY!
ALTHOUGH YOU WOULD LOOK
RATHER DAPPER IN A TUXEDO.

307
00:11:54,228 --> 00:11:55,730
ALTHOUGH YOU WOULD LOOK
RATHER DAPPER IN A TUXEDO.
YOU MAY BE RIGHT, LOWLY

308
00:11:55,813 --> 00:11:57,064
RATHER DAPPER IN A TUXEDO.
YOU MAY BE RIGHT, LOWLY
ASSISTANT.

309
00:11:57,147 --> 00:11:58,524
YOU MAY BE RIGHT, LOWLY
ASSISTANT.
<i>MAY</i> BE?

310
00:11:58,607 --> 00:11:59,525
ASSISTANT.
<i>MAY</i> BE?
NOW THAT I'M TAKING A CLOSER

311
00:11:59,608 --> 00:12:01,193
<i>MAY</i> BE?
LOOK AT THESE DESSERTS, I SEE
NOW THAT I'M TAKING A CLOSER

312
00:12:01,276 --> 00:12:03,321
LOOK AT THESE DESSERTS, I SEE
THAT ONE SIMPLY CANNOT LOOK ME
NOW THAT I'M TAKING A CLOSER

313
00:12:03,404 --> 00:12:04,363
LOOK AT THESE DESSERTS, I SEE
THAT ONE SIMPLY CANNOT LOOK ME
IN THE EYE.

314
00:12:04,446 --> 00:12:05,698
THAT ONE SIMPLY CANNOT LOOK ME
IN THE EYE.
PINKIE, THAT MOOSE IS A

315
00:12:05,781 --> 00:12:07,450
IN THE EYE.
PINKIE, THAT MOOSE IS A
MOUSSE.

316
00:12:07,533 --> 00:12:08,992
PINKIE, THAT MOOSE IS A
MOUSSE.
YES! AND THE MULE BEHIND THE

317
00:12:09,075 --> 00:12:10,411
MOUSSE.
MOOSE PANICKED WHEN SHE SAW THE
YES! AND THE MULE BEHIND THE

318
00:12:10,494 --> 00:12:13,080
MASTERY OF THE MMMM.
MOOSE PANICKED WHEN SHE SAW THE
YES! AND THE MULE BEHIND THE

319
00:12:13,163 --> 00:12:14,373
MASTERY OF THE MMMM.
SO YOU'RE SAYING THAT THE
MOOSE PANICKED WHEN SHE SAW THE

320
00:12:14,456 --> 00:12:16,083
MASTERY OF THE MMMM.
SO YOU'RE SAYING THAT THE
CULPRIT IS…

321
00:12:16,166 --> 00:12:20,128
SO YOU'RE SAYING THAT THE
CULPRIT IS…
MULIA MILD!

322
00:12:44,862 --> 00:12:46,238
PUTTING AN END TO THE CAKES'

323
00:12:46,321 --> 00:12:48,115
PUTTING AN END TO THE CAKES'
DREAMS OF TAKING FIRST PRIZE.

324
00:12:48,198 --> 00:12:49,241
PUTTING AN END TO THE CAKES'
DREAMS OF TAKING FIRST PRIZE.
HUMPH!

325
00:12:49,324 --> 00:12:50,827
DREAMS OF TAKING FIRST PRIZE.
HUMPH!
I HOPE YOU'RE PROUD OF YOURSELF,

326
00:12:50,910 --> 00:12:52,495
HUMPH!
I HOPE YOU'RE PROUD OF YOURSELF,
MULIA.

327
00:12:52,578 --> 00:12:53,579
I HOPE YOU'RE PROUD OF YOURSELF,
MULIA.
PINKIE, STOP.

328
00:12:53,662 --> 00:12:54,789
MULIA.
PINKIE, STOP.
THIS IS RIDICULOUS.

329
00:12:54,872 --> 00:12:55,957
PINKIE, STOP.
THIS IS RIDICULOUS.
LOOK AT HER.

330
00:12:56,040 --> 00:12:58,209
THIS IS RIDICULOUS.
LOOK AT HER.

331
00:12:58,292 --> 00:12:59,836
LOOK AT HER.
HUH. I GUESS YOU'RE RIGHT.

332
00:12:59,919 --> 00:13:01,128
HUH. I GUESS YOU'RE RIGHT.
THANK YOU!

333
00:13:01,211 --> 00:13:02,463
HUH. I GUESS YOU'RE RIGHT.
THANK YOU!
BUT I WAS SO SURE THAT IT WAS

334
00:13:02,546 --> 00:13:03,631
THANK YOU!
BUT I WAS SO SURE THAT IT WAS
ONE OF THE OTHER BITTER BAKERS

335
00:13:03,714 --> 00:13:05,550
BUT I WAS SO SURE THAT IT WAS
ONE OF THE OTHER BITTER BAKERS
THAT DESTROYED THE MMMM.

336
00:13:05,633 --> 00:13:07,010
ONE OF THE OTHER BITTER BAKERS
THAT DESTROYED THE MMMM.
THAT WAY, THEIR DELICIOUS

337
00:13:07,093 --> 00:13:08,636
THAT DESTROYED THE MMMM.
THAT WAY, THEIR DELICIOUS
DESSERT WOULD REIGN SUPREME.

338
00:13:08,719 --> 00:13:10,137
THAT WAY, THEIR DELICIOUS
DESSERT WOULD REIGN SUPREME.
I MEAN, JUST LOOK AT JOE'S

339
00:13:10,220 --> 00:13:11,806
DESSERT WOULD REIGN SUPREME.
I MEAN, JUST LOOK AT JOE'S
DONUTOPIA.

340
00:13:11,889 --> 00:13:13,140
I MEAN, JUST LOOK AT JOE'S
DONUTOPIA.
IT'S A SPECTACULAR CITY OF

341
00:13:13,223 --> 00:13:14,475
DONUTOPIA.
IT'S A SPECTACULAR CITY OF
DONUTTY DELIGHT, TOPPED

342
00:13:14,558 --> 00:13:17,812
IT'S A SPECTACULAR CITY OF
DONUTTY DELIGHT, TOPPED
TEMPTINGLY IN SPRINK-A-LICIOUS

343
00:13:17,895 --> 00:13:18,938
DONUTTY DELIGHT, TOPPED
TEMPTINGLY IN SPRINK-A-LICIOUS
SPRINKLES.

344
00:13:19,021 --> 00:13:20,314
TEMPTINGLY IN SPRINK-A-LICIOUS
SPRINKLES.
AND GUSTAVE'S ECLAIRS LOOK

345
00:13:20,397 --> 00:13:22,065
SPRINKLES.
AND GUSTAVE'S ECLAIRS LOOK
INCREDIBLY EDIBLE WITH

346
00:13:22,148 --> 00:13:24,402
AND GUSTAVE'S ECLAIRS LOOK
INCREDIBLY EDIBLE WITH
GLISTENING GLAZINESS.

347
00:13:24,485 --> 00:13:26,237
INCREDIBLY EDIBLE WITH
GLISTENING GLAZINESS.
BUT THEN THERE'S MULIA MILD'S

348
00:13:26,320 --> 00:13:28,531
GLISTENING GLAZINESS.
BUT THEN THERE'S MULIA MILD'S
MOOSE MOUSSE.

349
00:13:28,614 --> 00:13:29,908
BUT THEN THERE'S MULIA MILD'S
MOOSE MOUSSE.
WHY THIS MOUTH-WATERINGLY

350
00:13:29,991 --> 00:13:31,367
MOOSE MOUSSE.
WHY THIS MOUTH-WATERINGLY
MARVELOUS MOOSE MOUSSE TEMPTS

351
00:13:31,450 --> 00:13:32,952
WHY THIS MOUTH-WATERINGLY
MARVELOUS MOOSE MOUSSE TEMPTS
THE TASTE BUDS WITH ITS SILKY

352
00:13:33,035 --> 00:13:34,453
MARVELOUS MOOSE MOUSSE TEMPTS
THE TASTE BUDS WITH ITS SILKY
SMOOTH, YUMMY-NUMMY

353
00:13:34,536 --> 00:13:36,372
THE TASTE BUDS WITH ITS SILKY
SMOOTH, YUMMY-NUMMY
CHOCOLATINESS.

354
00:13:36,455 --> 00:13:38,165
SMOOTH, YUMMY-NUMMY
CHOCOLATINESS.
SO WHY DID THIS CRIMINAL DEVOUR

355
00:13:38,248 --> 00:13:39,458
CHOCOLATINESS.
THE MARZIPAN MASCARPONE MERINGUE
SO WHY DID THIS CRIMINAL DEVOUR

356
00:13:39,541 --> 00:13:40,877
THE MARZIPAN MASCARPONE MERINGUE
SO WHY DID THIS CRIMINAL DEVOUR
MADNESS WHILE LEAVING THIS TRIO

357
00:13:40,960 --> 00:13:45,130
THE MARZIPAN MASCARPONE MERINGUE
OF TASTY TREATS UNTOUCHED?
MADNESS WHILE LEAVING THIS TRIO

358
00:13:45,213 --> 00:13:48,927
OF TASTY TREATS UNTOUCHED?
MADNESS WHILE LEAVING THIS TRIO

359
00:13:49,010 --> 00:13:53,723
OF TASTY TREATS UNTOUCHED?
HUH.

360
00:13:53,806 --> 00:13:55,516
HUH.
NOW I HAVE NO IDEA WHO DO DONED

361
00:13:55,599 --> 00:13:56,599
HUH.
IT!
NOW I HAVE NO IDEA WHO DO DONED

362
00:14:02,439 --> 00:14:03,858
THIS MYSTERY GETS MORE

363
00:14:03,941 --> 00:14:05,568
THIS MYSTERY GETS MORE
MYSTERIOUS EVERY MINUTE.

364
00:14:05,651 --> 00:14:06,903
THIS MYSTERY GETS MORE
MYSTERIOUS EVERY MINUTE.
WELL, YOU HAVE TO STOP THE

365
00:14:06,986 --> 00:14:08,237
MYSTERIOUS EVERY MINUTE.
WELL, YOU HAVE TO STOP THE
WILD ACCUSATIONS AND GET TO THE

366
00:14:08,320 --> 00:14:09,154
WELL, YOU HAVE TO STOP THE
TRUTH.
WILD ACCUSATIONS AND GET TO THE

367
00:14:09,237 --> 00:14:10,740
TRUTH.
EVERYPONY GO BACK TO YOUR CARS
WILD ACCUSATIONS AND GET TO THE

368
00:14:10,823 --> 00:14:12,075
TRUTH.
EVERYPONY GO BACK TO YOUR CARS
WHILE WE DO A LITTLE

369
00:14:12,158 --> 00:14:15,036
EVERYPONY GO BACK TO YOUR CARS
WHILE WE DO A LITTLE
INVESTIGATING.

370
00:14:15,119 --> 00:14:16,871
WHILE WE DO A LITTLE
INVESTIGATING.
OKAY, PINKIE, IN ORDER TO REALLY

371
00:14:16,954 --> 00:14:18,414
INVESTIGATING.
OKAY, PINKIE, IN ORDER TO REALLY
SOLVE THIS MYSTERY, WE'RE GOING

372
00:14:18,497 --> 00:14:22,418
OKAY, PINKIE, IN ORDER TO REALLY
TO HAVE TO FIND CLUES.
SOLVE THIS MYSTERY, WE'RE GOING

373
00:14:22,501 --> 00:14:23,836
TO HAVE TO FIND CLUES.
NOW YOU WERE HERE AT THE SCENE
SOLVE THIS MYSTERY, WE'RE GOING

374
00:14:23,919 --> 00:14:25,755
TO HAVE TO FIND CLUES.
NOW YOU WERE HERE AT THE SCENE
OF THE CRIME ALL NIGHT.

375
00:14:25,838 --> 00:14:26,798
NOW YOU WERE HERE AT THE SCENE
OF THE CRIME ALL NIGHT.
YOU'RE NOT ACCUSING

376
00:14:26,881 --> 00:14:28,132
OF THE CRIME ALL NIGHT.
ME, ARE YOU?
YOU'RE NOT ACCUSING

377
00:14:28,215 --> 00:14:30,635
ME, ARE YOU?
NO, BUT MAYBE YOU SAW
YOU'RE NOT ACCUSING

378
00:14:30,718 --> 00:14:32,428
ME, ARE YOU?
NO, BUT MAYBE YOU SAW
SOMETHING THAT WILL HELP US.

379
00:14:32,511 --> 00:14:33,805
NO, BUT MAYBE YOU SAW
SOMETHING THAT WILL HELP US.
I SAW A SILHOUETTE IN THE

380
00:14:33,888 --> 00:14:34,806
SOMETHING THAT WILL HELP US.
I SAW A SILHOUETTE IN THE
MOONLIGHT.

381
00:14:34,889 --> 00:14:35,807
I SAW A SILHOUETTE IN THE
MOONLIGHT.
GOOD.

382
00:14:35,890 --> 00:14:40,853
MOONLIGHT.
GOOD.
LET'S RETRACE YOUR STEPS.

383
00:14:43,438 --> 00:14:44,690
THEN I CHASED THE CULPRIT

384
00:14:44,773 --> 00:14:46,025
THEN I CHASED THE CULPRIT
DOWN THE TRAIN, TOWARDS THE

385
00:14:46,108 --> 00:14:48,027
THEN I CHASED THE CULPRIT
DOWN THE TRAIN, TOWARDS THE
CABOOSE.

386
00:14:48,110 --> 00:14:49,445
DOWN THE TRAIN, TOWARDS THE
CABOOSE.
BUT WHEN I GOT THERE, HE WAS

387
00:14:49,528 --> 00:14:50,738
CABOOSE.
BUT WHEN I GOT THERE, HE WAS
GONE.

388
00:14:50,821 --> 00:14:54,700
BUT WHEN I GOT THERE, HE WAS
GONE.
HMM.

389
00:14:54,783 --> 00:14:56,201
GONE.
HMM.
AHA!

390
00:14:56,284 --> 00:14:59,872
HMM.
AHA!
OUR FIRST CLUE.

391
00:15:04,168 --> 00:15:05,252
I THINK I KNOW WHO DID IT,

392
00:15:05,335 --> 00:15:06,211
I THINK I KNOW WHO DID IT,
PINKIE.

393
00:15:06,294 --> 00:15:07,130
I THINK I KNOW WHO DID IT,
PINKIE.
ALREADY?

394
00:15:07,213 --> 00:15:08,297
PINKIE.
ALREADY?
YES, BUT I NEED MORE EVIDENCE

395
00:15:08,380 --> 00:15:09,841
ALREADY?
YES, BUT I NEED MORE EVIDENCE
TO CONFIRM.

396
00:15:09,924 --> 00:15:11,676
YES, BUT I NEED MORE EVIDENCE
TO CONFIRM.
TELL ME WHAT HAPPENED NEXT.

397
00:15:11,759 --> 00:15:13,344
TO CONFIRM.
TELL ME WHAT HAPPENED NEXT.
I HEARD SOMEPONY ELSE IN THE

398
00:15:13,427 --> 00:15:15,096
TELL ME WHAT HAPPENED NEXT.
DESSERT CAR AND CHASED THEM UP
I HEARD SOMEPONY ELSE IN THE

399
00:15:15,179 --> 00:15:17,389
DESSERT CAR AND CHASED THEM UP
TO THE ENGINE.
I HEARD SOMEPONY ELSE IN THE

400
00:15:17,472 --> 00:15:19,558
DESSERT CAR AND CHASED THEM UP
TO THE ENGINE.
BUT WHEN I GOT THERE, ALL I SAW

401
00:15:19,641 --> 00:15:20,893
TO THE ENGINE.
WAS THE CONDUCTOR SHOVELING
BUT WHEN I GOT THERE, ALL I SAW

402
00:15:20,976 --> 00:15:22,061
WAS THE CONDUCTOR SHOVELING
COAL.
BUT WHEN I GOT THERE, ALL I SAW

403
00:15:22,144 --> 00:15:25,564
WAS THE CONDUCTOR SHOVELING
COAL.
THE CONDUCTOR, HUH?

404
00:15:25,647 --> 00:15:27,108
COAL.
THE CONDUCTOR, HUH?

405
00:15:27,191 --> 00:15:31,112
THE CONDUCTOR, HUH?
BUT THAT DOESN'T MAKE ANY SENSE.

406
00:15:36,992 --> 00:15:38,911
WHAT HAPPENED NEXT, PINKIE?

407
00:15:38,994 --> 00:15:40,454
WHAT HAPPENED NEXT, PINKIE?
WELL, I WENT BACK TO THE

408
00:15:40,537 --> 00:15:43,373
WHAT HAPPENED NEXT, PINKIE?
WELL, I WENT BACK TO THE
DESSERT CAR.

409
00:15:53,300 --> 00:15:56,095
YES?

410
00:15:56,178 --> 00:15:57,555
YES?
THE CURTAINS MYSTERIOUSLY

411
00:15:57,638 --> 00:15:59,431
YES?
THE CURTAINS MYSTERIOUSLY
CLOSED ALL ON THEIR OWN.

412
00:15:59,514 --> 00:16:00,892
THE CURTAINS MYSTERIOUSLY
CLOSED ALL ON THEIR OWN.
INTERESTING.

413
00:16:00,975 --> 00:16:02,185
CLOSED ALL ON THEIR OWN.
INTERESTING.
ANYTHING ELSE?

414
00:16:02,268 --> 00:16:04,020
INTERESTING.
ANYTHING ELSE?
I HEARD HOOFSTEPS, A LOUD

415
00:16:04,103 --> 00:16:05,646
ANYTHING ELSE?
I HEARD HOOFSTEPS, A LOUD
THUD…

416
00:16:05,729 --> 00:16:07,565
I HEARD HOOFSTEPS, A LOUD
THUD…
AND THEN THEY WERE GONE.

417
00:16:07,648 --> 00:16:08,941
THUD…
AND THEN THEY WERE GONE.
WHEN I OPENED THE CURTAINS,

418
00:16:09,024 --> 00:16:10,068
AND THEN THEY WERE GONE.
WHEN I OPENED THE CURTAINS,
I SAW THE PORTRAIT BY THE DOOR

419
00:16:10,151 --> 00:16:13,320
WHEN I OPENED THE CURTAINS,
I SAW THE PORTRAIT BY THE DOOR
WAS ALL CROOKED.

420
00:16:13,403 --> 00:16:17,908
I SAW THE PORTRAIT BY THE DOOR
WAS ALL CROOKED.
OH, MY, WHAT IS THAT?

421
00:16:22,746 --> 00:16:24,623
WHAT NEXT, PINKIE?

422
00:16:24,706 --> 00:16:25,583
WHAT NEXT, PINKIE?
THAT'S IT.

423
00:16:25,666 --> 00:16:26,751
WHAT NEXT, PINKIE?
THAT'S IT.
I WAS HERE GUARDING THE CAKE THE

424
00:16:26,834 --> 00:16:30,588
THAT'S IT.
I WAS HERE GUARDING THE CAKE THE
REST OF THE NIGHT.

425
00:16:30,671 --> 00:16:31,756
I WAS HERE GUARDING THE CAKE THE
REST OF THE NIGHT.
I MEAN…

426
00:16:31,839 --> 00:16:33,007
REST OF THE NIGHT.
I MEAN…
I SLEPT BY THE CAKE THE REST OF

427
00:16:33,090 --> 00:16:34,092
I MEAN…
THE NIGHT.
I SLEPT BY THE CAKE THE REST OF

428
00:16:34,175 --> 00:16:35,300
THE NIGHT.
AND WHEN YOU WOKE UP, HALF
I SLEPT BY THE CAKE THE REST OF

429
00:16:35,383 --> 00:16:36,343
THE NIGHT.
AND WHEN YOU WOKE UP, HALF
THE CAKE WAS GONE?

430
00:16:36,426 --> 00:16:37,595
AND WHEN YOU WOKE UP, HALF
THE CAKE WAS GONE?
EXACTLY!

431
00:16:37,678 --> 00:16:39,805
THE CAKE WAS GONE?
EXACTLY!
BY JOVE, I THINK I'VE GOT IT!

432
00:16:39,888 --> 00:16:41,390
EXACTLY!
BY JOVE, I THINK I'VE GOT IT!
CALL EVERYPONY BACK.

433
00:16:41,473 --> 00:16:46,562
BY JOVE, I THINK I'VE GOT IT!
CALL EVERYPONY BACK.
WE HAVE A CAKE CULPRIT TO CATCH.

434
00:16:46,645 --> 00:16:49,398
CALL EVERYPONY BACK.
WE HAVE A CAKE CULPRIT TO CATCH.
WHY ARE WE ALL HERE AGAIN?

435
00:16:49,481 --> 00:16:50,524
WE HAVE A CAKE CULPRIT TO CATCH.
WHY ARE WE ALL HERE AGAIN?

436
00:16:50,607 --> 00:16:51,984
WHY ARE WE ALL HERE AGAIN?
I BET YOU'RE WONDERING WHY

437
00:16:52,067 --> 00:16:53,318
I BET YOU'RE WONDERING WHY
YOU'RE ALL HERE AGAIN.

438
00:16:53,401 --> 00:16:55,154
I BET YOU'RE WONDERING WHY
YOU'RE ALL HERE AGAIN.
SHE'S GOOD!

439
00:16:55,237 --> 00:16:56,488
YOU'RE ALL HERE AGAIN.
SHE'S GOOD!
WE HAVE DISCOVERED THE TRUE

440
00:16:56,571 --> 00:16:59,450
SHE'S GOOD!
WE HAVE DISCOVERED THE TRUE
CULPRIT OF THIS CAKE CARNAGE.

441
00:16:59,533 --> 00:17:00,952
WE HAVE DISCOVERED THE TRUE
CULPRIT OF THIS CAKE CARNAGE.
BUT HOW?

442
00:17:01,035 --> 00:17:02,411
CULPRIT OF THIS CAKE CARNAGE.
BUT HOW?
WELL, YOU SEE, WHEN

443
00:17:02,494 --> 00:17:03,996
BUT HOW?
WELL, YOU SEE, WHEN
COMMITTING A CRIME, IT'S CRUCIAL

444
00:17:04,079 --> 00:17:05,372
WELL, YOU SEE, WHEN
COMMITTING A CRIME, IT'S CRUCIAL
THAT ONE NEVER LEAVES BEHIND

445
00:17:05,455 --> 00:17:07,708
COMMITTING A CRIME, IT'S CRUCIAL
THAT ONE NEVER LEAVES BEHIND
CLUES, ESPECIALLY AN OBVIOUS

446
00:17:07,791 --> 00:17:09,627
THAT ONE NEVER LEAVES BEHIND
CLUES, ESPECIALLY AN OBVIOUS
CLUE LIKE THIS.

447
00:17:09,710 --> 00:17:11,129
CLUES, ESPECIALLY AN OBVIOUS
CLUE LIKE THIS.
all:

448
00:17:11,212 --> 00:17:12,171
CLUE LIKE THIS.
all:
AHA!

449
00:17:12,254 --> 00:17:13,297
all:
AHA!
A BLUE FEATHER.

450
00:17:13,380 --> 00:17:15,716
AHA!
A BLUE FEATHER.
I KNEW IT WAS YOU, GUSTAVE LE

451
00:17:15,799 --> 00:17:17,342
A BLUE FEATHER.
I KNEW IT WAS YOU, GUSTAVE LE
GRAND!

452
00:17:17,425 --> 00:17:19,178
I KNEW IT WAS YOU, GUSTAVE LE
GRAND!
PINKIE, GUSTAVE DOESN'T HAVE

453
00:17:19,261 --> 00:17:20,512
GRAND!
BLUE FEATHERS.
PINKIE, GUSTAVE DOESN'T HAVE

454
00:17:20,595 --> 00:17:22,098
BLUE FEATHERS.
NO! 'CAUSE HE'S BEEN DYING
PINKIE, GUSTAVE DOESN'T HAVE

455
00:17:22,181 --> 00:17:24,016
BLUE FEATHERS.
NO! 'CAUSE HE'S BEEN DYING
THEM!

456
00:17:24,099 --> 00:17:25,768
NO! 'CAUSE HE'S BEEN DYING
THEM!
NO, PINKIE.

457
00:17:25,851 --> 00:17:26,727
THEM!
NO, PINKIE.
REMEMBER HOW WHEN YOU CHASED THE

458
00:17:26,810 --> 00:17:27,853
NO, PINKIE.
REMEMBER HOW WHEN YOU CHASED THE
SUSPECT TO THE CABOOSE, THEY

459
00:17:27,936 --> 00:17:28,980
REMEMBER HOW WHEN YOU CHASED THE
SUSPECT TO THE CABOOSE, THEY
SUDDENLY DISAPPEARED?

460
00:17:29,063 --> 00:17:31,107
SUSPECT TO THE CABOOSE, THEY
SUDDENLY DISAPPEARED?
THAT'S BECAUSE THEY FLEW AWAY.

461
00:17:31,190 --> 00:17:32,650
SUDDENLY DISAPPEARED?
THAT'S BECAUSE THEY FLEW AWAY.
BUT THE THIEF DID LEAVE A LITTLE

462
00:17:32,733 --> 00:17:35,319
THAT'S BECAUSE THEY FLEW AWAY.
BUT THE THIEF DID LEAVE A LITTLE
SOMETHING BEHIND, DIDN'T YOU,

463
00:17:35,402 --> 00:17:37,446
BUT THE THIEF DID LEAVE A LITTLE
SOMETHING BEHIND, DIDN'T YOU,
RAINBOW DASH?

464
00:17:37,529 --> 00:17:39,406
SOMETHING BEHIND, DIDN'T YOU,
RAINBOW DASH?
I-I DON'T EVEN LIKE CAKE!

465
00:17:39,489 --> 00:17:41,951
RAINBOW DASH?
I-I DON'T EVEN LIKE CAKE!
SO RAINBOW DASH DID IT!

466
00:17:42,034 --> 00:17:43,494
I-I DON'T EVEN LIKE CAKE!
SO RAINBOW DASH DID IT!
CASE SOLVED!

467
00:17:43,577 --> 00:17:45,329
SO RAINBOW DASH DID IT!
CASE SOLVED!
CASE NOT SOLVED, BECAUSE WHEN

468
00:17:45,412 --> 00:17:46,872
CASE SOLVED!
CASE NOT SOLVED, BECAUSE WHEN
WE WENT TO THE ENGINE, I SAW

469
00:17:46,955 --> 00:17:48,332
CASE NOT SOLVED, BECAUSE WHEN
WE WENT TO THE ENGINE, I SAW
THE CONDUCTOR'S HAT.

470
00:17:48,415 --> 00:17:50,584
WE WENT TO THE ENGINE, I SAW
THE CONDUCTOR'S HAT.
AND INSIDE THE HAT WAS…

471
00:17:50,667 --> 00:17:52,711
THE CONDUCTOR'S HAT.
AND INSIDE THE HAT WAS…
THIS.

472
00:17:52,794 --> 00:17:53,879
AND INSIDE THE HAT WAS…
THIS.
SO IT <i>WAS</i> YOU.

473
00:17:53,962 --> 00:17:55,131
THIS.
SO IT <i>WAS</i> YOU.
THAT PINK HAIR CAME FROM YOUR

474
00:17:55,214 --> 00:17:56,465
SO IT <i>WAS</i> YOU.
THAT PINK HAIR CAME FROM YOUR
RAINBOW COLORED MANE!

475
00:17:56,548 --> 00:17:58,050
THAT PINK HAIR CAME FROM YOUR
RAINBOW COLORED MANE!
I DON'T HAVE PINK IN MY MANE,

476
00:17:58,133 --> 00:17:59,093
RAINBOW COLORED MANE!
I DON'T HAVE PINK IN MY MANE,
PINKIE!

477
00:17:59,176 --> 00:18:00,845
I DON'T HAVE PINK IN MY MANE,
PINKIE!
SO YOU'RE WEARING A WIG?

478
00:18:00,928 --> 00:18:02,596
PINKIE!
SO YOU'RE WEARING A WIG?
OW! CUT IT OUT!

479
00:18:02,679 --> 00:18:04,723
SO YOU'RE WEARING A WIG?
OW! CUT IT OUT!
PINKIE, REMEMBER?

480
00:18:04,806 --> 00:18:05,808
OW! CUT IT OUT!
PINKIE, REMEMBER?
YOU CHASED A PONY TO THE ENGINE

481
00:18:05,891 --> 00:18:07,143
PINKIE, REMEMBER?
WHERE YOU THOUGHT YOU SAW THE
YOU CHASED A PONY TO THE ENGINE

482
00:18:07,226 --> 00:18:08,477
WHERE YOU THOUGHT YOU SAW THE
CONDUCTOR SHOVELING COAL, BUT
YOU CHASED A PONY TO THE ENGINE

483
00:18:08,560 --> 00:18:09,812
WHERE YOU THOUGHT YOU SAW THE
CONDUCTOR SHOVELING COAL, BUT
THAT WASN'T THE CONDUCTOR AT

484
00:18:09,895 --> 00:18:10,855
CONDUCTOR SHOVELING COAL, BUT
THAT WASN'T THE CONDUCTOR AT
ALL.

485
00:18:10,938 --> 00:18:12,857
THAT WASN'T THE CONDUCTOR AT
ALL.
IT WAS…FLUTTERSHY!

486
00:18:12,940 --> 00:18:14,692
ALL.
IT WAS…FLUTTERSHY!
OH, MY.

487
00:18:14,775 --> 00:18:16,027
IT WAS…FLUTTERSHY!
OH, MY.
YOU'RE GOING DOWN,

488
00:18:16,110 --> 00:18:17,069
OH, MY.
YOU'RE GOING DOWN,
FLUTTERSHY!

489
00:18:17,152 --> 00:18:19,071
YOU'RE GOING DOWN,
FLUTTERSHY!
PINKIE!

490
00:18:19,154 --> 00:18:20,239
FLUTTERSHY!
PINKIE!
BUT THEN ANOTHER CLUE CONFOUNDED

491
00:18:20,322 --> 00:18:21,949
PINKIE!
BUT THEN ANOTHER CLUE CONFOUNDED
MY SUSPICIONS.

492
00:18:22,032 --> 00:18:23,408
BUT THEN ANOTHER CLUE CONFOUNDED
MY SUSPICIONS.
YOU WERE GUARDING THE CAKE WHEN

493
00:18:23,491 --> 00:18:24,743
MY SUSPICIONS.
THE CURTAINS MYSTERIOUSLY
YOU WERE GUARDING THE CAKE WHEN

494
00:18:24,826 --> 00:18:25,744
THE CURTAINS MYSTERIOUSLY
CLOSED.
YOU WERE GUARDING THE CAKE WHEN

495
00:18:25,827 --> 00:18:27,163
THE CURTAINS MYSTERIOUSLY
CLOSED.
BUT THAT'S NO MYSTERY, THAT'S

496
00:18:27,246 --> 00:18:28,372
CLOSED.
BUT THAT'S NO MYSTERY, THAT'S
MAGIC.

497
00:18:28,455 --> 00:18:29,498
BUT THAT'S NO MYSTERY, THAT'S
MAGIC.
BUT WHEN THE THIEF TRIED TO MAKE

498
00:18:29,581 --> 00:18:30,582
MAGIC.
BUT WHEN THE THIEF TRIED TO MAKE
THEIR GREAT ESCAPE…

499
00:18:30,665 --> 00:18:31,583
BUT WHEN THE THIEF TRIED TO MAKE
THEIR GREAT ESCAPE…

500
00:18:31,666 --> 00:18:32,626
THEIR GREAT ESCAPE…
THEY LEFT A LITTLE ADDITION

501
00:18:32,709 --> 00:18:36,047
THEY LEFT A LITTLE ADDITION
TO THE PORTRAIT.

502
00:18:36,130 --> 00:18:37,381
THEY LEFT A LITTLE ADDITION
TO THE PORTRAIT.
HAS ANYPONY ELSE NOTICED THAT

503
00:18:37,464 --> 00:18:38,716
TO THE PORTRAIT.
HAS ANYPONY ELSE NOTICED THAT
RARITY IS WEARING HER HAIR

504
00:18:38,799 --> 00:18:40,509
HAS ANYPONY ELSE NOTICED THAT
RARITY IS WEARING HER HAIR
RATHER DIFFERENTLY TODAY?

505
00:18:40,592 --> 00:18:42,053
RARITY IS WEARING HER HAIR
RATHER DIFFERENTLY TODAY?
WHAT?

506
00:18:42,136 --> 00:18:43,512
RATHER DIFFERENTLY TODAY?
WHAT?
IS IT A CRIME TO CHANGE ONE'S

507
00:18:43,595 --> 00:18:44,972
WHAT?
IS IT A CRIME TO CHANGE ONE'S

508
00:18:45,055 --> 00:18:46,307
1476
IS IT A CRIME TO CHANGE ONE'S
1478
WHY, I THINK IT'S A CRIME NOT

509
00:18:46,390 --> 00:18:47,266
1480
WHY, I THINK IT'S A CRIME NOT
TO.

510
00:18:47,349 --> 00:18:51,562
WHY, I THINK IT'S A CRIME NOT
TO.
REALLY?

511
00:18:51,645 --> 00:18:53,147
TO.
REALLY?
FINE, I'M GUILTY!

512
00:18:53,230 --> 00:18:56,400
REALLY?
FINE, I'M GUILTY!
I WEAR FALSE EYELASHES!

513
00:18:56,483 --> 00:18:57,609
FINE, I'M GUILTY!
I WEAR FALSE EYELASHES!
OH, AND I TOOK A BIT OF THE

514
00:18:57,692 --> 00:18:59,153
I WEAR FALSE EYELASHES!
OH, AND I TOOK A BIT OF THE
CAKE.

515
00:18:59,236 --> 00:19:00,487
OH, AND I TOOK A BIT OF THE
CAKE.
SO DID I.

516
00:19:00,570 --> 00:19:02,365
CAKE.
SO DID I.
AW, NUTS! SO DID I.

517
00:19:02,448 --> 00:19:03,241
SO DID I.
AW, NUTS! SO DID I.
YOU JUST MADE IT SOUND SO

518
00:19:03,324 --> 00:19:04,491
AW, NUTS! SO DID I.
YOU JUST MADE IT SOUND SO
DELECTABLE.

519
00:19:04,574 --> 00:19:05,659
YOU JUST MADE IT SOUND SO
DELECTABLE.
SO TASTY.

520
00:19:05,742 --> 00:19:08,495
DELECTABLE.
SO TASTY.
AND BOY, WAS IT!

521
00:19:08,578 --> 00:19:09,621
SO TASTY.
AND BOY, WAS IT!
I ONLY MEANT TO TAKE A LITTLE

522
00:19:09,704 --> 00:19:11,123
AND BOY, WAS IT!
I ONLY MEANT TO TAKE A LITTLE
LADYLIKE BITE.

523
00:19:11,206 --> 00:19:12,791
I ONLY MEANT TO TAKE A LITTLE
LADYLIKE BITE.
BUT IT WAS SO GOOD.

524
00:19:12,874 --> 00:19:14,919
LADYLIKE BITE.
BUT IT WAS SO GOOD.
YEAH, I JUST DOVE RIGHT IN!

525
00:19:15,002 --> 00:19:16,921
BUT IT WAS SO GOOD.
YEAH, I JUST DOVE RIGHT IN!
BUT I'M REALLY, REALLY SORRY.

526
00:19:17,004 --> 00:19:19,006
YEAH, I JUST DOVE RIGHT IN!
BUT I'M REALLY, REALLY SORRY.
TERRIBLY SORRY.

527
00:19:19,089 --> 00:19:20,174
BUT I'M REALLY, REALLY SORRY.
TERRIBLY SORRY.
SORRY, PINKIE.

528
00:19:20,257 --> 00:19:22,467
TERRIBLY SORRY.
SORRY, PINKIE.
THAT'S OKAY.

529
00:19:22,550 --> 00:19:24,262
SORRY, PINKIE.
THAT'S OKAY.
AT LEAST THIS MYSTERY IS FINALLY

530
00:19:24,345 --> 00:19:25,304
THAT'S OKAY.
AT LEAST THIS MYSTERY IS FINALLY
SOLVED.

531
00:19:25,387 --> 00:19:26,389
AT LEAST THIS MYSTERY IS FINALLY
SOLVED.
BUT IT ISN'T.

532
00:19:26,472 --> 00:19:27,681
SOLVED.
BUT IT ISN'T.
WE FIGURED OUT WHO ATE THE

533
00:19:27,764 --> 00:19:28,807
BUT IT ISN'T.
WE FIGURED OUT WHO ATE THE
MARZIPAN MASCARPONE MERINGUE

534
00:19:28,890 --> 00:19:30,351
WE FIGURED OUT WHO ATE THE
MARZIPAN MASCARPONE MERINGUE
MADNESS, BUT WE STILL DON'T KNOW

535
00:19:30,434 --> 00:19:31,685
MARZIPAN MASCARPONE MERINGUE
MADNESS, BUT WE STILL DON'T KNOW
WHO DEVOURED THE OTHER BAKER'S

536
00:19:31,768 --> 00:19:32,686
MADNESS, BUT WE STILL DON'T KNOW
WHO DEVOURED THE OTHER BAKER'S
GOODS.

537
00:19:32,769 --> 00:19:34,021
WHO DEVOURED THE OTHER BAKER'S
GOODS.
YOU'RE RIGHT, TWILIGHT.

538
00:19:34,104 --> 00:19:35,522
GOODS.
YOU'RE RIGHT, TWILIGHT.
YOU KNOW WHAT WE HAVE TO DO?

539
00:19:35,605 --> 00:19:37,983
YOU'RE RIGHT, TWILIGHT.
YOU KNOW WHAT WE HAVE TO DO?
WELL, YES, I DO.

540
00:19:38,066 --> 00:19:39,068
YOU KNOW WHAT WE HAVE TO DO?
WELL, YES, I DO.
DO YOU?

541
00:19:39,151 --> 00:19:43,697
WELL, YES, I DO.
DO YOU?
LOOK FOR CLUES!

542
00:19:47,284 --> 00:19:50,996
UH-HUH, UH-HUH, UH-HUH.

543
00:19:51,079 --> 00:19:52,373
UH-HUH, UH-HUH, UH-HUH.
WELL, PINKIE, DID YOU FIND

544
00:19:52,456 --> 00:19:54,541
UH-HUH, UH-HUH, UH-HUH.
WELL, PINKIE, DID YOU FIND
THE DEVOURER OF THE DESSERTS?

545
00:19:54,624 --> 00:19:56,377
WELL, PINKIE, DID YOU FIND
THE DEVOURER OF THE DESSERTS?
I MOST CERTAINLY DID.

546
00:19:56,460 --> 00:19:59,130
THE DEVOURER OF THE DESSERTS?
I MOST CERTAINLY DID.
IT WAS NONE OTHER THAN…

547
00:19:59,213 --> 00:20:01,299
I MOST CERTAINLY DID.
IT WAS NONE OTHER THAN…
THE BAKERS!

548
00:20:01,382 --> 00:20:03,008
IT WAS NONE OTHER THAN…
THE BAKERS!
all:

549
00:20:03,091 --> 00:20:04,885
THE BAKERS!
all:
FIRST OF ALL, GUSTAVE HAS

550
00:20:04,968 --> 00:20:08,431
all:
FIRST OF ALL, GUSTAVE HAS
MOUSSE IN HIS MOUSTACHE!

551
00:20:08,514 --> 00:20:11,892
FIRST OF ALL, GUSTAVE HAS
MOUSSE IN HIS MOUSTACHE!
AND JOE HAS ECLAIR IN HIS HAIR!

552
00:20:14,686 --> 00:20:17,106
AND MULIA HAS SPRINKLES IN HER

553
00:20:17,189 --> 00:20:19,817
AND MULIA HAS SPRINKLES IN HER
WRINKLES!

554
00:20:19,900 --> 00:20:22,069
AND MULIA HAS SPRINKLES IN HER
WRINKLES!
WHAT DO YOU SAY, BAKERS?

555
00:20:22,152 --> 00:20:23,904
WRINKLES!
WHAT DO YOU SAY, BAKERS?
OH, AND I AM SO SORRY, MULIA.

556
00:20:23,987 --> 00:20:25,781
WHAT DO YOU SAY, BAKERS?
OH, AND I AM SO SORRY, MULIA.
BUT PINKIE MADE YOUR MOOSE

557
00:20:25,864 --> 00:20:27,950
OH, AND I AM SO SORRY, MULIA.
BUT PINKIE MADE YOUR MOOSE
MOUSSE SOUND…[ SLURP ]… <i>TRES</i>

558
00:20:28,033 --> 00:20:29,493
BUT PINKIE MADE YOUR MOOSE
MOUSSE SOUND…[ SLURP ]… <i>TRES
MAGNIFIQUE.</i>

559
00:20:29,576 --> 00:20:30,494
MOUSSE SOUND…[ SLURP ]… <i>TRES
MAGNIFIQUE.</i>
AND PINKIE'S DESCRIPTION OF

560
00:20:30,577 --> 00:20:32,455
<i>MAGNIFIQUE.</i>
AND PINKIE'S DESCRIPTION OF
YOUR ECLAIRS REALLY DID MAKE 'EM

561
00:20:32,538 --> 00:20:34,373
AND PINKIE'S DESCRIPTION OF
YOUR ECLAIRS REALLY DID MAKE 'EM
SOUND SCRUMPTIOUS.

562
00:20:34,456 --> 00:20:36,083
YOUR ECLAIRS REALLY DID MAKE 'EM
SOUND SCRUMPTIOUS.
AND THE WAY SHE SPOKE OF YOUR

563
00:20:36,166 --> 00:20:38,043
SOUND SCRUMPTIOUS.
AND THE WAY SHE SPOKE OF YOUR
YOUR DONUTOPIA…[ GASP ]…

564
00:20:38,126 --> 00:20:43,340
AND THE WAY SHE SPOKE OF YOUR
YOUR DONUTOPIA…[ GASP ]…
WAS TOO DELECTABLE TO RESIST.

565
00:20:44,925 --> 00:20:46,510
WELL, EVERYPONY, WE FINALLY

566
00:20:46,593 --> 00:20:48,179
WELL, EVERYPONY, WE FINALLY
HAVE THE MYSTERY SOLVED.

567
00:20:48,262 --> 00:20:49,554
WELL, EVERYPONY, WE FINALLY
HAVE THE MYSTERY SOLVED.
YES, BUT NOW WE DON'T HAVE

568
00:20:49,637 --> 00:20:51,349
HAVE THE MYSTERY SOLVED.
YES, BUT NOW WE DON'T HAVE
ANY DESSERTS TO ENTER INTO THE

569
00:20:51,432 --> 00:20:52,350
YES, BUT NOW WE DON'T HAVE
ANY DESSERTS TO ENTER INTO THE
CONTEST.

570
00:20:52,433 --> 00:20:54,893
ANY DESSERTS TO ENTER INTO THE
CONTEST.
I THINK WE CAN FIX THAT.

571
00:20:54,976 --> 00:20:57,938
CONTEST.
I THINK WE CAN FIX THAT.
COME ON!

572
00:20:58,021 --> 00:21:00,107
I THINK WE CAN FIX THAT.
COME ON!
DEAR PRINCESS CELESTIA,

573
00:21:00,190 --> 00:21:01,775
COME ON!
DEAR PRINCESS CELESTIA,
TODAY I LEARNED THAT IT'S NOT

574
00:21:01,858 --> 00:21:03,735
DEAR PRINCESS CELESTIA,
TODAY I LEARNED THAT IT'S NOT
GOOD TO JUMP TO CONCLUSIONS.

575
00:21:03,818 --> 00:21:04,903
TODAY I LEARNED THAT IT'S NOT
GOOD TO JUMP TO CONCLUSIONS.
YOU HAVE TO FIND OUT ALL THE

576
00:21:04,986 --> 00:21:05,946
GOOD TO JUMP TO CONCLUSIONS.
YOU HAVE TO FIND OUT ALL THE
FACTS BEFORE SAYING SOMEPONY

577
00:21:06,029 --> 00:21:07,365
YOU HAVE TO FIND OUT ALL THE
FACTS BEFORE SAYING SOMEPONY
DID SOMETHING.

578
00:21:07,448 --> 00:21:08,824
FACTS BEFORE SAYING SOMEPONY
DID SOMETHING.
IF YOU DON'T, YOU COULD END UP

579
00:21:08,907 --> 00:21:09,992
DID SOMETHING.
IF YOU DON'T, YOU COULD END UP
BLAMING SOMEPONY FOR SOMETHING

580
00:21:10,075 --> 00:21:11,910
IF YOU DON'T, YOU COULD END UP
BLAMING SOMEPONY FOR SOMETHING
THEY NEVER DID.

581
00:21:11,993 --> 00:21:14,038
BLAMING SOMEPONY FOR SOMETHING
THEY NEVER DID.
THIS COULD HURT THEIR FEELINGS,

582
00:21:14,121 --> 00:21:15,373
THEY NEVER DID.
AND IT COULD MAKE YOU LOOK
THIS COULD HURT THEIR FEELINGS,

583
00:21:15,456 --> 00:21:16,957
AND IT COULD MAKE YOU LOOK
REALLY FOOLISH.
THIS COULD HURT THEIR FEELINGS,

584
00:21:17,040 --> 00:21:18,834
AND IT COULD MAKE YOU LOOK
REALLY FOOLISH.
SO FROM NOW ON, I WILL ALWAYS

585
00:21:18,917 --> 00:21:21,712
REALLY FOOLISH.
SO FROM NOW ON, I WILL ALWAYS
MAKE SURE TO GET ALL THE FACTS.

586
00:21:21,795 --> 00:21:23,047
SO FROM NOW ON, I WILL ALWAYS
HOW'S THAT FOR A LESSON,
MAKE SURE TO GET ALL THE FACTS.

587
00:21:23,130 --> 00:21:26,842
HOW'S THAT FOR A LESSON,
PRINCESS CELESTIA?
MAKE SURE TO GET ALL THE FACTS.

588
00:21:26,925 --> 00:21:28,719
HOW'S THAT FOR A LESSON,
PRINCESS CELESTIA?
CARE FOR A BITE?

589
00:21:28,802 --> 00:21:33,932
PRINCESS CELESTIA?
CARE FOR A BITE?
I DON'T MIND IF I DO.

590
00:21:34,015 --> 00:21:36,685
CARE FOR A BITE?
I DON'T MIND IF I DO.

591
00:21:36,768 --> 00:21:40,898
* MY LITTLE PONY *

592
00:21:40,981 --> 00:21:44,443
* MY LITTLE PONY ♪
♪ MY LITTLE PONY *

593
00:21:53,910 --> 00:21:55,996
* MY LITTLE PONY *

594
00:21:56,079 --> 00:21:58,915
* MY LITTLE PONY ♪
♪ FRIENDS *